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edward.maurath

HWV27A3N20 - Arsace Recitative, "Passo di duolo in duolo"

edward.maurath

0:16	Est. Play Time
4	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	9	3	1	2	100%
	8	4	2	2	100%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	9	3	1	2	100%
	8	4	2	2	100%
Harpsichord	9	3	1	2	100%
	8	4	2	2	100%
Violoncello	5	0	1	2	100%
Flute	7	0	0	3	75%

HWV61A1N8 - Oh memory, still bitter to my soul!

edward.maurath

0:35	Est. Play Time
12	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
HSC LH	17	12	5	4	100%
HSC RH	16	11	5	3	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
HSC LH	17	12	5	4	100%
HSC RH	16	11	5	3	100%
VCL-	9	0	2	4	100%
Vla	8	0	1	4	100%
Vln 1	9	0	2	2	100%
Vln 2	8	0	3	3	100%
VNE-	9	0	2	4	100%
GOBRIAS	13	0	4	4	92%

HWV8A2N12 - "Dorinda, ove hai tu poste le tue speranze?" (1712)

edward.maurath

0:49	Est. Play Time
10	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	20	14	9	2	100%
	9	2	1	3	100%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	20	14	9	2	100%
	9	2	1	3	100%
Alto	10	0	4	3	100%
Violoncello	6	0	1	3	100%

HWV5A3N6: Ah sommi Dei, cui la giustizia arruota (Esilena)

edward.maurath

2:16	Est. Play Time
34	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello (Contniuo)	12	0	4	3	100%
Harp (Continuo)	18	40	5	3	97%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello (Contniuo)	12	0	4	3	100%
Harp (Continuo)	18	40	5	3	97%
	17	20	5	4	83%
Esilena	15	0	6	6	97%

HWV8A1N3 - "Ah! Infelice mia patria," Act 1

edward.maurath

1:25	Est. Play Time
22	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	19	23	7	3	100%
	11	0	5	3	100%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	19	23	7	3	100%
	11	0	5	3	100%
Amarilli	13	0	5	3	100%
Violoncello	11	0	5	3	100%

HWV8A2N12a - "Non me fuggir, crudele" (Dorinda)

edward.maurath

0:33	Est. Play Time
7	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	17	11	5	2	100%
	5	1	0	2	86%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	17	11	5	2	100%
	5	1	0	2	86%
Violoncello	4	0	0	3	100%
Alto	9	0	2	3	86%

HWV8A0N7 - Ecco, sen vien - recitativo secco

edward.maurath

0:28	Est. Play Time
7	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	13	13	5	2	100%
	8	1	3	3	100%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	13	13	5	2	100%
	8	1	3	3	100%
Violoncello	7	0	2	3	100%
Apollo	8	0	3	3	86%

BWV 999: Prelude in c minor for lautenwerk

edward.maurath

1:55	Est. Play Time
43	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	17	1	7	2	100%
	18	0	7	2	100%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	17	1	7	2	100%
	18	0	7	2	100%
Harpsichord	17	1	7	2	100%
	18	0	7	2	100%
Lute	17	1	7	2	100%
	18	0	7	2	100%

HWV63A0 - Judas Maccabeus (1746) Overture in g minor

edward.maurath

11:07	Est. Play Time
186	Measures
	2,568Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violini 1	26	0	9	10	97%
Violini 2	27	0	9	10	94%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violini 1	26	0	9	10	97%
Violini 2	27	0	9	10	94%
Viole	18	0	4	8	83%
Contrabassi Continuo	25	0	10	10	81%
Violoncelli Continuo	25	0	10	10	81%
Bassoon Continuo	26	0	10	10	45%
Oboe 1	22	0	8	9	45%
Organo	16	39	5	9	40%
	20	1	5	9	41%
Cembalo Continuo	17	42	5	6	30%
	20	4	3	6	30%
Oboe 2	18	0	5	7	26%

HWV19A1N10 - Bertarido, "Bertarido fù Rè"

edward.maurath

0:49	Est. Play Time
12	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bertarido	12	0	5	3	100%
Cembalo Continuo	13	6	6	3	83%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bertarido	12	0	5	3	100%
Cembalo Continuo	13	6	6	3	83%
	14	3	2	3	53%
Viola	4	0	0	2	42%
Violoncello Continuo	4	0	1	2	42%
Vln 1	5	0	2	2	42%
Vln 2	4	0	1	2	42%

HWV8A1N3b - "Ah! Infelice mia patria" Accompagnato for soprano as Amarilli (November 1734)

edward.maurath

1:32	Est. Play Time
21	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	19	27	7	4	100%
	17	13	7	3	100%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	19	27	7	4	100%
	17	13	7	3	100%
Amarilli	14	0	5	3	100%
Contrabasses	11	0	4	3	100%
Violas	9	0	2	4	100%
Violins 1	12	0	4	3	100%
Violins 2	11	0	4	3	100%
Violoncello	11	0	4	3	100%
Violoncellos	11	0	4	3	100%

HWV5A2N8 Baldanzosa pietà, quanto contrasto (Rodrigo)

edward.maurath

1:02	Est. Play Time
14	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo (Continuo)	16	19	6	3	100%
	18	16	4	2	93%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo (Continuo)	16	19	6	3	100%
	18	16	4	2	93%
Florinda	10	0	1	3	100%
Violoncello (Continuo)	9	0	2	3	100%

HWV8A0N13 - La speme, e cura (Erato)

edward.maurath

0:16	Est. Play Time
3	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	12	7	4	3	100%
	7	1	1	2	100%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	12	7	4	3	100%
	7	1	1	2	100%
Erato	7	0	2	3	100%
Violoncello	7	1	1	2	100%