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Clef: TrebleTreble
Measures: 35 - 60
Unique Accidentals: > 4
Unique Chords: None
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edward.maurath
HWV7A3N3b - "Andante, o forti" in G Major
edward.maurath
0:40 Est. Play
Time
39 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 16 24 10 7 100%
Bass 21 23 10 7 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 16 24 10 7 100%
Bass 21 23 10 7 100%
Basso Continuo Bass 17 0 6 7 100%
Violoncello Bass 17 0 6 7 100%
Contrabass Bass 16 0 6 7 97%
Violins Treble 19 0 6 7 97%
Mago
as bass		 Bass 12 0 3 7 75%
Viola 7 0 3 5 15%
 
HWV63A1N2 - "Mourn, ye afflicted children" in c minor
edward.maurath
5:08 Est. Play
Time
47 Measures
1,196Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 20 7 6 5 94%
Bass 25 11 8 7 100%
View all 14 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 20 7 6 5 94%
Bass 25 11 8 7 100%
Contrabasses Bass 22 0 8 7 100%
Violas 21 0 7 6 100%
Violoncellos Bass 25 0 8 7 100%
Vln
1		 Treble 25 0 9 6 100%
Vln
2		 Treble 27 0 10 6 100%
Alto 15 0 5 4 87%
Tenor 15 0 5 4 87%
Bass Bass 22 0 11 4 85%
Soprano 19 0 9 5 85%
Oboe Treble 19 0 7 6 74%
Treble 19 0 7 6 74%
Bassoon Bass 23 0 8 5 74%
 
HWV7A2N8b - "Mio cor, che mi sai dir?" (b minor)
edward.maurath
4:43 Est. Play
Time
51 Measures
1,285Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello (Continuo) Bass 23 0 8 4 99%
Contrabassi (Continuo) Bass 22 0 7 4 97%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello (Continuo) Bass 23 0 8 4 99%
Contrabassi (Continuo) Bass 22 0 7 4 97%
Violoncelli (Continuo) Bass 21 0 7 4 97%
Cemballo
(Continuo)		 Treble 26 37 9 5 90%
Bass 33 23 12 6 96%
Violins I



 Treble 22 0 6 4 95%
Violins II



 Treble 21 0 5 4 91%
Tenor
as Goffredo		 14 0 5 6 60%
Bassoon
(Cembalo)		 Bass 18 0 4 4 47%
Oboe Treble 18 0 5 4 47%
 
BWV245N13½ "Zerschmettert mich, ihr Felsen und ihr Hügel" Aria for Tenor in A Major used 1725 only in place of "Ach, mein Sinn"
edward.maurath
8:12 Est. Play
Time
55 Measures
1,308Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Continuo Bass 27 0 11 5 100%
Cembalo Continuo Bass 34 39 12 5 98%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Continuo Bass 27 0 11 5 100%
Cembalo Continuo Bass 34 39 12 5 98%
Contrabassi Continuo Bass 27 0 11 5 95%
Viola 25 0 8 9 95%
Violoncelli Continuo Bass 27 0 11 5 95%
Violin 2 Treble 28 0 9 9 94%
Violin 1 Treble 30 0 10 7 93%
Tenore Solo Treble 21 0 8 5 74%
Organo Continuo Treble 16 22 6 4 28%
 
BWV245N10 - Derselbige Jünger war dem Hohenpriester bekannt
edward.maurath
3:31 Est. Play
Time
46 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Continuo Bass 14 0 5 6 100%
Cembalo Continuo Treble 19 45 7 7 70%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Continuo Bass 14 0 5 6 100%
Cembalo Continuo Treble 19 45 7 7 70%
Bass 16 2 6 6 70%
Evangelista Treble 17 0 6 5 65%
Ancilla Petrus Jesus 24 0 8 4 43%
Organo Continuo Treble 14 20 6 5 37%
Bass 11 0 2 4 37%
Servus Treble 6 0 3 2 7%
 
"Son nata a lagrimar" from HWV 17, Giulio Cesare in Egitto
edward.maurath
6:33 Est. Play
Time
40 Measures
1,153Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 19 0 5 4 100%
Bass 19 0 5 4 100%
View all 11 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 19 0 5 4 100%
Bass 19 0 5 4 100%
Harpsichord Treble 19 0 5 4 100%
Bass 19 0 5 4 100%
Celli Bass 19 0 5 4 100%
Kontrebaß Bass 19 0 5 4 100%
Violoncello Bass 19 0 5 4 100%
Violas 14 0 4 4 95%
Vln
1		 Treble 23 54 7 5 95%
Sesto Treble 14 0 5 5 74%
Cornelia 13 0 5 5 72%
 
Handel: HWV 57: Samson, "Total Eclipse"
edward.maurath
3:16 Est. Play
Time
36 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 27 55 9 8 95%
Bass 21 8 3 6 92%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 27 55 9 8 95%
Bass 21 8 3 6 92%
Cello Bass 17 0 3 6 87%
Violins
1		 Treble 17 0 1 7 75%
Violins
2		 Treble 16 0 1 8 75%
Samson Treble 15 0 5 6 72%
CBass Bass 16 0 2 6 69%
Violoncellos Bass 16 0 2 6 69%
 
I nostri cori dobbiamo offrir, from Terpsichore, prologue to "Il Pastor Fido", HWV 8
edward.maurath
3:47 Est. Play
Time
35 Measures
1,413Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo
(Continuo)		 Treble 18 21 4 7 100%
Bass 16 6 1 6 100%
View all 14 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo
(Continuo)		 Treble 18 21 4 7 100%
Bass 16 6 1 6 100%
Bassoon
(Continuo)		 Bass 15 0 1 6 100%
Contrabassi (Continuo) Bass 15 0 1 6 100%
Violas 16 0 4 6 100%
Violins
1		 Treble 22 0 4 7 100%
Violins
2		 Treble 18 0 5 7 100%
Violoncelli (Continuo) Bass 15 0 1 6 100%
Oboe Treble 17 0 4 5 97%
Horn Treble 12 0 1 5 79%
Alto 7 0 2 5 74%
Bass Bass 12 0 1 5 74%
Soprano 10 0 1 6 74%
Tenor 8 0 1 5 74%
 
Air from Terpsichore, prologue to Il Pastor Fido, HWV 8, late 1734
edward.maurath
3:16 Est. Play
Time
45 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 21 15 6 11 100%
Bass 18 19 3 9 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 21 15 6 11 100%
Bass 18 19 3 9 100%
Basso

Continuo		 Bass 18 0 3 9 100%
Contrabasses Bass 17 0 3 9 100%
Violas 16 0 3 9 100%
Violini 1 Treble 24 0 5 12 100%
Violini 2 Treble 24 0 5 13 100%
 
BWV245N2 - EVANGELIST Jesus ging mit seinen Jungern
edward.maurath
3:07 Est. Play
Time
39 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Continuo Bass 21 0 8 5 100%
Evangelist 16 0 5 4 77%
View all 22 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Continuo Bass 21 0 8 5 100%
Evangelist 16 0 5 4 77%
Cembalo Continuo Treble 16 30 7 4 67%
Bass 21 2 9 4 72%
Organo Continuo Treble 20 18 6 4 49%
Bass 20 3 5 4 51%
Bass 18 0 5 4 49%
Bassoon Continuo Bass 16 0 3 3 26%
Contrabassi Continuo Bass 16 0 3 3 26%
Oboe 1 Treble 17 0 5 3 26%
Viole 17 0 3 2 26%
Violini 1 Treble 20 0 3 2 26%
Violini 2 Treble 16 0 3 2 26%
Violoncelli Continuo Bass 16 0 3 3 26%
Oboe 2 Treble 17 0 5 3 23%
Alti 11 0 2 5 21%
Bassi Bass 15 0 4 4 21%
Jesus Bass 12 0 2 4 21%
Soprani 10 0 1 4 21%
Tenori 12 0 3 4 21%
Flute 1 Treble 14 0 1 2 13%
Flute 2 Treble 14 0 1 2 13%