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edward.maurath

BWV 1053 Harpsichord Concerto Number 2 in E Major

edward.maurath

22:35	Est. Play Time
608	Measures
	8,034Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Solo - RH	31	22	10	10	100%
Cembalo Solo - LH	33	13	10	7	99%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Solo - RH	31	22	10	10	100%
Cembalo Solo - LH	33	13	10	7	99%
First Violins	29	1	11	8	86%
Second Violins	25	0	9	7	83%
Viola	27	0	10	7	82%
Violoncello Continuo	26	0	9	5	78%
Violone Continuo	26	0	9	5	78%

BWV245N13½ "Zerschmettert mich, ihr Felsen und ihr Hügel" Aria for Tenor in A Major used 1725 only in place of "Ach, mein Sinn"

edward.maurath

8:12	Est. Play Time
55	Measures
	1,308Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello Continuo	27	0	11	5	100%
Cembalo Continuo	34	39	12	5	98%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello Continuo	27	0	11	5	100%
Cembalo Continuo	34	39	12	5	98%
Contrabassi Continuo	27	0	11	5	95%
Viola	25	0	8	9	95%
Violoncelli Continuo	27	0	11	5	95%
Violin 2	28	0	9	9	94%
Violin 1	30	0	10	7	93%
Tenore Solo	21	0	8	5	74%
Organo Continuo	16	22	6	4	28%

HWB 8-B Terpsicore - Sarabande

edward.maurath

1:50	Est. Play Time
25	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	20	34	7	5	100%
	16	0	4	5	100%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	20	34	7	5	100%
	16	0	4	5	100%
Basso Continuo	16	0	4	5	100%
Contrabasses	16	0	4	5	100%
Violas	15	0	4	5	100%
Violins 1	19	0	6	9	100%
Violins 2	16	0	5	7	100%

Handel: HWV 57: Samson, "Total Eclipse"

edward.maurath

3:16	Est. Play Time
36	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	27	55	9	8	95%
	21	8	3	6	92%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	27	55	9	8	95%
	21	8	3	6	92%
Cello	17	0	3	6	87%
Violins 1	17	0	1	7	75%
Violins 2	16	0	1	8	75%
Samson	15	0	5	6	72%
CBass	16	0	2	6	69%
Violoncellos	16	0	2	6	69%

"Vieni o cara" from "Rinaldo," HWV 7 (1711)

edward.maurath

5:21	Est. Play Time
41	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	22	38	7	8	100%
	25	20	8	6	97%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	22	38	7	8	100%
	25	20	8	6	97%
Violoncello	25	0	8	6	97%
Argante	17	0	5	10	80%
Contrabasses	18	0	3	6	75%
Violoncellos	17	0	3	6	74%
Violin	16	3	3	7	72%

"Ah! crudel, il pianto mio deh!," from "Rinaldo," HWV 7, (1711)

edward.maurath

5:50	Est. Play Time
45	Measures
	1,422Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon Solo	23	0	5	11	100%
Contrabass Solo	22	0	6	8	95%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon Solo	23	0	5	11	100%
Contrabass Solo	22	0	6	8	95%
Violoncello (Continuo)	20	0	5	8	95%
Cembalo (Continuo)	27	49	8	8	89%
	23	18	5	8	94%
Contrabassi (Continuo)	19	0	5	8	90%
Violas	15	0	3	8	90%
Violins 1	22	0	6	9	90%
Violins 2	22	0	4	8	90%
Violins 3	18	0	4	7	90%
Violoncelli (Continuo)	19	0	5	8	90%
Violoncello Solo	21	0	5	8	86%
Oboe	18	0	4	9	85%
Armida	17	0	6	9	68%

Se a me non sei crudele, ogn' or from "Giulio Cesare," HWV 17 (1724)

edward.maurath

5:15	Est. Play Time
36	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	26	24	9	8	100%
	25	5	7	9	100%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	26	24	9	8	100%
	25	5	7	9	100%
Contrabass	23	0	6	9	100%
Violin	24	0	7	9	100%
Violoncello	24	0	7	9	100%
Violoncellos	23	0	6	9	100%
ACHILLA	17	0	4	8	77%

"Di goder il bel ch'adoro" from 'Il Pastor Fido," HWV 8 (1712)

edward.maurath

3:19	Est. Play Time
73	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	23	43	7	8	99%
	27	19	5	5	96%
View all 13 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	23	43	7	8	99%
	27	19	5	5	96%
Oboe	11	0	0	7	79%
	10	0	0	5	79%
Violins I	11	0	0	7	79%
Violins II	10	0	0	5	79%
Soprano as Eurilla	14	0	3	8	75%
Bassoon with viola	9	0	0	5	25%
Bassoon (Continuo)	9	0	0	5	25%
Contrabassi (Continuo)	9	0	0	5	25%
Viola	9	0	0	5	25%
Violoncelli (Continuo)	9	0	0	5	25%
Violoncello (Continuo)	9	0	0	5	25%

"Then free from sorrow" from "Samson," HWV 57, (1741)

edward.maurath

3:09	Est. Play Time
63	Measures
	1,039Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cemballo Continuo	17	53	4	4	89%
	18	15	1	4	90%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cemballo Continuo	17	53	4	4	89%
	18	15	1	4	90%
Harp Continuo	17	53	4	4	89%
	18	15	1	4	90%
Violoncello Continuo	17	0	1	4	90%
Violini 1	16	0	2	7	67%
Violini 2	17	0	3	8	67%
Contrabassi Continuo	15	0	1	4	59%
Violoncelli Continuo	15	0	1	4	59%
Philistine woman	14	0	3	5	56%

Handel - HWV 61, Overture in e minor

edward.maurath

6:09	Est. Play Time
70	Measures
	2,097Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Vln 1	26	0	9	10	98%
Viola	18	1	5	9	96%
View all 13 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Vln 1	26	0	9	10	98%
Viola	18	1	5	9	96%
Vln 2	29	0	11	10	96%
VLN 3	20	2	6	9	91%
Harpsi	19	44	4	8	51%
	25	14	9	9	87%
Cello	23	0	8	9	87%
Kontrebaß	23	0	8	9	87%
OBO 1	22	1	8	10	83%
OBO 2	22	1	8	10	83%
Bassoon	23	0	8	9	79%
Organ	15	21	2	8	38%
	17	8	2	7	29%

HWV17a2n05y1724 "Se in fiorto ameno prato" from "Giulio Cesare in Egitto"

edward.maurath

6:49	Est. Play Time
97	Measures
	1,535Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin	20	0	6	9	85%
Harp	21	27	6	8	84%
View all 13 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin	20	0	6	9	85%
Harp	21	27	6	8	84%
	28	68	10	8	84%
Harpsichord	20	48	6	8	84%
	27	51	9	8	84%
Cesare	15	0	6	8	71%
Bassoon	14	7	0	7	60%
Continuo	22	0	6	5	55%
Vln 1	16	0	4	8	37%
Celli	16	0	2	5	35%
Kontrebaß	16	0	2	5	35%
Vln 2	13	0	0	6	32%
Violas	10	0	0	7	29%