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Samuel Ricke

Requiem in D Minor, K. 626, III. Sequentia: Lacrimosa By W. A. Mozart

Samuel Ricke

3:36	Est. Play Time
30	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola.		16	0	6	3	100%
Violino I.		27	1	9	2	100%
View all 16 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola.		16	0	6	3	100%
Violino I.		27	1	9	2	100%
Violino II.		18	1	7	3	100%
Violoncello, Basso ed Organo.		33	0	13	2	96%
Organ		32	56	12	3	93%
Basso.		19	0	6	6	89%
Soprano.		18	0	6	5	89%
Tenore.		15	0	5	6	89%
Trombone II.		15	0	5	5	87%
Trombone III.		19	0	6	5	87%
Alto.		16	0	6	6	86%
Corni di Bassetto.		21	3	8	6	84%
Fagotti.		26	3	9	6	84%
Trombone I.		16	0	6	5	83%
Trombe in D.		4	3	0	4	39%
Timpani in D.A.		2	0	0	2	37%

Requiem in D Minor, K. 626, III. Sequentia: Confutatis By W. A. Mozart

Samuel Ricke

2:27	Est. Play Time
40	Measures
	1,430Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violino I.		30	1	15	4	100%
Violino II.		25	1	14	4	100%
View all 15 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violino I.		30	1	15	4	100%
Violino II.		25	1	14	4	100%
Violoncello, Basso ed Organo.		33	0	12	4	86%
Viola.		25	0	14	4	80%
Fagotti.		22	15	11	7	78%
Alto.		13	0	5	5	77%
Soprano.		14	0	4	4	77%
Organ		31	22	15	6	76%
Trombone alto ed tenore.		16	0	8	7	76%
Trombone basso.		18	0	5	5	76%
Basso.		19	0	6	6	71%
Corni di Bassetto in F.		13	9	5	3	69%
Tenore.		17	0	8	7	68%
Trombe in D.		6	4	0	1	53%
Timpani in D.A.		4	0	0	1	51%

Fugue in E Minor, BWV 914, By Johann Sebastian Bach

Samuel Ricke

2:50	Est. Play Time
72	Measures
	1,430Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Grand Piano		33	3	13	5	92%
		27	1	9	5	74%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Grand Piano		33	3	13	5	92%
		27	1	9	5	74%

Mozart: Requiem - III. Dies Irae

Samuel Ricke

1:50	Est. Play Time
68	Measures
	2,215Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		40	85	15	6	100%
Viola.		21	0	7	5	100%
View all 16 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		40	85	15	6	100%
Viola.		21	0	7	5	100%
Violino I.		30	2	11	6	100%
Violino II.		26	0	9	7	100%
Violoncello, Basso ed Organo.		37	0	14	3	100%
Fagotti.		26	15	9	6	99%
Corni di Bassetto in F.		17	1	5	6	90%
Alto.		11	0	2	5	85%
Basso.		15	0	5	5	85%
Soprano.		14	0	5	5	85%
Trombone alto.		11	0	2	5	85%
Trombone basso.		15	0	5	5	85%
Tenore.		13	0	5	5	84%
Trombone tenore.		13	0	5	5	84%
Trombe in D.		5	6	0	5	62%
Timpani in D. A.		2	0	0	3	57%

Requiem in D Minor, K. 626, V. Sanctus By W. A. Mozart

Samuel Ricke

1:29	Est. Play Time
38	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo		17	44	5	6	92%
		20	0	5	4	100%
View all 18 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo		17	44	5	6	92%
		20	0	5	4	100%
Basso		16	0	4	5	97%
Contrabasso		18	0	5	4	97%
Violoncello		20	0	5	4	92%
Fagotti		19	7	4	5	92%
Tenore		14	0	3	5	89%
Viola		23	0	6	5	89%
Alto		14	0	2	6	76%
Violino II		20	3	4	5	76%
Soprano		13	0	2	5	71%
Violino I		21	0	3	5	71%
Trombe in D		7	11	0	3	49%
Timpani in D, A		2	0	0	4	45%
Corni di Bassetto		10	0	1	4	43%
Trombone Alto		7	0	1	4	29%
Trombone Basso		13	0	4	3	29%
Trombone tenore		9	0	2	4	29%

Mozart: Adagio and Fugue For Strings in C Minor, K. 546

Samuel Ricke

8:03	Est. Play Time
171	Measures
	1,390Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncellos		26	2	12	10	94%
Violins		33	6	14	9	89%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncellos		26	2	12	10	94%
Violins		33	6	14	9	89%
		27	4	13	8	92%
Violas		23	3	9	10	92%

Requiem in D Minor, K. 626, VI. Benedictus By W. A. Mozart

Samuel Ricke

4:33	Est. Play Time
76	Measures
	2,218Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello		24	0	8	4	100%
Organo		18	74	6	6	71%
View all 17 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello		24	0	8	4	100%
Organo		18	74	6	6	71%
		28	0	7	5	99%
Viola		23	1	8	7	99%
Violino II		25	6	8	8	95%
Violino I		24	6	8	7	89%
Contrabasso		20	0	6	4	84%
Fagotti		26	0	7	6	84%
Corni di Basetto		21	0	6	9	78%
Tenore		14	0	4	6	76%
Alto		13	0	4	7	71%
Trombone tenore		16	0	3	6	68%
Soprano		14	0	4	9	67%
Trombone Alto		15	0	4	8	64%
Basso		19	0	6	6	59%
Trombe in B		8	8	0	4	27%
Trombone Basso		12	0	1	4	26%

Mozart: Great Mass "Große Messe" in C Minor, K. 427: I. Kyrie

Samuel Ricke

6:48	Est. Play Time
94	Measures
	2,544Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo		46	144	19	7	98%
Viola.		25	5	10	8	98%
View all 18 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo		46	144	19	7	98%
Viola.		25	5	10	8	98%
Violino I.		30	4	12	7	98%
Violino II.		27	4	10	8	98%
Violoncello, Basso ed Organo.		36	0	14	7	89%
Fagotti.		24	9	9	8	73%
Soprano.		18	0	6	6	66%
Oboi.		24	6	9	7	61%
Alto.		17	0	6	8	59%
Tenore.		18	0	6	8	52%
Basso.		19	0	7	8	50%
Trombone I.		14	0	4	7	41%
Soprano Solo.		22	0	7	12	40%
Trombone II.		18	0	6	6	36%
Corni in C.		6	5	1	6	30%
Trombone III.		17	0	5	6	24%
Trombe in C.		5	4	0	6	19%
Timpani in C.G.		2	0	0	6	14%

Mozart: Symphony No. 40 in G Minor, K. 550: II. "Andante"

Samuel Ricke

12:38	Est. Play Time
125	Measures
	2,312Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola.		26	0	10	6	98%
Violino II.		29	4	11	8	97%
View all 11 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola.		26	0	10	6	98%
Violino II.		29	4	11	8	97%
Violino I.		34	1	15	8	96%
Contrabasso.		25	0	10	5	90%
Violoncello.		26	0	10	5	90%
Fagotti.		25	25	9	7	57%
Clarinetti in B.		26	29	9	7	53%
Oboi.		23	26	10	5	35%
		23	34	11	7	52%
Corni in Es.		11	10	2	5	48%
Flauto.		19	0	9	7	47%

*GOOD SOUNTFONT* Beethoven: Symphony No. 9 in D Minor, Op. 125 I. Allegro ma non troppo, un poco maestoso

Samuel Ricke

31:30	Est. Play Time
547	Measures
	12,688Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello.		34	9	19	10	92%
Violino II.		34	52	17	10	91%
View all 13 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello.		34	9	19	10	92%
Violino II.		34	52	17	10	91%
Violino I.		37	22	20	10	88%
Viola.		30	48	16	10	88%
Oboi.		27	64	12	10	84%
Fagotti.		35	57	17	10	84%
Basso		32	0	16	10	83%
Clarinetti in B.		36	85	17	10	82%
Corni in D.		14	22	4	9	80%
Flauti.		31	41	12	10	80%
Corni in B basso.		16	17	3	10	65%
Trombe in D.		12	6	2	9	59%
Timpani in D.A.		2	0	0	8	58%

J.S. Bach: Brandenburg Concerto No. 1, BWV 1046: III. Allegro

Samuel Ricke

11:54	Est. Play Time
124	Measures
	4,295Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo.		22	46	7	5	100%
		26	0	9	5	100%
View all 14 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo.		22	46	7	5	100%
		26	0	9	5	100%
Violoncello.		26	0	9	5	100%
Violone.		26	0	9	5	100%
Violino piccolo.		25	3	8	6	83%
Violino I.		25	0	7	6	82%
Violino II.		22	0	7	6	78%
Oboe I.		23	0	7	6	78%
Viola.		22	0	5	4	78%
Oboe II.		18	0	5	5	74%
Oboe III.		14	0	3	4	74%
Fagotto.		22	0	6	3	73%
Corno I.		11	0	1	6	59%
Corno II.		10	0	2	5	52%

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