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Lobet Gott in seinen Reichen, BWV 11, No. 1, opening chorus Himmelfahrts-Oratorium, J.S. Bach

SDG

10:17	Est. Play Time
217	Measures
	4,955Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo	26	0	9	5	100%
Continuo II	26	0	9	5	100%
View all 23 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo	26	9	5	100%
Continuo II	26	9	5	100%
Double Bass	32	9	5	100%
Violino I	27	9	7	97%
Viola	24	8	5	95%
Violino II	22	8	5	95%
Flauto traverso I	23	8	6	92%
Flauto traverso II	23	8	6	92%
Oboe I	22	7	7	90%
Oboe II	21	8	5	88%
Soprano	18	6	7	53%
	18	6	7	53%
	18	6	7	53%
Alto	16	5	7	52%
	16	5	7	52%
	16	5	7	52%
Tenore	19	6	5	51%
Bass	20	6	5	50%
Basso	20	6	5	50%
Tromba I	11	1	7	48%
Tromba II	12	1	5	39%
Tromba III	7	0	4	29%
Timpani	2	0	4	26%

17. Alle menschen müssen sterben. BWV 262, Johann Sebastian Bach.

SDG

0:49	Est. Play Time
12	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	11	0	1	4	100%
Tenor/Bass	13	0	1	6	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	11	1	4	100%
Tenor/Bass	13	1	6	100%
Contrabass	11	0	3	50%
Bass	2	0	1	19%

236. Lobt Gott, ihr Christen allzugleich (Nun danket All und bringet Ehr). BWV 195/6.

SDG

0:32	Est. Play Time
11	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flute	7	0	1	4	100%
	7	0	1	4	100%
View all 13 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Flute	7	1	4	100%
	7	1	4	100%
Oboe	10	2	5	45%
	7	1	4	100%
Violin	11	2	5	45%
	7	1	4	100%
C Trumpet	12	1	4	95%
Soprano/Alto	15	3	5	95%
Contrabass	13	0	4	91%
Viola	13	3	4	91%
Violoncello	13	0	4	91%
Tenor/Bass	18	3	6	86%
Timpani	2	0	4	82%

20. Als der gütige Gott, BWV 264, Johann Sebastian Bach

SDG

0:30	Est. Play Time
11	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	9	0	0	6	100%
Tenor/Bass	16	0	2	7	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	9	0	6	100%
Tenor/Bass	16	2	7	100%
Contrabass	10	1	5	50%
Alto	3	0	4	18%

97. Es woll' uns Gott genädig sein (Es danke, Gott, und lobe dich das Volk in guten Thaten). BWV 69/6.

SDG

1:10	Est. Play Time
19	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano	10	0	3	4	100%
Soprano/Alto	15	0	6	5	100%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano	10	0	3	4	100%
Soprano/Alto	15	0	6	5	100%
Tenor	11	0	5	4	100%
Tenor/Bass	21	0	10	4	100%
B♭ Trumpet	12	11	4	8	71%
Timpani	2	0	0	5	71%
Alto	11	0	4	5	50%
Bass	13	0	6	4	50%
Contrabass	15	0	6	4	50%
Violoncello	15	0	6	4	50%

" 'k Wil wel misschien vertrouwen op hem van Duitse bloed". Parodie op het Wilhelmus (zelfde melodie). Voor de overige coupletten (ook parodie) klik op: 'Show more' (beginletters vormen, net als bij het origineel, ook Willem van Nazzov).

SDG

1:04	Est. Play Time
16	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	11	0	0	4	100%
	11	0	0	4	100%
View all 20 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	11	0	4	100%
	11	0	4	100%
	14	1	4	100%
	14	1	4	100%
Organ	11	0	4	100%
	9	1	4	50%
	14	1	4	100%
C Trumpet	9	0	4	100%
English Horn	9	0	4	100%
Flute	9	0	4	100%
Oboe	9	0	4	100%
Soprano/Alto	11	0	4	100%
Tenor/Bass	14	1	4	100%
Violin	9	0	4	100%
Contrabass	9	1	4	50%
Viola	7	0	4	50%
Violoncello	9	1	4	50%
Soprano	2	0	1	10%
	2	0	1	10%
	2	0	1	10%

214. In dich hab' ich gehoffet, Herr. BWV 248 #46.

SDG

0:01	Est. Play Time
13	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	14	0	3	6	100%
Tenor/Bass	18	0	4	4	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	14	3	6	100%
Tenor/Bass	18	4	4	100%
Contrabass	14	3	4	54%
Violoncello	1	0	1	8%

67. Dir, dir, Jehova, will ich singen. BWV 299.

SDG

1:12	Est. Play Time
18	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	14	0	3	4	100%
Tenor/Bass	17	0	3	4	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	14	3	4	100%
Tenor/Bass	17	3	4	100%
Contrabass	11	2	4	50%
Voice	1	0	1	7%

99. Freu dich sehr, o meine Seele. BWV 19/7.

SDG

1:31	Est. Play Time
27	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	15	0	4	3	100%
Tenor/Bass	15	0	4	4	100%
View all 5 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	15	0	4	3	100%
Tenor/Bass	15	0	4	4	100%
B♭ Trumpet	12	14	4	4	92%
Timpani	2	0	0	2	69%
Contrabass	11	0	3	4	50%

112. Gott, der du selber bist das Licht. BWV 316.

SDG

0:59	Est. Play Time
12	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	14	0	4	5	100%
Tenor/Bass	22	0	6	4	100%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	14	4	5	100%
Tenor/Bass	22	6	4	100%
Contrabass	14	3	2	50%
Voice	3	0	2	16%
	2	0	2	11%

There is Power in the Blood. Daar is kracht in het bloed. Lewis E. Jones.

SDG

0:47	Est. Play Time
17	Measures

	Unique Notes	Rhythmic Complexity	Percent Played
Soprano/Alto	10	7	100%
Tenor/Bass	9	7	94%
Contrabass	5	7	50%

	Unique Notes	Rhythmic Complexity	Percent Played
Soprano/Alto	10	7	100%
Tenor/Bass	9	7	94%
Contrabass	5	7	50%

341. Was Gott thut, das ist wohlgethan. BWV 99.6.

SDG

0:49	Est. Play Time
12	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	13	0	1	5	100%
Tenor/Bass	16	0	3	4	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	13	1	5	100%
Tenor/Bass	16	3	4	100%
Contrabass	9	1	3	50%
Alto	1	0	1	6%

106. Für Freuden lasst uns springen. BWV 313

SDG

0:48	Est. Play Time
11	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	15	0	4	4	100%
Tenor/Bass	21	0	6	5	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	15	4	4	100%
Tenor/Bass	21	6	5	100%
Contrabass	16	4	4	50%
Voice	2	0	1	6%

Ik wil zingen van mijn Heiland. I will sing of my Redeemer.

SDG

0:58	Est. Play Time
18	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	11	0	2	4	100%
Tenor/Bass	17	0	4	4	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	11	2	4	100%
Tenor/Bass	17	4	4	100%
Contrabass	10	2	4	50%
Alto	1	0	1	6%

109. Gelobet seist du, Jesu Christ. BWV 91/6.

SDG

0:32	Est. Play Time
11	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Horn in F	12	0	2	4	100%
Soprano/Alto	13	0	2	3	100%
View all 6 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Horn in F	12	2	4	100%
Soprano/Alto	13	2	3	100%
Tenor	10	2	3	100%
Tenor/Bass	19	4	4	100%
Timpani	2	0	4	91%
Contrabass	12	3	4	50%

131. Herr Gott, dich loben alle wir. BWV 130/6

SDG

0:45	Est. Play Time
17	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboe	8	0	0	4	100%
Oboe I	8	0	0	4	100%
View all 13 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboe	8	0	4	100%
Oboe I	8	0	4	100%
Soprano	8	0	4	100%
Soprano/Alto	12	2	4	100%
Tenor/Bass	21	2	4	100%
Viola	8	0	4	100%
Violin I	8	0	4	100%
Timpani	2	0	2	71%
C Trumpet	12	0	3	68%
Oboe II	8	2	4	50%
Violin II	8	2	4	50%
Contrabass	17	2	3	46%
Violoncello	17	2	3	46%

105. Freuet euch, ihr Christen alle. BWV 40 #8

SDG

0:59	Est. Play Time
20	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	14	0	4	4	100%
Tenor/Bass	21	0	6	4	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	14	4	4	100%
Tenor/Bass	21	6	4	100%
Contrabass	16	4	3	50%
Voice	3	0	1	10%