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SDG

Enigma variations, Nimrod, Eward Elgar, Lux Aeterna

SDG

3:44	Est. Play Time
45	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto I	14	0	2	9	100%
Alto II	12	0	2	9	98%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto I	14	0	2	9	100%
Alto II	12	0	2	9	98%
Tenor I	14	0	2	7	95%
Soprano II	14	0	2	8	93%
Tenor II	12	0	2	9	93%
Bass I	12	0	1	9	91%
Soprano I	15	0	2	9	91%
Bass II	14	1	1	8	89%

Heer God, U loven wij. Opwekking 7. SATB Arrangement: Gertim.

SDG

1:49	Est. Play Time
37	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		15	0	4	8	100%
Tenor/Bass		17	0	4	8	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		15	0	4	8	100%
Tenor/Bass		17	0	4	8	100%

Glorify Thy Name. Arrangement: Gertim (SDG)

SDG

2:13	Est. Play Time
48	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	13	2	5	100%
	17	2	5	100%
Alto	4	0	1	8%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	13	2	5	100%
	17	2	5	100%
Alto	4	0	1	8%

ShermetevNinye

SDG

3:20	Est. Play Time
51	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		19	39	8	6	100%
Tenor/Bass		21	14	8	6	98%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		19	39	8	6	100%
Tenor/Bass		21	14	8	6	98%

Graduale (Locus iste), WAB 23 # 4, Anton Bruckner.

SDG

2:42	Est. Play Time
48	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenore	14	0	4	8	100%
Alto	14	0	4	8	98%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenore	14	4	8	100%
Alto	14	4	8	98%
Soprano	16	3	8	98%
Basso	17	5	6	81%

25. Gott lebet noch. Seele, was verzagst du doch?. Schemelli/Bach. Inner voices: Gertim (SDG)

SDG

1:54	Est. Play Time
38	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		16	0	4	6	100%
Tenor/Bass		17	0	2	5	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		16	0	4	6	100%
Tenor/Bass		17	0	2	5	100%

The Power Of Your Love, Lord I come to You, Geoff Bullock. SATB Arrangement: Gertim (SDG)

SDG

1:48	Est. Play Time
36	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		12	0	0	8	99%
		13	0	1	8	99%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		12	0	0	8	99%
		13	0	1	8	99%

Abendlied, Bleib bei uns, denn es will Abend werden, Josef Rheinberger, opus 69, 3.

SDG

3:09	Est. Play Time
49	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano I	10	0	1	4	94%
Soprano II	11	0	3	5	88%
View all 6 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano I	10	1	4	94%
Soprano II	11	3	5	88%
Tenore II	14	3	6	88%
Basso	13	1	4	86%
Alto	10	2	4	82%
TENORE I	9	1	5	76%

Salve Regina, Josef Rheinberger, WoO 54 Nr. 1

SDG

3:00	Est. Play Time
46	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	17	0	7	7	100%
Basso	22	0	9	7	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	17	7	7	100%
Basso	22	9	7	100%
Soprano	17	6	8	100%
Tenore	15	6	7	100%

Herz Jesu, Josef Rheinberger, WoO 41.

SDG

1:49	Est. Play Time
35	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bass	10	1	0	6	100%
	10	0	3	6	100%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bass	10	1	0	6	100%
	10	0	3	6	100%
Tenor	13	0	3	6	100%
	11	0	3	6	100%

Wachet auf, ruft uns die Stimme, BWV 645.

SDG

3:57	Est. Play Time
56	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Flute	21	7	7	100%
Pedal	21	6	3	99%
Violoncello	10	0	9	48%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Flute	21	7	7	100%
Pedal	21	6	3	99%
Violoncello	10	0	9	48%

Abendlied, Josef Rheinberger.

SDG

3:09	Est. Play Time
49	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano I	10	0	1	4	94%
Soprano II	11	0	3	5	88%
View all 6 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano I	10	1	4	94%
Soprano II	11	3	5	88%
Tenore II	14	3	6	88%
Basso	13	1	4	86%
Alto	10	2	4	82%
TENORE I	9	1	5	76%

Dear Lord and Father of Mankind, TUNE: REPTON, Parry, Whittier

SDG

0:01	Est. Play Time
49	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	22	7	6	6	100%
	18	0	6	4	78%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	22	7	6	6	100%
	18	0	6	4	78%
	17	3	4	6	100%
Alto	11	0	0	4	78%
Soprano	11	0	0	4	78%
Bass	11	0	0	4	53%
Tenor	11	0	0	4	53%

In the bleak midwinter, Darke, Christmas

SDG

1:51	Est. Play Time
37	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S/A		14	1	1	6	100%
T/B		17	1	1	6	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S/A		14	1	1	6	100%
T/B		17	1	1	6	100%

Enigma Variations, No. 9 Nimrod, just vocals, choir, Lux Aeterna, Edward Elgar.

SDG

3:44	Est. Play Time
45	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto I	14	0	2	9	100%
Alto II	12	0	2	9	98%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto I	14	0	2	9	100%
Alto II	12	0	2	9	98%
Tenor I	14	0	2	7	95%
Soprano II	14	0	2	8	93%
Tenor II	12	0	2	9	93%
Bass I	12	0	1	9	91%
Soprano I	15	0	2	9	91%
Bass II	14	1	1	8	89%

Graduale, Locus iste, Anton Bruckner, WAB 23; á 4.

SDG

2:42	Est. Play Time
48	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenore	14	0	4	8	100%
Alto	14	0	4	8	98%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenore	14	4	8	100%
Alto	14	4	8	98%
Soprano	16	3	8	98%
Basso	17	5	6	81%

Salve Regina, Josef Rheinberger, WoO 54, no. 1.

SDG

3:00	Est. Play Time
46	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	17	0	7	7	100%
Basso	22	0	9	7	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	17	7	7	100%
Basso	22	9	7	100%
Soprano	17	6	8	100%
Tenore	15	6	7	100%

48. Mijn goede herder bent U, Heer

SDG

1:38	Est. Play Time
37	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		13	0	3	2	100%
T B		15	0	2	2	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		13	0	3	2	100%
T B		15	0	2	2	100%

O Heer, mijn God, wanneer ik in verwond'ring. Hoe groot zijt Gij. How great Thou art. Arrangement: Gertim (SDG).

SDG

3:14	Est. Play Time
53	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	17	2	4	6	95%
Tenor/Bass	21	0	7	6	95%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	17	2	4	6	95%
Tenor/Bass	21	0	7	6	95%
Bass Guitar	15	0	3	6	50%
Contrabass	15	0	3	6	50%

Ere zij God. Maybe the most famous Dutch Christmas song.

SDG

2:08	Est. Play Time
43	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	11	2	8	100%
Tenor/Bass	17	3	8	100%
Contrabass	12	2	7	50%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	11	2	8	100%
Tenor/Bass	17	3	8	100%
Contrabass	12	2	7	50%