Play Along Piano

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SDG

Precious Lord take my hand, lead me on, let me stand. Also known from Elvis Presley.

SDG

0:43	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Sopraan/Alt		15	0	3	4	100%
Tenor/Bas		14	0	3	4	100%
Bass		12	0	2	3	45%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Sopraan/Alt		15	0	3	4	100%
Tenor/Bas		14	0	3	4	100%
Bass		12	0	2	3	45%

Am Abend, da es kühle war. BWV 244, part II, nr. 74 (BWV), nr. 64 (NBA). Johann Sebastian Bach.

SDG

2:00	Est. Play Time
18	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin		21	0	8	2	100%
		20	0	8	4	100%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin		21	0	8	2	100%
		20	0	8	4	100%
Altviool		20	0	7	4	100%
Bariton		20	0	7	6	100%
Continuo		9	0	2	4	100%
Contrabass		10	0	2	4	100%

The Angel Gabriel, Basque Carol, Arrangement: Gertim (SDG)

SDG

1:08	Est. Play Time
14	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		10	0	1	4	100%
Tenor/Bass		12	0	1	4	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		10	0	1	4	100%
Tenor/Bass		12	0	1	4	100%

229. Daar juicht een toon daar klinkt een stem

SDG

0:25	Est. Play Time
11	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		12	0	1	4	100%
T B		12	2	0	4	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		12	0	1	4	100%
T B		12	2	0	4	100%

224. Houd Gij mijn handen beide met kracht omvat. Lord take my hand and lead me.

SDG

0:42	Est. Play Time
14	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alt		9	0	1	4	100%
Bas		8	0	0	4	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alt		9	0	1	4	100%
Bas		8	0	0	4	100%
Sopraan		9	0	1	4	100%
Tenor		10	0	2	4	100%

It is Fulfilled, hymn version, easier; more suitable for congregation to sing. Tune: J.A. Fleylinghausen (1670-1739), Text: George Ph. van Popta. Arrangement: Gertim (SDG)

SDG

0:48	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Part_1		17	0	4	5	97%
Part_2		17	0	3	5	97%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Part_1		17	0	4	5	97%
Part_2		17	0	3	5	97%

233. Grijp toch de kansen door God u gegeven.

SDG

0:57	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alt		6	0	2	5	100%
Bas		9	0	2	5	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alt		6	0	2	5	100%
Bas		9	0	2	5	100%
Sopraan		9	0	1	5	100%
Tenor		10	0	3	5	100%

When I survey the wondrous cross (TUNE: O WALY, WALY)

SDG

0:41	Est. Play Time
17	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		11	0	0	4	100%
T B		13	0	0	3	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		11	0	0	4	100%
T B		13	0	0	3	100%

As with gladness men of old, christmas carol

SDG

0:32	Est. Play Time
12	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		11	0	0	4	100%
Tenor/Bass		10	0	0	3	100%
Contrabass		8	0	0	3	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		11	0	0	4	100%
Tenor/Bass		10	0	0	3	100%
Contrabass		8	0	0	3	50%

24. Gib dich zufrieden und sei stille. Schemelli/Bach, inner voices: Gertim. BWV 460.

SDG

1:23	Est. Play Time
18	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor/Bass		18	0	5	5	100%
Soprano/Alto		16	0	3	5	96%
Contrabass		13	0	3	5	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor/Bass		18	0	5	5	100%
Soprano/Alto		16	0	3	5	96%
Contrabass		13	0	3	5	50%

Nearer, My God, To Thee. Nader mijn God bij U, Joh. de Heer 456)

SDG

0:36	Est. Play Time
12	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		10	0	0	5	100%
T B		11	1	0	5	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		10	0	0	5	100%
T B		11	1	0	5	100%

My Jesus, I love Thee, I know Thou art mine. Mijn Jezus, ik houd van U, ik noem U mijn vriend, Opwekking 392

SDG

0:55	Est. Play Time
19	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		9	0	0	5	100%
Tenor/Bass		13	7	2	5	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		9	0	0	5	100%
Tenor/Bass		13	7	2	5	100%

Het is volbracht! (variant III). Composed by Gertim

SDG

0:47	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Stem		17	0	4	4	100%
		17	0	2	3	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Stem		17	0	4	4	100%
		17	0	2	3	100%

O Love, that will not let me go.

SDG

0:33	Est. Play Time
11	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		11	0	2	5	100%
T B		11	1	1	5	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		11	0	2	5	100%
T B		11	1	1	5	100%

33. Ich steh' an deiner Krippen hier, Schemelli, Bach, BWV 469.

SDG

0:49	Est. Play Time
12	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		12	0	2	4	100%
T B		16	0	3	4	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		12	0	2	4	100%
T B		16	0	3	4	100%

1. Ach bleib bei uns, Herr Jesu Christ, J.S. Bach, BWV 253.

SDG

0:31	Est. Play Time
11	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		13	0	3	5	100%
		13	0	2	4	100%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		13	0	3	5	100%
		13	0	2	4	100%
Soprano/Alto		13	0	3	5	100%
Tenor/Bass		13	0	2	4	100%
Contrabass		10	0	2	3	50%

1. Halleluja, lof zij het Lam

SDG

0:43	Est. Play Time
13	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		14	0	1	3	100%
T B		12	0	0	3	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		14	0	1	3	100%
T B		12	0	0	3	100%

Blessed assurance, Jesus is mine. Volle verzeek'ring Jezus is mijn, (Joh. de Heer 197)

SDG

0:48	Est. Play Time
19	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		13	3	1	4	100%
		11	0	0	4	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		13	3	1	4	100%
		11	0	0	4	100%

3. Auf, auf! mein Herz, mit freuden, Schemelli, J.S. Bach, BWV 441.

SDG

0:58	Est. Play Time
19	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		14	1	3	5	100%
T B		15	1	2	4	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		14	1	3	5	100%
T B		15	1	2	4	100%

O, Jesus Christ, grow Thou in me. Arrangement: Gertim.

SDG

0:58	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		11	0	1	5	100%
		15	0	2	7	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		11	0	1	5	100%
		15	0	2	7	100%

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