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Participation: 50%-79%
Unique Notes: 16 - 20
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SDG
48. Christus, der uns selig macht. BWV 283. J.S. bach.
SDG
0:49 Est. Play
Time
17 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 17 0 4 4 100%
Tenor/Bass Bass 25 0 8 6 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 17 0 4 4 100%
Tenor/Bass Bass 25 0 8 6 100%
Contrabass Bass 20 0 6 4 50%
Alto Treble 2 0 0 1 6%
 
Domine Deus, Hohe Messe Bach, BWV 232.
SDG
5:25 Est. Play
Time
95 Measures
1,868Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Bass 26 0 10 4 100%
Contrabass Bass 26 0 10 4 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Bass 26 0 10 4 100%
Contrabass Bass 26 0 10 4 100%
Flauto
Traverso		 Treble 26 0 8 5 89%
Violino
I		 Treble 28 0 9 7 68%
Tenore 18 0 5 7 64%
Soprano 18 0 7 7 63%
Violino
II		 Treble 24 0 8 5 62%
Viola 22 0 7 6 61%
 
50. Christus, der uns selig macht. BWV 245.37. Joh. Passion. J.S. Bach.
SDG
0:49 Est. Play
Time
17 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 5 4 100%
Tenor/Bass Bass 21 0 9 4 100%
Contrabass Bass 17 0 7 4 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 5 4 100%
Tenor/Bass Bass 21 0 9 4 100%
Contrabass Bass 17 0 7 4 50%
 
23. An Wasserflüssen Babylon. BWV 267. Johann Sebastian Bach.
SDG
1:11 Est. Play
Time
19 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 18 0 4 4 100%
Tenor/Bass Bass 19 0 5 4 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 18 0 4 4 100%
Tenor/Bass Bass 19 0 5 4 100%
Contrabass Bass 17 0 4 3 50%
Tenor Treble 2 0 0 2 4%
 
26. Auf meinen lieben Gott (Wo soll ich fliehen hin), BWV 89.6. Johann Sebastian Bach.
SDG
0:37 Est. Play
Time
13 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 10 0 2 4 100%
Tenor/Bass Bass 24 0 4 3 100%
Contrabass Bass 17 0 3 3 52%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 10 0 2 4 100%
Tenor/Bass Bass 24 0 4 3 100%
Contrabass Bass 17 0 3 3 52%
 
21. Als Jesus Christus in der Nacht, BWV 265. Johann Sebastian Bach.
SDG
0:25 Est. Play
Time
9 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 3 3 100%
Tenor/Bass Bass 22 0 5 5 100%
Contrabass Bass 16 0 2 3 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 3 3 100%
Tenor/Bass Bass 22 0 5 5 100%
Contrabass Bass 16 0 2 3 50%
 
Lobet Gott in seinen Reichen, BWV 11, No. 1, opening chorus Himmelfahrts-Oratorium, J.S. Bach
SDG
10:17 Est. Play
Time
217 Measures
4,955Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Bass 26 0 9 5 100%
Continuo
II		 Bass 26 0 9 5 100%
View all 23 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Bass 26 0 9 5 100%
Continuo
II		 Bass 26 0 9 5 100%
Double
Bass		 Bass 32 0 9 5 100%
Violino
I		 Treble 27 0 9 7 97%
Viola 24 0 8 5 95%
Violino
II		 Treble 22 0 8 5 95%
Flauto
traverso
I		 Treble 23 0 8 6 92%
Flauto
traverso
II		 Treble 23 0 8 6 92%
Oboe
I		 Treble 22 0 7 7 90%
Oboe
II		 Treble 21 0 8 5 88%
Soprano Treble 18 0 6 7 53%
Treble 18 0 6 7 53%
Treble 18 0 6 7 53%
Alto Treble 16 0 5 7 52%
Treble 16 0 5 7 52%
Treble 16 0 5 7 52%
Tenore Treble 19 0 6 5 51%
Bass Bass 20 0 6 5 50%
Basso Bass 20 0 6 5 50%
Tromba
I		 Treble 11 0 1 7 48%
Tromba
II		 Treble 12 0 1 5 39%
Tromba
III		 Treble 7 0 0 4 29%
Timpani Bass 2 0 0 4 26%
 
49. Christus, der uns selig macht. BWV 245.15. Joh. Passion. J.S. Bach.
SDG
0:50 Est. Play
Time
17 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 16 0 4 4 100%
Tenor/Bass Bass 22 0 7 4 100%
Contrabass Bass 16 0 6 4 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 16 0 4 4 100%
Tenor/Bass Bass 22 0 7 4 100%
Contrabass Bass 16 0 6 4 50%
 
Die Krähe, die Winterreise, Schubert, D.911, No.15 with own vocal recording, sung by Gertim (SDG).
SDG
1:57 Est. Play
Time
43 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 31 19 10 4 100%
Treble 30 23 13 4 100%
Voice Treble 16 0 4 7 70%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 31 19 10 4 100%
Treble 30 23 13 4 100%
Voice Treble 16 0 4 7 70%
 
God and God alone created all the things we call our own, is fit to take the universe's throne. Let everything that lives reserve its truest praise, for God and God alone. Steve Green. Phill McHugh. Creator, creation. SATB.
SDG
2:58 Est. Play
Time
50 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 20 0 3 8 100%
Bass 23 0 7 8 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 20 0 3 8 100%
Bass 23 0 7 8 100%
Flute Treble 15 0 1 8 100%
Horn
in
F		 Treble 15 0 1 8 100%
Violin Treble 15 0 1 8 100%
Contrabass Bass 19 0 6 8 50%
Viola 14 0 2 8 50%
Violoncello Bass 19 0 6 8 50%
 
87. Es ist das Heil uns kommen her (Ob sich's anliess, als wollt' er nicht). BWV 9.7
SDG
0:51 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 15 0 4 3 100%
Tenor/Bass Bass 25 0 8 3 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 15 0 4 3 100%
Tenor/Bass Bass 25 0 8 3 100%
Contrabass Bass 16 0 3 3 51%
Violoncello Bass 16 0 3 3 51%