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Participation: 50%-79%
Play Time: 1:00 - 1:30
Unique Durations: 4-5
Unique Accidentals: 3-4
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SDG
24. Gib dich zufrieden und sei stille. Schemelli/Bach, inner voices: Gertim. BWV 460.
SDG
1:23 Est. Play
Time
18 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor/Bass Bass 18 0 5 5 100%
Soprano/Alto Treble 16 0 3 5 96%
Contrabass Bass 13 0 3 5 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor/Bass Bass 18 0 5 5 100%
Soprano/Alto Treble 16 0 3 5 96%
Contrabass Bass 13 0 3 5 50%
 
Turn your eyes upon Jesus.
SDG
1:13 Est. Play
Time
32 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 13 0 4 5 100%
Bass 15 0 4 5 100%
Contrabass Bass 11 0 3 5 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 13 0 4 5 100%
Bass 15 0 4 5 100%
Contrabass Bass 11 0 3 5 50%
 
Zie ik sterren aan de hemel staan
SDG
1:26 Est. Play
Time
35 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 2 5 78%
Tenor/Bass Bass 16 0 4 5 78%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 2 5 78%
Tenor/Bass Bass 16 0 4 5 78%
 
97. Es woll' uns Gott genädig sein (Es danke, Gott, und lobe dich das Volk in guten Thaten). BWV 69/6.
SDG
1:10 Est. Play
Time
19 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano Treble 10 0 3 4 100%
Soprano/Alto Treble 15 0 6 5 100%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano Treble 10 0 3 4 100%
Soprano/Alto Treble 15 0 6 5 100%
Tenor Treble 11 0 5 4 100%
Tenor/Bass Bass 21 0 10 4 100%
B♭
Trumpet		 Treble 12 11 4 8 71%
Timpani Bass 2 0 0 5 71%
Alto Treble 11 0 4 5 50%
Bass Bass 13 0 6 4 50%
Contrabass Bass 15 0 6 4 50%
Violoncello Bass 15 0 6 4 50%
 
232. Lobet den Herren, denn er ist sehr freundlich. BWV 374.
SDG
1:06 Est. Play
Time
20 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 16 0 4 7 100%
Tenor/Bass Bass 22 0 5 7 100%
Contrabass Bass 15 0 3 4 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 16 0 4 7 100%
Tenor/Bass Bass 22 0 5 7 100%
Contrabass Bass 15 0 3 4 50%
 
184. Ich ruf' zu dir, Herr Jesu Christ. BWV 185.6.
SDG
1:04 Est. Play
Time
15 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 1 8 100%
Tenor/Bass Bass 19 0 4 6 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 1 8 100%
Tenor/Bass Bass 19 0 4 6 100%
Violin Treble 15 0 3 5 100%
Contrabass Bass 15 0 3 4 50%
 
161. Herzlich thut mich verlangen. BWV 161/6
SDG
1:07 Est. Play
Time
14 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flute Treble 17 0 5 5 100%
Treble 17 0 5 5 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flute Treble 17 0 5 5 100%
Treble 17 0 5 5 100%
Soprano/Alto Treble 15 0 4 6 100%
Tenor/Bass Bass 20 0 5 7 100%
Contrabass Bass 14 0 3 4 50%
 
198. Jesu, meine Freude. Unter deinem Schirmen, bin ich vor den Stürmen aller Feinde frei. BWV 227#3.
SDG
1:08 Est. Play
Time
13 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 10 0 1 5 100%
Soprano/Alto Treble 15 0 4 5 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 10 0 1 5 100%
Soprano/Alto Treble 15 0 4 5 100%
Tenor/Bass Bass 21 1 6 4 100%
Contrabass Bass 15 0 3 4 50%
 
220. Komm heiliger Geist, Herre Gott. BWV 59/3, BWV 175/7.
SDG
1:24 Est. Play
Time
29 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 15 0 4 6 100%
Tenor/Bass Bass 19 0 5 6 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 15 0 4 6 100%
Tenor/Bass Bass 19 0 5 6 100%
Viola 14 0 2 5 100%
Violin Treble 16 0 4 6 100%
Contrabass Bass 14 0 3 5 50%
 
197. Jesu, meine Freude. BWV 81#7. Unter deinem Schirmen, bin ich vor den Stürmen aller Feinde frei. Johann Sebastian Bach.
SDG
1:13 Est. Play
Time
13 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 15 0 3 5 100%
Tenor/Bass Bass 22 0 7 4 100%
Contrabass Bass 15 0 3 4 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 15 0 3 5 100%
Tenor/Bass Bass 22 0 7 4 100%
Contrabass Bass 15 0 3 4 50%
 
201. Jesu, meine Freude. Cantate 87: Bisher habt ihr nicht gebeten. BWV 87#7.
SDG
1:08 Est. Play
Time
13 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 16 0 3 5 100%
Tenor/Bass Bass 18 0 4 5 100%
Contrabass Bass 13 0 3 5 51%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 16 0 3 5 100%
Tenor/Bass Bass 18 0 4 5 100%
Contrabass Bass 13 0 3 5 51%
 
200. Jesu, meine Freude, BWV 64 #8. Gute Nacht o Wesen.
SDG
1:03 Est. Play
Time
13 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 16 0 4 5 100%
Tenor/Bass Bass 20 0 7 4 100%
Contrabass Bass 14 0 4 4 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 16 0 4 5 100%
Tenor/Bass Bass 20 0 7 4 100%
Contrabass Bass 14 0 4 4 50%