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SDG

22. Gib dich zufrieden und sei stille. Schemelli Gesangbuch. Inner voices: Gertim

SDG

0:55	Est. Play Time
12	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		18	0	4	6	100%
Tenor/Bass		18	0	4	6	100%
Contrabass		16	0	3	4	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		18	0	4	6	100%
Tenor/Bass		18	0	4	6	100%
Contrabass		16	0	3	4	50%

Dear Lord and Father of Mankind, TUNE: REPTON, Parry, Whittier

SDG

0:01	Est. Play Time
49	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		22	7	6	6	100%
		18	0	6	4	78%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		22	7	6	6	100%
		18	0	6	4	78%
		17	3	4	6	100%
Alto		11	0	0	4	78%
Soprano		11	0	0	4	78%
Bass		11	0	0	4	53%
Tenor		11	0	0	4	53%

32. Befiehl du deine Wege, J.S. Bach, BWV 272.

SDG

0:55	Est. Play Time
14	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		16	0	5	5	100%
		16	0	5	5	100%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		16	0	5	5	100%
		16	0	5	5	100%
		22	0	7	6	100%
		22	0	7	6	100%
Soprano/Alto		16	0	5	5	100%
Tenor/Bass		22	0	7	6	100%
Contrabass		16	0	5	5	50%

4. Soll's ja so sein, dass Straf' und Pein, (Ach Gott und Herr), J.S. Bach, BWV 48-3. Cantate 'Ich elender Mensch, wer wird mich erlösen?'

SDG

0:31	Est. Play Time
11	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		13	0	4	6	100%
		24	0	7	6	100%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		13	0	4	6	100%
		24	0	7	6	100%
Soprano/Alto		13	0	4	6	100%
Tenor/Bass		24	0	7	6	100%
Contrabass		17	0	6	4	50%

45. Christ, unser Herr, zum Jordan kam. BWV 176.6. Johann Sebastian Bach.

SDG

0:56	Est. Play Time
19	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	3	4	100%
Tenor/Bass		22	0	7	3	100%
Contrabass		16	0	4	2	53%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	3	4	100%
Tenor/Bass		22	0	7	3	100%
Contrabass		16	0	4	2	53%

48. Christus, der uns selig macht. BWV 283. J.S. bach.

SDG

0:49	Est. Play Time
17	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		17	0	4	4	100%
Tenor/Bass		25	0	8	6	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		17	0	4	4	100%
Tenor/Bass		25	0	8	6	100%
Contrabass		20	0	6	4	50%
Alto		2	0	0	1	6%

50. Christus, der uns selig macht. BWV 245.37. Joh. Passion. J.S. Bach.

SDG

0:49	Est. Play Time
17	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	5	4	100%
Tenor/Bass		21	0	9	4	100%
Contrabass		17	0	7	4	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	5	4	100%
Tenor/Bass		21	0	9	4	100%
Contrabass		17	0	7	4	50%

26. Auf meinen lieben Gott (Wo soll ich fliehen hin), BWV 89.6. Johann Sebastian Bach.

SDG

0:37	Est. Play Time
13	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		10	0	2	4	100%
Tenor/Bass		24	0	4	3	100%
Contrabass		17	0	3	3	52%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		10	0	2	4	100%
Tenor/Bass		24	0	4	3	100%
Contrabass		17	0	3	3	52%

21. Als Jesus Christus in der Nacht, BWV 265. Johann Sebastian Bach.

SDG

0:25	Est. Play Time
9	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	3	3	100%
Tenor/Bass		22	0	5	5	100%
Contrabass		16	0	2	3	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	3	3	100%
Tenor/Bass		22	0	5	5	100%
Contrabass		16	0	2	3	50%

49. Christus, der uns selig macht. BWV 245.15. Joh. Passion. J.S. Bach.

SDG

0:50	Est. Play Time
17	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		16	0	4	4	100%
Tenor/Bass		22	0	7	4	100%
Contrabass		16	0	6	4	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		16	0	4	4	100%
Tenor/Bass		22	0	7	4	100%
Contrabass		16	0	6	4	50%

87. Es ist das Heil uns kommen her (Ob sich's anliess, als wollt' er nicht). BWV 9.7

SDG

0:51	Est. Play Time
12	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		15	0	4	3	100%
Tenor/Bass		25	0	8	3	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		15	0	4	3	100%
Tenor/Bass		25	0	8	3	100%
Contrabass		16	0	3	3	51%
Violoncello		16	0	3	3	51%

242. Meinen Jesum lass' ich nicht. BWV 380.

SDG

0:44	Est. Play Time
13	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		15	0	3	5	100%
Tenor/Bass		21	0	6	4	100%
Contrabass		17	0	4	3	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		15	0	3	5	100%
Tenor/Bass		21	0	6	4	100%
Contrabass		17	0	4	3	50%

175. Ich dank' dir, Gott, für all' Wohlthat. BWV 346.

SDG

0:01	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		13	0	2	6	100%
Tenor/Bass		21	0	6	7	100%
Contrabass		16	0	5	5	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		13	0	2	6	100%
Tenor/Bass		21	0	6	7	100%
Contrabass		16	0	5	5	50%

265. Nun komm, der Heiden Heiland (Lob sei Gott, dem Vater g' than). BWV 62/6.

SDG

0:28	Est. Play Time
8	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	4	4	100%
Tenor/Bass		22	0	5	5	100%
Contrabass		17	0	5	4	53%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	4	4	100%
Tenor/Bass		22	0	5	5	100%
Contrabass		17	0	5	4	53%

173. Hilf, Herr Jesu, lass gelingen. BWV 344.

SDG

0:53	Est. Play Time
24	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		11	0	2	4	100%
Tenor/Bass		23	0	7	5	100%
Contrabass		16	0	4	4	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		11	0	2	4	100%
Tenor/Bass		23	0	7	5	100%
Contrabass		16	0	4	4	50%

165. Herzlich thut mich verlangen (Wie soll ich dich empfangen). BWV 248/5.

SDG

0:59	Est. Play Time
14	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		17	0	4	5	100%
Tenor/Bass		24	0	6	5	100%
Contrabass		17	0	4	5	53%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		17	0	4	5	100%
Tenor/Bass		24	0	6	5	100%
Contrabass		17	0	4	5	53%

224. Kommt her zu mir, spricht Gottes Sohn (Dein Geist, den Gott vom Himmel giebt). BWV 108/6

SDG

0:42	Est. Play Time
14	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		13	0	3	5	100%
Tenor/Bass		20	0	4	3	100%
Contrabass		17	0	4	2	53%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		13	0	3	5	100%
Tenor/Bass		20	0	4	3	100%
Contrabass		17	0	4	2	53%

371. Wer nur den lieben Gott lässt walten. BWV 179/6.

SDG

0:56	Est. Play Time
11	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		16	0	5	5	100%
Tenor/Bass		25	0	6	6	100%
Contrabass		16	0	3	4	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		16	0	5	5	100%
Tenor/Bass		25	0	6	6	100%
Contrabass		16	0	3	4	50%

105. Freuet euch, ihr Christen alle. BWV 40 #8

SDG

0:59	Est. Play Time
20	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	4	4	100%
Tenor/Bass		21	0	6	4	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	4	4	100%
Tenor/Bass		21	0	6	4	100%
Contrabass		16	0	4	3	50%
Voice		3	0	0	1	10%

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