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SDG

162. O Haupt voll Blut und Wunden, J.S. Bach, BWV 244.63. Herzlich thut mich verlangen. O sacred head now wounded.

SDG

1:00	Est. Play Time
14	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		13	0	2	4	100%
T B		22	0	6	5	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		13	0	2	4	100%
T B		22	0	6	5	100%

10. Ach, was soll ich Sünder machen (B.A. 39. No. 7), BWV 259.

SDG

0:37	Est. Play Time
12	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		12	0	2	5	100%
		12	0	2	5	100%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		12	0	2	5	100%
		12	0	2	5	100%
		21	0	5	5	100%
		21	0	5	5	100%
Soprano/Alto		12	0	2	5	100%
Tenor/Bass		21	0	5	5	100%
Contrabass		15	0	2	3	50%

27. Auf meinen lieben Gott. BWV 136.6. Johann Sebastian Bach

SDG

0:43	Est. Play Time
13	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin		13	0	2	4	100%
		11	0	2	4	50%
View all 10 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin		13	0	2	4	100%
		11	0	2	4	50%
Horn in F		6	0	0	4	100%
Oboe		6	0	0	4	100%
Soprano/Alto		14	0	2	4	100%
Tenor/Bass		22	0	4	5	100%
Viola		10	0	2	5	100%
Contrabass		18	0	3	3	45%
Violoncello		18	0	3	3	45%
Tenor		2	0	0	1	8%

80. Ermuntre dich, mein schwacher Geist. J.S. Bach, Schop, Rist. BWV 248.12 (Weihnachts-Oratorium).

SDG

0:52	Est. Play Time
14	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		15	0	4	4	100%
Tenor/Bass		23	0	5	4	100%
Soprano		1	0	0	1	5%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		15	0	4	4	100%
Tenor/Bass		23	0	5	4	100%
Soprano		1	0	0	1	5%

35. Christe, du Beistand deiner Kreuzgemeinde. BWV 275. Johann Sebastian Bach.

SDG

0:51	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		15	0	4	3	100%
Tenor/Bass		21	0	6	5	100%
Contrabass		11	0	3	3	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		15	0	4	3	100%
Tenor/Bass		21	0	6	5	100%
Contrabass		11	0	3	3	50%

65. Die Sonn' hat sich mit ihrem Glanz. BWV 297.

SDG

0:35	Est. Play Time
12	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		16	0	5	5	100%
Tenor/Bass		22	0	6	5	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		16	0	5	5	100%
Tenor/Bass		22	0	6	5	100%

50. Christus, der uns selig macht. BWV 245.37. Joh. Passion. J.S. Bach.

SDG

0:49	Est. Play Time
17	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	5	4	100%
Tenor/Bass		21	0	9	4	100%
Contrabass		17	0	7	4	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	5	4	100%
Tenor/Bass		21	0	9	4	100%
Contrabass		17	0	7	4	50%

285. O Lamm Gottes, unschuldig. BWV 401. Johann Sebastian Bach.

SDG

0:51	Est. Play Time
13	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		13	0	3	6	100%
Tenor/Bass		21	0	5	5	100%
Contrabass		13	0	3	4	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		13	0	3	6	100%
Tenor/Bass		21	0	5	5	100%
Contrabass		13	0	3	4	50%

21. Als Jesus Christus in der Nacht, BWV 265. Johann Sebastian Bach.

SDG

0:25	Est. Play Time
9	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	3	3	100%
Tenor/Bass		22	0	5	5	100%
Contrabass		16	0	2	3	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	3	3	100%
Tenor/Bass		22	0	5	5	100%
Contrabass		16	0	2	3	50%

41. Christ lag in Todesbanden. BWV 4.8.

SDG

1:01	Est. Play Time
14	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	4	4	100%
Tenor/Bass		22	0	6	5	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	4	4	100%
Tenor/Bass		22	0	6	5	100%
Contrabass		15	0	5	5	50%
Soprano		2	0	0	1	11%

49. Christus, der uns selig macht. BWV 245.15. Joh. Passion. J.S. Bach.

SDG

0:50	Est. Play Time
17	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		16	0	4	4	100%
Tenor/Bass		22	0	7	4	100%
Contrabass		16	0	6	4	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		16	0	4	4	100%
Tenor/Bass		22	0	7	4	100%
Contrabass		16	0	6	4	50%

195. Jesu, meine Freude. BWV 358.

SDG

1:14	Est. Play Time
13	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		18	0	5	6	100%
Tenor/Bass		23	0	7	4	100%
Contrabass		17	0	5	4	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		18	0	5	6	100%
Tenor/Bass		23	0	7	4	100%
Contrabass		17	0	5	4	50%

103. Freu' dich sehr, o meine Seele (Tröstet, tröstet meine Lieben). BWV 30/6.

SDG

0:58	Est. Play Time
14	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		13	0	3	6	100%
Tenor/Bass		24	0	7	5	100%
Contrabass		15	0	4	4	49%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		13	0	3	6	100%
Tenor/Bass		24	0	7	5	100%
Contrabass		15	0	4	4	49%

242. Meinen Jesum lass' ich nicht. BWV 380.

SDG

0:44	Est. Play Time
13	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		15	0	3	5	100%
Tenor/Bass		21	0	6	4	100%
Contrabass		17	0	4	3	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		15	0	3	5	100%
Tenor/Bass		21	0	6	4	100%
Contrabass		17	0	4	3	50%

97. Es woll' uns Gott genädig sein (Es danke, Gott, und lobe dich das Volk in guten Thaten). BWV 69/6.

SDG

1:10	Est. Play Time
19	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano		10	0	3	4	100%
Soprano/Alto		15	0	6	5	100%
View all 10 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano		10	0	3	4	100%
Soprano/Alto		15	0	6	5	100%
Tenor		11	0	5	4	100%
Tenor/Bass		21	0	10	4	100%
B♭ Trumpet		12	11	4	8	71%
Timpani		2	0	0	5	71%
Alto		11	0	4	5	50%
Bass		13	0	6	4	50%
Contrabass		15	0	6	4	50%
Violoncello		15	0	6	4	50%

192. Jesu Leiden, Pein und Tod. BWV 245/14.

SDG

0:51	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	3	5	100%
Tenor/Bass		23	0	7	4	100%
Contrabass		15	0	4	3	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	3	5	100%
Tenor/Bass		23	0	7	4	100%
Contrabass		15	0	4	3	50%

141. Herr Jesu Christ, du höchstes Gut

SDG

0:51	Est. Play Time
13	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	4	5	100%
Tenor/Bass		23	0	7	5	100%
Contrabass		14	0	3	4	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	4	5	100%
Tenor/Bass		23	0	7	5	100%
Contrabass		14	0	3	4	50%

265. Nun komm, der Heiden Heiland (Lob sei Gott, dem Vater g' than). BWV 62/6.

SDG

0:28	Est. Play Time
8	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	4	4	100%
Tenor/Bass		22	0	5	5	100%
Contrabass		17	0	5	4	53%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	4	4	100%
Tenor/Bass		22	0	5	5	100%
Contrabass		17	0	5	4	53%

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