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Measures: < 20
Participation: 1%-49%
Unique Durations: 1-3
Unique Accidentals: 3-4
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SDG
27. Auf meinen lieben Gott. BWV 136.6. Johann Sebastian Bach
SDG
0:43 Est. Play
Time
13 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 13 0 2 4 100%
Treble 11 0 2 4 50%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 13 0 2 4 100%
Treble 11 0 2 4 50%
Horn
in
F		 Treble 6 0 0 4 100%
Oboe Treble 6 0 0 4 100%
Soprano/Alto Treble 14 0 2 4 100%
Tenor/Bass Bass 22 0 4 5 100%
Viola 10 0 2 5 100%
Contrabass Bass 18 0 3 3 45%
Violoncello Bass 18 0 3 3 45%
Tenor Treble 2 0 0 1 8%
 
239. Mach's mit mir, Gott, nach deiner Güt (Durch dein Gefängniss Gottes Sohn). BWV 245/22.
SDG
0:47 Est. Play
Time
10 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 3 3 100%
Tenor/Bass Bass 22 0 5 4 100%
Contrabass Bass 14 0 3 2 47%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 3 3 100%
Tenor/Bass Bass 22 0 5 4 100%
Contrabass Bass 14 0 3 2 47%
 
266. Nun lasst uns Gott, dem Herren. BWV 165/6.
SDG
0:24 Est. Play
Time
9 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 11 0 2 5 100%
Tenor/Bass Bass 18 0 4 3 100%
Contrabass Bass 12 0 3 3 47%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 11 0 2 5 100%
Tenor/Bass Bass 18 0 4 3 100%
Contrabass Bass 12 0 3 3 47%
 
90. Es ist das Heil uns kommen her. BWV 117 #4/9
SDG
0:51 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 16 0 4 4 100%
Tenor/Bass Bass 24 0 5 5 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 16 0 4 4 100%
Tenor/Bass Bass 24 0 5 5 100%
Contrabass Bass 18 0 4 3 48%
Violoncello Bass 18 0 4 3 48%
 
89. Es ist das Heil uns kommen her. BWV 251. Trauungschoral.
SDG
0:51 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Horn
in
F		 Treble 13 0 2 6 100%
Soprano/Alto Treble 17 0 4 3 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Horn
in
F		 Treble 13 0 2 6 100%
Soprano/Alto Treble 17 0 4 3 100%
Tenor/Bass Bass 19 0 4 4 100%
Contrabass Bass 14 0 3 3 49%