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SDG

O holy night, the stars are brightly shining, Cantique de Noel.

SDG

4:01	Est. Play Time
31	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	16	5	3	6	100%
Tenor/Bass	15	6	2	6	100%
Contrabass	10	2	1	6	50%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	16	5	3	6	100%
Tenor/Bass	15	6	2	6	100%
Contrabass	10	2	1	6	50%

Legends of the Infancy, Christmas carol, MuseScore simulated organ.

SDG

0:45	Est. Play Time
23	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon	10	0	0	5	51%
	9	0	0	5	100%
View all 20 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon	10	0	5	51%
	9	0	5	100%
	9	0	5	100%
B♭ Clarinet	13	3	5	100%
C Trumpet	13	3	5	100%
English Horn	15	0	5	100%
Flute	13	3	5	100%
Oboe	9	0	5	100%
Organ LH	9	0	5	100%
Organ RH	13	3	5	100%
Piccolo	9	0	5	100%
Picolo	13	3	5	100%
Soprano/Alto	13	3	5	100%
Tenor/Bass	14	0	5	100%
Voice	13	3	5	88%
	13	0	5	88%
Contrabassoon	10	0	5	51%
Double Bass	10	0	5	51%
Pedal	10	0	5	51%
pedal Flute	10	0	5	51%

Gottes Zeit ist die allerbeste Zeit. BWV 106

SDG

2:28	Est. Play Time
20	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass	16	0	3	2	100%
	16	0	3	2	100%
View all 8 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass	16	3	2	100%
	16	3	2	100%
Alto Recorder I	12	2	5	100%
Alto Recorder II	13	3	5	100%
Bass Recorder	13	2	4	100%
Bassoon	16	3	2	100%
Tenor Recorder	11	1	4	100%
Violoncello	16	3	2	100%

Luidt, klokje(s), klingelingeling, kerstlied SATB, sampleset Giubiasco by Piotr Grabowski. Arrangement: Gertim (SDG)

SDG

1:56	Est. Play Time
28	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon	9	0	1	5	100%
Contrabass	9	0	1	6	100%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon	9	1	5	100%
Contrabass	9	1	6	100%
Flute	9	1	6	100%
Soprano/Alto	9	1	6	100%
Tenor/Bass	16	2	6	100%

Gottes Zeit ist die allerbeste Zeit, Actus Tragicus, J.S. Bach, BWV 106, sonatina 1.

SDG

2:28	Est. Play Time
20	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass	16	0	3	2	100%
	16	0	3	2	100%
View all 8 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass	16	3	2	100%
	16	3	2	100%
Alto Recorder I	12	2	5	100%
Alto Recorder II	13	3	5	100%
Bass Recorder	13	2	4	100%
Bassoon	16	3	2	100%
Tenor Recorder	11	1	4	100%
Violoncello	16	3	2	100%

Turn your eyes upon Jesus.

SDG

0:48	Est. Play Time
32	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	7	0	2	5	100%
Bass	11	0	3	5	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	7	2	5	100%
Bass	11	3	5	100%
Soprano	11	2	5	100%
Tenor	8	1	5	100%

De herdertjes lagen bij nachte. Dutch Christmas song. Doesburg sampleset. Arrangement: Bernard Greenberg (BSG).

SDG

1:18	Est. Play Time
23	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
lh	9	3	2	3	100%
Organ	14	10	3	4	100%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
lh	9	3	2	3	100%
Organ	14	10	3	4	100%
Pedal	12	0	2	3	100%
Pedal 16'	12	0	2	3	100%
S A	14	0	3	4	88%
T B	17	0	4	3	88%

Abba, Vader, U alleen, U behoor ik toe. Abba Father, I belong to You alone. Abba Father let me be yours and yours alone...

SDG

1:30	Est. Play Time
32	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello	9	0	2	3	50%
	10	0	3	3	100%
View all 7 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello	9	2	3	50%
	10	3	3	100%
Soprano/Alto	12	1	3	100%
Tenor/Bass	16	4	3	100%
Violin	9	0	3	100%
Contrabass	9	2	3	50%
Viola	7	1	3	50%

Sleep, holy Babe ! Christmas carol, translator: Edward Caswall, composer: John Bacchus Dykes. with Hauptwerk, Doesburg surround organ.

SDG

1:34	Est. Play Time
22	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Manual I	17	9	4	5	100%
Manual II	14	2	4	5	100%
View all 5 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Manual I	17	9	4	5	100%
Manual II	14	2	4	5	100%
Pedal	13	0	3	5	95%
S A	14	0	3	5	81%
T B	17	0	5	5	81%

De herdertjes lagen bij nachte, oud-Hollands kerstlied. Christmas, Kerst. Old-Dutch Christmas song/carol, ORGAN version, one stanza

SDG

1:18	Est. Play Time
23	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
lh	9	3	2	3	100%
Organ	14	10	3	4	100%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
lh	9	3	2	3	100%
Organ	14	10	3	4	100%
Pedal	12	0	2	3	100%
Pedal 16'	12	0	2	3	100%
S A	14	0	3	4	88%
T B	17	0	4	3	88%

82. Nun lieget Alles unter Dir, BWV 11.6, Lobet Gott in seinen Reichen (Himmelfahrts-Oratorium). Ermuntre dich mein schwacher Geist.

SDG

1:42	Est. Play Time
22	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bass	13	0	2	5	100%
	13	0	2	5	100%
View all 24 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Bass	13	2	5	100%
	13	2	5	100%
	13	2	5	100%
	13	2	5	100%
Alto	8	1	6	100%
	8	1	6	100%
Flute	10	2	5	100%
	10	2	5	100%
Soprano	10	2	5	100%
	10	2	5	100%
Tenor	12	3	5	100%
	12	3	5	100%
Violin	10	2	5	100%
	10	2	5	100%
Alto; Oboe 2, Violino 2	8	1	6	100%
Continuo	15	2	5	100%
Contrabass	15	2	5	100%
Oboe I	10	2	5	100%
Oboe II	8	1	6	100%
Soprano; Flauto traverso 1, 2 in 8va Oboe 1, Violino 1	10	2	5	100%
Tenor; Viola	12	3	5	100%
Viola	12	3	5	100%
Violin I	10	2	5	100%
Violin II	8	1	6	100%

Hoe leit dit Kindeken, oud Hollands kerstlied. Arrangement: Gertim (SDG). Giubiasco sampleset.

SDG

1:57	Est. Play Time
22	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon	9	0	0	4	100%
Contrabass	15	0	2	4	100%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon	9	0	4	100%
Contrabass	15	2	4	100%
Flute	10	0	4	100%
Soprano/Alto	10	0	4	100%
Tenor/Bass	18	2	4	100%

Behold the lamb of God, Messiah Händel.

SDG

0:25	Est. Play Time
32	Measures
	1,242Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin I, 2nd	18	0	3	8	100%
Violin II, 2nd	20	0	4	9	100%
View all 21 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin I, 2nd	18	0	3	8	100%
Violin II, 2nd	20	0	4	9	100%
Violins I	18	0	3	8	100%
Violins II	20	0	4	9	100%
Bassoon, Bassoon	16	0	3	8	94%
Cello	16	0	3	8	94%
Contrabass	17	0	3	8	94%
Viola	16	0	3	9	94%
Alto	13	0	3	6	81%
	13	0	3	6	81%
	13	0	3	6	81%
Soprano	13	0	3	7	81%
	13	0	3	7	81%
	13	0	3	7	81%
Oboe, Oboe	13	0	3	7	81%
Harpsichord	24	50	6	8	75%
	24	36	5	8	72%
Tenor	13	0	4	6	75%
	13	0	4	6	75%
	13	0	4	6	75%
Bass	15	0	3	8	75%

The Trumpet shall sound (Messiah, Händel), Bass aria.

SDG

7:37	Est. Play Time
215	Measures
	2,501Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	23	105	5	7	98%
	23	5	5	7	99%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	23	105	5	7	98%
	23	5	5	7	99%
Bassi	21	0	5	7	99%
Bassoon	21	0	5	7	99%
Violoncello	21	0	5	7	99%
Bass	16	0	4	8	70%
	16	0	4	8	70%
(Basso)	16	0	4	8	70%
Tromba.	9	0	1	7	64%
Viola	14	0	1	6	52%
Violino I.	14	0	1	6	52%
Violino II.	11	0	1	6	52%

30. Aus meines Herzens Grunde, BWV 269.

SDG

1:20	Est. Play Time
23	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	10	0	1	5	100%
	10	0	1	5	100%
View all 7 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	10	1	5	100%
	10	1	5	100%
	14	0	5	100%
	14	0	5	100%
Soprano/Alto	10	1	5	100%
Tenor/Bass	14	0	5	100%
Contrabass	9	0	4	50%

Pseaume 1, Psalm 1, Part 1, cantus by Soprano, Sweelinck. SwWV.1.

SDG

1:25	Est. Play Time
30	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Altus	11	0	2	5	100%
Bassus	13	0	3	6	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Altus	11	2	5	100%
Bassus	13	3	6	100%
Cantus	8	0	2	100%
Tenor	12	2	7	100%

Zu Bethlehem geboren, arrangement Gertim, GrandOrgue recording, sampleset Giubiasco by Piotr Grabowski. Arrangement: Gertim.

SDG

0:55	Est. Play Time
23	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Manual I	12	0	1	6	100%
Manual II	7	0	1	5	100%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Manual I	12	1	6	100%
Manual II	7	1	5	100%
Pedal	10	1	5	100%
S A	12	1	6	90%
T B	15	2	6	90%

Pseaume 1, Psalm 1, Part 2, cantus by Alto, Sweelinck.

SDG

1:31	Est. Play Time
32	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassus	13	0	2	5	100%
Tenore	11	0	1	7	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassus	13	2	5	100%
Tenore	11	1	7	100%
Cantus	8	0	2	97%
Soprano	14	2	6	94%

Worthy is the Lamb, Messiah, Händel.

SDG

7:30	Est. Play Time
159	Measures
	4,806Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass	32	0	7	7	97%
Tutti Bassi	32	0	7	7	97%
View all 21 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass	32	7	7	97%
Tutti Bassi	32	7	7	97%
Violoncello	32	7	7	97%
Tenor	18	6	8	85%
	18	6	8	85%
Tenore.	18	6	8	85%
Bass	15	4	8	84%
	15	4	8	84%
Basso.	15	4	8	84%
Violino I.	25	6	7	83%
Violino II.	22	5	8	81%
Alto	14	3	8	80%
	14	3	8	80%
Alto.	14	3	8	80%
Soprano	16	4	7	75%
	16	4	7	75%
Canto.	16	4	7	75%
Viola.	20	5	8	75%
Tromba I.	12	1	7	36%
Tromba II.	9	0	8	36%
Tympano.	2	0	8	32%

Die Himmel erzählen die Ehre Gottes, die Schöpfung, the creation, Haydn.

SDG

6:50	Est. Play Time
197	Measures
	4,797Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass	25	5	8	7	91%
Bassi	25	5	7	7	91%
View all 33 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass	25	5	8	7	91%
Bassi	25	5	7	7	91%
Violin I	29	6	7	5	87%
Violin I (rep)	29	6	7	5	87%
Violin II	25	13	8	6	85%
Viola	22	0	6	7	70%
Oboe II	18	0	4	6	70%
(Clarinet repeat Oboe I)	14	0	3	6	69%
Oboe I e Clarinetti	14	0	3	6	69%
Flauti	22	1	6	6	67%
Fagotti	26	3	8	7	64%
Basso	18	0	6	6	63%
Basso II	18	0	6	6	63%
Basso III	18	0	6	6	63%
Tenore	16	0	4	6	63%
Tenore II	16	0	4	6	63%
Tenore III	16	0	4	6	63%
Alto	15	0	5	6	59%
Alto II	15	0	5	6	59%
Alto III	15	0	5	6	59%
Soprano	10	0	1	6	59%
Soprano II	10	0	1	6	59%
Soprano III	10	0	1	6	59%
Contra Fagotti	20	0	5	7	59%
Trombone III	24	0	6	7	53%
Corni in C (French horns)	9	6	0	5	47%
Clarini in C (Trumpets)	10	7	0	5	44%
Timpano in C	2	0	0	3	35%
Trombone	10	0	2	4	30%
Trombone II	12	0	0	5	30%
Soprano Solo (Gabriel)	13	0	3	3	24%
Basso solo (Raphael)	9	0	2	4	23%
Tenore Solo (Uriel)	10	0	1	4	23%