Active Filters:
Clef: TrebleTreble
Participation: 80%-99%
Play Time: < 1:00
Unique Durations: 4-5
Clear All Filters

Uploaders

SDG
It is Fulfilled, hymn version, easier; more suitable for congregation to sing. Tune: J.A. Fleylinghausen (1670-1739), Text: George Ph. van Popta. Arrangement: Gertim (SDG)
SDG
0:48 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Part_1 Treble 17 0 4 5 97%
Part_2 Bass 17 0 3 5 97%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Part_1 Treble 17 0 4 5 97%
Part_2 Bass 17 0 3 5 97%
 
Legends of the Infancy, Christmas carol, MuseScore simulated organ.
SDG
0:45 Est. Play
Time
23 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassoon Bass 10 0 0 5 51%
Bass 9 0 0 5 100%
View all 20 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassoon Bass 10 0 0 5 51%
Bass 9 0 0 5 100%
Bass 9 0 0 5 100%
B♭
Clarinet		 Treble 13 0 3 5 100%
C
Trumpet		 Treble 13 0 3 5 100%
English
Horn		 Bass 15 0 0 5 100%
Flute Treble 13 0 3 5 100%
Oboe Bass 9 0 0 5 100%
Organ
LH		 Bass 9 0 0 5 100%
Organ
RH		 Treble 13 0 3 5 100%
Piccolo Bass 9 0 0 5 100%
Picolo Treble 13 0 3 5 100%
Soprano/Alto Treble 13 0 3 5 100%
Tenor/Bass Bass 14 0 0 5 100%
Voice Treble 13 0 3 5 88%
Treble 13 0 0 5 88%
Contrabassoon Bass 10 0 0 5 51%
Double
Bass		 Bass 10 0 0 5 51%
Pedal Bass 10 0 0 5 51%
pedal
Flute		 Bass 10 0 0 5 51%
 
24. O, dierb're Jezus vol genade
SDG
0:37 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S/A Treble 12 0 2 4 91%
T/B Bass 12 0 0 4 91%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S/A Treble 12 0 2 4 91%
T/B Bass 12 0 0 4 91%
 
Kom mee naar buiten allemaal (canon / kinderlied), Andries Hartsuiker, Dutch children song, Come let us go outside to search the oriole
SDG
0:49 Est. Play
Time
25 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 10 0 3 4 96%
Treble 10 0 3 4 96%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 10 0 3 4 96%
Treble 10 0 3 4 96%
 
172. De Heer is trouw; Hij zorgt voor al de zijnen.
SDG
0:39 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 11 0 2 4 97%
Bass 14 0 0 5 97%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 11 0 2 4 97%
Bass 14 0 0 5 97%
 
149. Waar in uw naam en tot uw ere.
SDG
0:54 Est. Play
Time
20 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
T B Treble 12 0 2 4 95%
Bass 14 0 2 4 95%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
T B Treble 12 0 2 4 95%
Bass 14 0 2 4 95%
 
It is Fulfilled, J. A. Freylinghausen, Es ist vollbracht. Arrangement: Gertim
SDG
0:48 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Part_1 Treble 17 0 4 5 97%
Part_2 Bass 17 0 3 5 97%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Part_1 Treble 17 0 4 5 97%
Part_2 Bass 17 0 3 5 97%
 
4. Beglückter Stand getreuer Seelen. Schemelli, Bach, BWV 442.
SDG
0:55 Est. Play
Time
13 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 14 0 3 5 91%
T B Bass 18 1 3 4 91%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 14 0 3 5 91%
T B Bass 18 1 3 4 91%
 
236. Lobt Gott, ihr Christen allzugleich (Nun danket All und bringet Ehr). BWV 195/6.
SDG
0:32 Est. Play
Time
11 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flute Treble 7 0 1 4 100%
Treble 7 0 1 4 100%
View all 13 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flute Treble 7 0 1 4 100%
Treble 7 0 1 4 100%
Oboe Treble 10 0 2 5 45%
Treble 7 0 1 4 100%
Violin Treble 11 0 2 5 45%
Treble 7 0 1 4 100%
C
Trumpet		 Treble 12 0 1 4 95%
Soprano/Alto Treble 15 0 3 5 95%
Contrabass Bass 13 0 0 4 91%
Viola 13 0 3 4 91%
Violoncello Bass 13 0 0 4 91%
Tenor/Bass Bass 18 0 3 6 86%
Timpani Bass 2 0 0 4 82%
 
339. Was Gott thut, das ist wohlgethan. BWV 250.
SDG
0:50 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
extra
Soprano		 Treble 9 0 1 4 100%
extra
Tenor		 Treble 10 0 1 2 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
extra
Soprano		 Treble 9 0 1 4 100%
extra
Tenor		 Treble 10 0 1 2 100%
Soprano/Alto Treble 15 0 3 4 100%
Tenor/Bass Bass 17 0 2 4 100%
Horn
in
F		 Treble 10 0 1 4 97%
extra
Bass		 Bass 12 0 1 3 55%
Contrabass Bass 11 0 1 3 50%
extra
Alto		 Treble 11 0 2 3 50%
 
130. Herr Gott, dich loben alle wir. BWV 326.
SDG
0:30 Est. Play
Time
10 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
extra
Tenor		 Bass 6 0 0 4 100%
Soprano Treble 8 0 0 4 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
extra
Tenor		 Bass 6 0 0 4 100%
Soprano Treble 8 0 0 4 100%
C
Trumpet		 Treble 11 0 1 5 95%
Soprano/Alto Treble 11 0 0 5 95%
Tenor/Bass Bass 12 0 0 4 95%
Bass Bass 10 0 0 3 50%
Contrabass Bass 10 0 0 3 50%
Violoncello Bass 10 0 0 3 50%