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Marieh

60 Lessons for 2 Guitars, Op.168/49 - Joseph Küffner (1776 - 1856) - Tablature

Marieh

1:12	Est. Play Time
26	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Classical Guitar		14	2	2	4	65%
Guitare classique		11	4	1	3	52%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Classical Guitar		14	2	2	4	65%
Guitare classique		11	4	1	3	52%

60 Lessons for 2 Guitars, Op.168/49 - Joseph Küffner (1776 - 1856)

Marieh

1:12	Est. Play Time
26	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Classical Guitar		14	2	2	4	65%
Guitare classique		11	4	1	3	52%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Classical Guitar		14	2	2	4	65%
Guitare classique		11	4	1	3	52%

Allegretto Op.120, No.5 - Ferdinando Carulli (1770 - 1841) - Tablature

Marieh

1:27	Est. Play Time
36	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Guitare classique		15	5	1	4	96%
		19	5	3	4	98%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Guitare classique		15	5	1	4	96%
		19	5	3	4	98%

60 Lessons for 2 Guitars, Op.168/39 - Joseph Küffner (1776 - 1856)

Marieh

1:10	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Classical Guitar		14	18	1	5	100%
Guitare classique		15	3	2	3	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Classical Guitar		14	18	1	5	100%
Guitare classique		15	3	2	3	50%

Allegretto Op.120, No.5 - Ferdinando Carulli (1770 - 1841)

Marieh

1:27	Est. Play Time
36	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Guitare classique		15	5	1	4	96%
		19	5	3	4	98%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Guitare classique		15	5	1	4	96%
		19	5	3	4	98%

60 Lessons for 2 Guitars, Op.168/39 - Joseph Küffner (1776 - 1856) - Tablature

Marieh

1:10	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Classical Guitar		14	18	1	5	100%
Guitare classique		15	3	2	3	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Classical Guitar		14	18	1	5	100%
Guitare classique		15	3	2	3	50%

Cuban Dance - Anonymous

Marieh

2:26	Est. Play Time
32	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Guitare classique		25	6	3	6	72%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Guitare classique		25	6	3	6	72%

Valse No.3 Op.39 - J. Brahms (1833 - 1897)

Marieh

1:05	Est. Play Time
18	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Guitare classique		13	0	0	5	100%
		15	6	0	3	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Guitare classique		13	0	0	5	100%
		15	6	0	3	50%

Cuban Dance - Anonymous - Tablature

Marieh

2:26	Est. Play Time
32	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Guitare classique		25	6	3	6	72%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Guitare classique		25	6	3	6	72%

Etude No.24 Méthode - Napoléon Coste (1805 - 1883)

Marieh

1:00	Est. Play Time
21	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Guitare classique		29	5	9	4	77%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Guitare classique		29	5	9	4	77%

S.S. Stewart's Favorite Clog Hornpipe - Charles H. Loag (fl.1885)

Marieh

1:16	Est. Play Time
18	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Guitare classique		18	8	2	3	100%
		14	6	2	3	89%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Guitare classique		18	8	2	3	100%
		14	6	2	3	89%

Valse No.3 Op.39 - J. Brahms (1833 - 1897) - Tablature

Marieh

1:05	Est. Play Time
18	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Guitare classique		13	0	0	5	100%
		15	6	0	3	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Guitare classique		13	0	0	5	100%
		15	6	0	3	50%

Etude No.24 Méthode - Napoléon Coste (1805 - 1883) - Tablature

Marieh

1:00	Est. Play Time
21	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Guitare classique		29	5	9	4	77%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Guitare classique		29	5	9	4	77%

S.S. Stewart's Favorite Clog Hornpipe - Charles H. Loag (fl.1885) - Tablature

Marieh

1:16	Est. Play Time
18	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Guitare classique		18	8	2	3	100%
		14	6	2	3	89%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Guitare classique		18	8	2	3	100%
		14	6	2	3	89%

Las Lecciones de Guitarra II No.21 - Julio Salvador Sagreras (1879 - 1942) - Tablature

Marieh

1:16	Est. Play Time
24	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Guitare classique		24	3	6	4	40%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Guitare classique		24	3	6	4	40%

60 Lessons for 2 Guitars, Op.168/18 - Joseph Küffner (1776 - 1856)

Marieh

1:10	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Classical Guitar		13	2	1	3	100%
Guitare classique		17	6	1	3	94%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Classical Guitar		13	2	1	3	100%
Guitare classique		17	6	1	3	94%

60 Lessons for 2 Guitars, Op.168/18 - Joseph Küffner (1776 - 1856) - Tablature

Marieh

1:11	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Classical Guitar		13	2	1	3	100%
Guitare classique		17	6	1	3	94%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Classical Guitar		13	2	1	3	100%
Guitare classique		17	6	1	3	94%

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