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Composition: Treble
Participation: 1%-49%
Participation: 80%-99%
Participation: 100%
Unique Accidentals: 2
Unique Notes: 11 - 15
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Marieh
Pour Quoy - Tielman Susato (c.1510 - c.1570) - Tablature
Marieh
1:00 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Guitare
classique		 Treble 14 0 2 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Guitare
classique		 Treble 14 0 2 4 100%
 
Baletto de Rusia deto l'orso - Giulio Cesare Barbetta (ca.1540 - after 1603)
Marieh
0:33 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Classical
Guitar		 Treble 15 6 2 3 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Classical
Guitar		 Treble 15 6 2 3 100%
 
Pour Quoy - Tielman Susato (c.1510 - c.1570)
Marieh
1:00 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Guitare
classique		 Treble 14 0 2 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Guitare
classique		 Treble 14 0 2 4 100%
 
Baletto de Rusia deto l'orso - Giulio Cesare Barbetta (ca.1540 - after 1603) - Tablature
Marieh
0:33 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Classical
Guitar		 Treble 15 6 2 3 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Classical
Guitar		 Treble 15 6 2 3 100%