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Composition: Treble
Measures: 60 - 150
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Participation: 50%-79%
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Marieh
La Cumparsita - G. Matos Rodriguez (1897 - 1948)
Marieh
0:58 Est. Play
Time
63 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Guitare
classique		 Treble 31 34 9 7 74%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Guitare
classique		 Treble 31 34 9 7 74%
 
Barcarolle Op.51 No.14 - Napoléon Coste (1805 - 1883)
Marieh
0:56 Est. Play
Time
66 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Guitare
classique		 Treble 29 39 7 5 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Guitare
classique		 Treble 29 39 7 5 100%
 
Barcarolle Op.51 No.14 - Napoléon Coste (1805 - 1883) - Tablature
Marieh
0:56 Est. Play
Time
66 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Guitare
classique		 Treble 29 39 7 5 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Guitare
classique		 Treble 29 39 7 5 100%
 
La Cumparsita - G. Matos Rodriguez (1897 - 1948) - Tablature
Marieh
0:58 Est. Play
Time
63 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Guitare
classique		 Treble 31 34 9 7 74%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Guitare
classique		 Treble 31 34 9 7 74%