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Composition: Treble
Composition: Bass
Participation: 50%-79%
Participation: 100%
Play Time: < 1:00
Unique Accidentals: 3-4
Unique Chords: 7-10
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Marieh
Almande "La mon amy la" - Adrian Le Roy (c.1520 - 1598)
Marieh
0:53 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Guitare
classique		 Treble 15 7 3 5 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Guitare
classique		 Treble 15 7 3 5 100%
 
Valse Op.51 No.8 - Napoléon Coste (1805 - 1883)
Marieh
0:54 Est. Play
Time
52 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Guitare
classique		 Treble 20 8 4 5 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Guitare
classique		 Treble 20 8 4 5 100%
 
Valse Op.51 No.8 - Napoléon Coste (1805 - 1883) - Tablature
Marieh
0:54 Est. Play
Time
52 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Guitare
classique		 Treble 20 8 4 5 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Guitare
classique		 Treble 20 8 4 5 100%
 
Passemezzo - Sua Gagliarda - Carlo Calvi (c.1610) - Tablature
Marieh
0:01 Est. Play
Time
58 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Guitare
classique		 Treble 19 9 4 6 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Guitare
classique		 Treble 19 9 4 6 100%