Play Along Piano

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Marieh

Gay Paris (Traviata) - W.L. Hayden (1839- 1886)

Marieh

1:52	Est. Play Time
68	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Guitare classique		20	11	4	6	100%
		23	12	6	6	89%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Guitare classique		20	11	4	6	100%
		23	12	6	6	89%

Pièces faciles pour Flûte ou Violon et Guitare, Op.74 No.2 - Mauro Giuliani (1781 - 1829) - Tablature

Marieh

2:19	Est. Play Time
64	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flûte		15	0	4	7	100%
Classical Guitar		15	14	3	3	51%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flûte		15	0	4	7	100%
Classical Guitar		15	14	3	3	51%

Pièces faciles pour Flûte ou Violon et Guitare, Op.74 No.2 - Mauro Giuliani (1781 - 1829)

Marieh

2:19	Est. Play Time
64	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flûte		15	0	4	7	100%
Classical Guitar		15	14	3	3	51%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flûte		15	0	4	7	100%
Classical Guitar		15	14	3	3	51%

Gay Paris (Traviata) - W.L. Hayden (1839- 1886) - Tablature

Marieh

1:52	Est. Play Time
69	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Guitare classique		20	11	4	6	100%
		23	12	6	6	89%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Guitare classique		20	11	4	6	100%
		23	12	6	6	89%

Sweet Love - Arr. H.F. Odell (1872 - 1926)

Marieh

3:01	Est. Play Time
67	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Mandoline		30	2	9	7	100%
Guitare classique		22	20	5	5	79%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Mandoline		30	2	9	7	100%
Guitare classique		22	20	5	5	79%

Six Petits Duos - Op.34 No.2 - Fernandino Carulli (1770 - 1841)

Marieh

5:26	Est. Play Time
147	Measures
	1,141Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Guitare classique		34	11	12	8	100%
		35	21	11	7	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Guitare classique		34	11	12	8	100%
		35	21	11	7	100%

Leçon n°17 op.27 - Ferdinando Carulli (1770 - 1841)

Marieh

1:46	Est. Play Time
86	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Guitare classique		19	14	5	3	100%
		20	29	5	4	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Guitare classique		19	14	5	3	100%
		20	29	5	4	100%

La Súplica - Miguel Santiago Arévalo (1843 - 1900)

Marieh

5:11	Est. Play Time
106	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Guitare classique		29	23	3	6	65%
		30	28	4	6	98%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Guitare classique		29	23	3	6	65%
		30	28	4	6	98%

Idly in a Hammock - Walter F. Vreeland (1868 - 1927)

Marieh

3:33	Est. Play Time
106	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Guitare classique		29	6	14	4	67%
		31	22	14	4	99%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Guitare classique		29	6	14	4	67%
		31	22	14	4	99%

Leçon n°17 op.27 - Ferdinando Carulli (1770 - 1841) - Tablature

Marieh

1:46	Est. Play Time
86	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Guitare classique		19	14	5	3	100%
		20	29	5	4	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Guitare classique		19	14	5	3	100%
		20	29	5	4	100%

La Súplica - Miguel Santiago Arévalo (1843 - 1900) - Tablature

Marieh

5:11	Est. Play Time
106	Measures
	1,087Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Guitare classique		29	23	3	6	65%
		30	28	4	6	98%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Guitare classique		29	23	3	6	65%
		30	28	4	6	98%

Class Leader - A. F. S. Gustafson (fl.1900)

Marieh

2:20	Est. Play Time
82	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Guitare classique		26	23	10	4	100%
Mandoline		21	2	8	4	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Guitare classique		26	23	10	4	100%
Mandoline		21	2	8	4	100%

Idly in a Hammock - Walter F. Vreeland (1868 - 1927) - Tablature

Marieh

3:33	Est. Play Time
106	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Guitare classique		29	6	14	4	67%
		31	22	14	4	99%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Guitare classique		29	6	14	4	67%
		31	22	14	4	99%

Class Leader - A. F. S. Gustafson (fl.1900) - Tablature

Marieh

2:20	Est. Play Time
82	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Guitare classique		26	23	10	4	100%
Mandoline		21	2	8	4	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Guitare classique		26	23	10	4	100%
Mandoline		21	2	8	4	100%

Flaxy Cunninghams Cake Walk - E. H. Frey (1862 - c.1930)

Marieh

2:20	Est. Play Time
70	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Mandoline		27	1	10	4	100%
Guitare classique		24	25	8	4	99%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Mandoline		27	1	10	4	100%
Guitare classique		24	25	8	4	99%

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