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Composition: Duet
Composition: Treble
Participation: 50%-79%
Participation: 80%-99%
Participation: 100%
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Play Time: 1:30 - 2:10
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Marieh
60 Lessons for 2 Guitars, Op.168/57 - Joseph Küffner (1776 - 1856)
Marieh
2:05 Est. Play
Time
21 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Classical
Guitar		 Treble 18 15 3 5 100%
Guitare
classique		 Treble 21 7 4 4 53%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Classical
Guitar		 Treble 18 15 3 5 100%
Guitare
classique		 Treble 21 7 4 4 53%
 
Etude No.11 Op.60 - Carcassi, Matteo (1792 - 1853) - Tablature
Marieh
0:29 Est. Play
Time
29 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Classical
Guitar		 Treble 23 0 6 2 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Classical
Guitar		 Treble 23 0 6 2 100%
 
Andante Op.241 No.18 - Ferdinando Carulli (1770 - 1841)
Marieh
1:46 Est. Play
Time
50 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Classical
Guitar		 Treble 19 6 4 3 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Classical
Guitar		 Treble 19 6 4 3 100%
 
Day's Yet to Come - Shaeffer, Arling (1859 - 1943) - Tablature
Marieh
2:09 Est. Play
Time
52 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Classical
Guitar		 Treble 29 36 9 7 99%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Classical
Guitar		 Treble 29 36 9 7 99%
 
A Jigg - Playford, John (1623 - 1686) - Tablature
Marieh
0:26 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bouzouki
(4
chœurs)		 Treble 11 0 0 5 93%
Guitare
classique		 Treble 11 6 0 3 86%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bouzouki
(4
chœurs)		 Treble 11 0 0 5 93%
Guitare
classique		 Treble 11 6 0 3 86%
 
60 Lessons for 2 Guitars, Op.168/56 - Joseph Küffner (1776 - 1856) - Tablature
Marieh
0:59 Est. Play
Time
18 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Classical
Guitar		 Treble 18 4 2 6 88%
Guitare
classique		 Treble 16 6 1 4 58%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Classical
Guitar		 Treble 18 4 2 6 88%
Guitare
classique		 Treble 16 6 1 4 58%
 
60 Lessons for 2 Guitars, Op.168/58 - Joseph Küffner (1776 - 1856)
Marieh
2:01 Est. Play
Time
50 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Classical
Guitar		 Treble 23 23 8 7 100%
Guitare
classique		 Treble 20 7 6 7 51%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Classical
Guitar		 Treble 23 23 8 7 100%
Guitare
classique		 Treble 20 7 6 7 51%
 
Etude No.7 Op.60 - Matteo Carcassi (1792 - 1853) - Tablature
Marieh
1:35 Est. Play
Time
28 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Classical
Guitar		 Treble 27 0 9 5 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Classical
Guitar		 Treble 27 0 9 5 100%
 
Pièces faciles pour Flûte ou Violon et Guitare, Op.74 No.5 - Giuliani, Mauro (1781 - 1829) - Tablature
Marieh
1:52 Est. Play
Time
48 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flûte Treble 20 0 7 7 100%
Classical
Guitar		 Treble 24 15 9 3 58%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flûte Treble 20 0 7 7 100%
Classical
Guitar		 Treble 24 15 9 3 58%
 
Edna Gavotte - P.W. Newton (1868 - ??)
Marieh
0:48 Est. Play
Time
19 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Guitare
classique		 Treble 18 6 3 4 100%
Treble 12 5 1 4 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Guitare
classique		 Treble 18 6 3 4 100%
Treble 12 5 1 4 50%
 
Allemande Tendrement - François Campion (1684 - 1746) - Tablature
Marieh
1:35 Est. Play
Time
24 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Guitare
classique		 Treble 27 20 9 6 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Guitare
classique		 Treble 27 20 9 6 100%
 
Etude No.5 Op.60 - Matteo Carcassi (1792 - 1853) - Tablature
Marieh
0:39 Est. Play
Time
38 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Classical
Guitar		 Treble 31 23 11 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Classical
Guitar		 Treble 31 23 11 4 100%
 
Gay Paris (Traviata) - W.L. Hayden (1839- 1886)
Marieh
1:52 Est. Play
Time
68 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Guitare
classique		 Treble 20 11 4 6 100%
Treble 23 12 6 6 89%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Guitare
classique		 Treble 20 11 4 6 100%
Treble 23 12 6 6 89%
 
Philomela - William O. Bateman (1825-1883)
Marieh
1:43 Est. Play
Time
80 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Guitare
classique		 Treble 28 2 5 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Guitare
classique		 Treble 28 2 5 4 100%