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Jwagner

Brahms -- Neue Liebeslieder, op. 65 - 10. Ich kose süß mit der und der

Jwagner

1:05	Est. Play Time
23	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	20	8	8	5	84%
	30	6	10	5	100%
View all 5 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	20	8	8	5	84%
	30	6	10	5	100%
	26	6	8	4	96%
	24	25	10	5	92%
Tenor	14	0	5	5	91%

Vivaldi - Gloria (RV 589) -- 7. Domini Fili Unigeniti

Jwagner

2:27	Est. Play Time
98	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	15	4	2	7	24%
	16	19	3	4	18%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	15	4	2	7	24%
	16	19	3	4	18%
Bass	15	0	5	8	72%
	15	0	5	7	72%
Tenor	11	0	3	7	68%
	11	0	3	7	68%
Alto	10	0	2	7	54%
	10	0	2	8	54%
Soprano	11	0	3	7	54%
	11	0	3	7	54%

Vivaldi - Gloria (RV 589) -- 3. Laudamus Te

Jwagner

2:30	Est. Play Time
126	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	28	11	9	4	57%
	21	3	6	5	48%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	28	11	9	4	57%
	21	3	6	5	48%
Soprano I	12	0	4	6	56%
Soprano II	12	0	4	7	53%

Brahms -- Neue Liebeslieder, op. 65 - 4. Ihr schwarzen Augen

Jwagner

0:48	Est. Play Time
18	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	22	5	6	3	100%
	9	0	2	4	83%
View all 5 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	22	5	6	3	100%
	9	0	2	4	83%
	14	7	0	2	89%
	18	27	6	2	89%
Bass	15	0	5	4	90%

Vivaldi - Gloria (RV 589) -- 12. Cum Sancto Spiritu

Jwagner

3:54	Est. Play Time
78	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	22	10	6	6	51%
	18	3	3	6	36%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	22	10	6	6	51%
	18	3	3	6	36%
Soprano	13	0	3	6	73%
Tenor	9	0	3	7	73%
Alto	10	0	2	6	72%
Bass	14	0	3	6	72%

Brahms -- Neue Liebeslieder, op. 65 - 9. Nagen am Herzen fühl ich

Jwagner

1:09	Est. Play Time
32	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	17	3	5	5	98%
	14	0	5	4	97%
View all 5 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	17	3	5	5	98%
	14	0	5	4	97%
	19	9	6	2	97%
	20	14	7	2	100%
Soprano	13	0	5	3	90%

Gounod -- Messe brève no. 7 in C - 1. Kyrie

Jwagner

2:33	Est. Play Time
62	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano	12	0	2	6	79%
Alto	11	0	2	6	69%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano	12	0	2	6	79%
Alto	11	0	2	6	69%
Tenor	13	0	2	6	60%
Bass	12	0	2	6	47%
Organ	14	8	1	4	21%
	15	6	3	4	23%
	0	0	0	0	0%

Triumphal Scene from Aida - Verdi

Jwagner

7:16	Est. Play Time
195	Measures
	2,693Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	43	138	17	10	99%
	35	48	15	11	95%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	43	138	17	10	99%
	35	48	15	11	95%
Soprano	22	0	8	10	38%
Alto I	16	0	5	10	37%
Bass I	19	3	7	10	32%
Tenor III	20	10	7	9	31%
Bass	16	4	6	10	29%
Tenor I	18	5	6	10	29%
Bass II	18	0	7	8	14%
F unison	16	0	4	7	12%
M unison	16	1	4	7	12%
Tenor IV	14	0	6	9	12%
Alto II	9	0	1	7	9%
Tenor II	8	0	3	4	4%

Addio mio dolce amor! (Edgar) - Puccini

Jwagner

2:31	Est. Play Time
49	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	32	55	10	10	94%
	29	56	3	10	99%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	32	55	10	10	94%
	29	56	3	10	99%
Fidelia	18	0	5	11	88%
Bass	11	0	1	10	22%
Soprano	13	5	1	10	22%
Tenor	12	3	1	10	22%

Gounod -- Messe brève no. 7 in C - 5. Agnus Dei

Jwagner

3:08	Est. Play Time
51	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bass	12	4	1	5	84%
Tenor	12	1	1	5	84%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bass	12	4	1	5	84%
Tenor	12	1	1	5	84%
Alto	11	0	2	5	66%
Soprano	11	0	1	5	66%
Organ	6	4	0	3	20%
	6	2	0	2	20%

Brahms -- Ein deutsches Requiem - VII. Selig sind die Toten

Jwagner

9:29	Est. Play Time
166	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	37	38	17	7	27%
	32	23	12	6	28%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	37	38	17	7	27%
	32	23	12	6	28%
Tenor	20	0	12	7	73%
Bass	23	4	9	6	70%
Alto	19	0	12	7	68%
Soprano	20	0	11	7	68%

Dvorak - Stabat Mater -- X. Quartetto e Coro - Quando corpus morietur

Jwagner

5:50	Est. Play Time
221	Measures
	1,587Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	27	41	5	8	24%
	24	17	1	8	23%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	27	41	5	8	24%
	24	17	1	8	23%
Tenor	18	11	5	7	64%
Soprano	20	6	7	7	63%
Alto	18	9	5	7	59%
Bass	20	15	7	7	58%
Alto Solo	15	0	5	7	47%
Soprano solo	19	0	6	7	46%
Bass Solo	17	0	5	6	43%
Tenor Solo	15	0	5	7	42%

Gounod -- Messe brève no. 7 in C - 2. Gloria

Jwagner

4:08	Est. Play Time
114	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bass	15	4	4	8	97%
Tenor	13	0	4	8	95%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bass	15	4	4	8	97%
Tenor	13	0	4	8	95%
Alto	10	0	1	8	76%
Soprano	9	0	0	8	76%
Organ	3	1	0	1	1%
	3	1	0	1	1%

Messe solennelle de Sainte-Cécile - Gounod - 1. Kyrie

Jwagner

5:28	Est. Play Time
117	Measures
	1,342Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	38	144	15	7	100%
	22	15	7	7	97%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	38	144	15	7	100%
	22	15	7	7	97%
Soprano	17	0	6	7	62%
Tenor	17	3	6	7	59%
Alto	12	0	4	7	55%
Bas	12	3	3	7	50%
Bass Solo	10	0	3	4	29%
Soprano solo	17	0	6	5	29%
Tenor Solo	10	0	4	5	29%