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Jwagner

Ave Maria - Bruckner

Jwagner

2:50	Est. Play Time
51	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto I	16	0	4	6	88%
Alto II	14	0	4	6	88%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto I	16	0	4	6	88%
Alto II	14	0	4	6	88%
Soprano	15	0	2	6	84%
Tenor I	13	1	4	5	80%
Tenor II	14	0	4	5	78%
Bass I	11	2	3	4	76%
Bass II	10	0	2	4	74%

Fordum var her fred på gaden - Carl Nielsen - Maskerade (piano red.)

Jwagner

2:12	Est. Play Time
41	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Klaver	19	17	5	5	100%
	21	9	6	5	95%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Klaver	19	17	5	5	100%
	21	9	6	5	95%
Jeronimus	16	0	4	8	100%
Timpani	2	0	0	1	10%

Dixit Maria ad angelum

Jwagner

4:42	Est. Play Time
49	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor	12	0	2	6	100%
Alto	10	0	2	6	97%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor	12	2	6	100%
Alto	10	2	6	97%
Soprano	10	2	5	88%
Bass	10	1	4	83%

Gounod - Messe solennelle de Sainte-Cécile -- 4. Invocation/Offertoire

Jwagner

2:22	Est. Play Time
40	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Orgue		27	48	6	5	99%
		25	18	7	4	93%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Orgue		27	48	6	5	99%
		25	18	7	4	93%

Messiah - Händel - 1.09 O thou that tellest good good tidings

Jwagner

1:19	Est. Play Time
45	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Kontrabas	19	0	4	4	100%
Violin I	23	0	4	5	100%
View all 8 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Kontrabas	19	4	4	100%
Violin I	23	4	5	100%
Violin II	23	4	5	100%
Viola	19	4	3	96%
Soprano	11	1	5	73%
Bass	14	2	4	67%
Tenor	9	1	5	67%
Alto	10	2	6	64%

Marienlieder, Op.22 - 4. Der Jäger - Brahms

Jwagner

1:59	Est. Play Time
45	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano	10	0	2	5	95%
Alto	9	0	4	4	94%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano	10	2	5	95%
Alto	9	4	4	94%
Tenor	11	3	5	94%
Bass	11	1	4	92%

Messiah - Händel - 3.46 Since by man came death

Jwagner

2:03	Est. Play Time
37	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	9	0	2	6	92%
Bass	15	0	3	6	92%
View all 8 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	9	2	6	92%
Bass	15	3	6	92%
Soprano	12	3	6	92%
Tenor	10	1	6	92%
Kontrabas	16	2	4	73%
Viola	13	1	3	68%
Violin I	13	3	4	68%
Violin II	13	2	3	68%

Samson - Händel - 1.03 Awake the trumpets lofty sound

Jwagner

2:47	Est. Play Time
51	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	24	46	5	5	91%
	25	21	4	5	93%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	24	46	5	5	91%
	25	21	4	5	93%
Alto	12	0	2	7	82%
Tenor	14	0	2	7	80%
Bass	15	0	3	7	75%
Soprano	14	0	2	7	71%

Fordum var her fred på gaden - Carl Nielsen - Maskerade

Jwagner

2:12	Est. Play Time
41	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Jeronimus	16	0	4	8	100%
Klarinet (A)	18	0	5	5	100%
View all 11 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Jeronimus	16	4	8	100%
Klarinet (A)	18	5	5	100%
Celloer	14	4	4	98%
Violiner I	14	4	5	98%
Fagot	19	5	5	98%
Violaer	13	2	5	93%
Violiner II	10	2	4	93%
Kontrabas	14	4	4	88%
Horn I F	7	0	3	26%
	5	0	3	26%
Timpani	2	0	1	10%

P.E. Lange-Müller - Gammel Julesang

Jwagner

2:23	Est. Play Time
46	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	10	0	3	4	100%
Bass I + II	15	3	4	4	100%
View all 5 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	10	0	3	4	100%
Bass I + II	15	3	4	4	100%
Soprano II	10	0	3	4	100%
Tenor	10	0	4	3	100%
Soprano I	15	0	3	5	89%

Weihnachtsoratorium No. 42 - Choral - Jesus richte mein Beginnen

Jwagner

2:37	Est. Play Time
38	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	8	0	0	5	53%
Bass	12	0	3	4	53%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	8	0	0	5	53%
Bass	12	0	3	4	53%
Soprano	11	0	2	5	53%
Tenor	8	0	0	6	53%
Organ	21	86	5	3	47%
	14	29	0	3	47%

Messe Basse - Fauré - II. Sanctus

Jwagner

1:30	Est. Play Time
36	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano solo	13	0	5	5	94%
Church Organ	27	35	10	5	92%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano solo	13	0	5	5	94%
Church Organ	27	35	10	5	92%
	27	30	11	5	83%
Alto	15	0	7	5	77%
Bass	15	1	6	5	77%
Soprano	14	0	6	5	77%
Tenor	10	0	4	5	77%

Messe solennelle de Sainte-Cécile - Gounod - 6. Benedictus

Jwagner

2:02	Est. Play Time
36	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	16	18	1	5	83%
	12	16	0	5	86%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	16	18	1	5	83%
	12	16	0	5	86%
Soprano	6	0	0	8	65%
Alto	6	0	2	8	64%
Bass I	5	0	1	8	64%
Bass II	9	0	1	8	64%
Tenor I	5	0	0	8	64%
Tenor II	5	0	0	8	64%
Soprano solo	5	0	0	7	33%

Hark! the Herald Angels Sing

Jwagner

3:00	Est. Play Time
40	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano	14	0	2	4	100%
Alto	12	0	2	4	67%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano	14	2	4	100%
Alto	12	2	4	67%
Bass	15	2	4	67%
Tenor	8	1	4	67%
Alt Tenor Bas	9	0	4	33%

Brahms - Opus 62 nr. 6 - Es geht ein Wehen

Jwagner

2:56	Est. Play Time
46	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto I + II	16	0	6	5	100%
Bass I + II	14	0	3	4	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto I + II	16	6	5	100%
Bass I + II	14	3	4	100%
Soprano	16	7	5	100%
Tenor	18	7	4	100%