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Jamie Holdham

H.I.F Biber - Passacaglia.{Professional production score.} Unfinished.

Jamie Holdham

1:57	Est. Play Time
114	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin		16	0	4	5	86%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin		16	0	4	5	86%

Buxtehude - Var.VI: La Capricciosa. {Professional production score.}

Jamie Holdham

0:38	Est. Play Time
8	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		19	0	2	4	100%
		18	0	3	6	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		19	0	2	4	100%
		18	0	3	6	100%

Buxtehude - Prelude in G Major. {Professional production score.}

Jamie Holdham

3:26	Est. Play Time
72	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Manuels Pedale	20	2	5	10	89%
	15	4	2	8	84%
	20	0	4	5	68%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Manuels Pedale	20	2	5	10	89%
	15	4	2	8	84%
	20	0	4	5	68%

Bach - Missa in F Major, Gloria. {Professional production full score.} Unfinished.

Jamie Holdham

1:07	Est. Play Time
89	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo.	13	0	1	3	100%
Violino I.	16	0	2	4	100%
View all 12 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo.	13	1	3	100%
Violino I.	16	2	4	100%
Violino II.	15	1	4	100%
Viola.	16	2	3	97%
Oboe I.	15	2	5	77%
Oboe II.	12	1	5	77%
Corno I.	10	0	4	63%
Corno II.	9	0	4	57%
Basso.	13	1	3	47%
Tenore.	13	2	3	43%
Alto.	11	1	2	27%
Soprano.	12	1	2	23%

Buxtehude - Var.XXIV: La Capricciosa. {Professional production score.}

Jamie Holdham

1:04	Est. Play Time
8	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		18	5	1	4	100%
		16	7	1	4	81%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		18	5	1	4	100%
		16	7	1	4	81%

Wagner - Die Miestersinger Von Nurenberg Overture to Akt 1. [Professional production full score.]

Jamie Holdham

1:24	Est. Play Time
36	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
2. VIOLINEN.	20	15	6	4	100%
BRATSCHEN.	23	18	6	7	100%
View all 17 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
2. VIOLINEN.	20	15	6	4	100%
BRATSCHEN.	23	18	6	7	100%
Violoncelle.	25	2	8	7	100%
2 FAGOTTE.	29	15	10	6	98%
1. VIOLINEN.	22	12	4	5	96%
4 HORNER in F.	17	0	5	6	96%
Contrabasse.	19	0	6	6	96%
Horn in F	14	0	4	6	88%
3 POSAUNEN.	13	0	4	6	82%
2 HOBOEN.	17	0	5	4	82%
BASS-TUBA.	23	0	5	6	79%
2 CLARINETTEN. in B.	15	0	4	4	77%
1 und 2 (F). 3 TROMPETTEN. 3 (C).	12	2	1	6	77%
Bass Trombone	14	0	2	6	68%
PAUKEN (C u.G).	2	0	0	2	29%
2 GROSSE FLOTEN.	7	0	1	2	25%
C Trumpet	5	0	0	4	25%

Buxtehude - Var.XXX: La Capricciosa. {Professional production full score.}

Jamie Holdham

0:28	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		18	3	2	5	100%
		15	0	1	5	88%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		18	3	2	5	100%
		15	0	1	5	88%

Buxtehude - Var.XXVI. La Capricciosa. {Professional production full score.}

Jamie Holdham

0:38	Est. Play Time
8	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		18	0	2	4	83%
		16	0	1	3	88%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		18	0	2	4	83%
		16	0	1	3	88%

Buxtehude - Var.III: La Capricciosa. {Professional production score.}

Jamie Holdham

0:38	Est. Play Time
8	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		17	0	2	5	92%
		18	0	1	5	91%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		17	0	2	5	92%
		18	0	1	5	91%

Buxtehude - Var.XXI: La Capricciosa. {Professional production score.}

Jamie Holdham

0:38	Est. Play Time
8	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		17	6	1	5	77%
		16	0	0	5	94%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		17	6	1	5	77%
		16	0	0	5	94%

Bach - Double Violin Concerto. [II. Largo.] {Professional production full score.}

Jamie Holdham

9:20	Est. Play Time
50	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Basso.	26	0	8	3	100%
Harpsichord	26	0	8	3	100%
View all 7 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Basso.	26	8	3	100%
Harpsichord	26	8	3	100%
Viola.	15	3	5	100%
Violino principale II.	28	10	6	100%
Violino I.	20	7	5	100%
Violino II.	23	8	4	100%
Violino principale I.	28	9	6	92%

Wagner - Gotterdammerung Vorspiel to Akt 1. {Professional production full score.}

Jamie Holdham

2:15	Est. Play Time
27	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
12 VIOLONCELLE.	24	0	10	4	70%
1 CONTRABASS- TUBA. (C.)	6	0	1	3	67%
View all 27 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
12 VIOLONCELLE.	24	0	10	4	70%
1 CONTRABASS- TUBA. (C.)	6	0	1	3	67%
2.u.3. (B.)	18	21	7	5	66%
12 BRATSCHEN.	17	0	4	5	57%
1. 3 gr.FLOTEN.	9	1	3	5	56%
2 Tenor. (B) 4 TUBEN.	7	2	3	4	53%
2.u.3.	12	10	4	5	48%
	8	6	1	5	52%
	6	0	2	4	33%
1. (B.) 3 CLARINETTEN.	17	0	5	3	52%
1 BASS- CLARINETTE. (B)	13	0	5	4	52%
3.u.4.	15	14	8	5	52%
2 Bass. (F.)	5	4	1	4	50%
3.	15	1	4	5	50%
1.u.2. 4 HORNER.	15	12	8	5	48%
ENGLISCHES HORN.	5	0	2	5	48%
Violins	24	0	9	5	48%
1. 3 TENOR-BASS- POSAUNEN.	7	4	1	4	47%
16 erste 32 VIOLINEN. 16 zweite	22	0	10	4	44%
1.u.2. 3 FAGOTTE.	5	2	2	4	44%
1 BASS-TROMPETE. (Es.)	13	0	5	5	44%
1. 3 HOBOEN.	4	0	0	4	41%
1 CONTRABASS- POSAUNE. (C)	4	0	0	4	33%
8 CONTRABASSE.	5	0	0	4	26%
1. (Es.) 3 TROMPETTEN.	3	0	3	4	22%
2.u.3. (Es.)	4	2	3	3	15%
Pauken.	2	0	1	1	7%

Wagner - Siegfried Akt 2: Siegfried vs Fafner in Full score.

Jamie Holdham

1:38	Est. Play Time
48	Measures
	1,629Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
3 Fagotti.	25	12	13	5	94%
Bass Trombone	26	0	14	5	94%
View all 30 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
3 Fagotti.	25	12	13	5	94%
Bass Trombone	26	0	14	5	94%
Bass-Tuba. (in C.)	19	0	9	5	94%
Contrabasse Posaunen.	24	0	13	5	94%
Contrabasse Tuben.	26	0	13	5	94%
Bassclarinetten.	18	0	7	5	88%
BRATSCHEN.	24	14	9	5	85%
Violoncelle.	31	5	14	6	83%
Contrabasse.	22	3	10	7	81%
I. Violinen. II.	27	4	11	6	75%
Bass-Tuba. (in B.)	28	0	12	4	75%
Violins	27	4	11	6	75%
Horner. (in F.)	16	2	5	5	70%
Horn in F	15	2	5	5	70%
F Trumpet	2	0	1	4	13%
	12	0	1	6	65%
Tenor-Tuba. (in Es.)	21	1	9	4	63%
Clarinetten. (in Bb.)	13	4	5	5	61%
B♭ Clarinet	27	3	11	5	57%
(2 Tenor.) 3 Posaunen. (1 Basse.)	14	0	4	6	54%
Tenor Trombone	15	0	4	6	54%
3 Hoboen.	13	6	4	5	54%
2 Trompetten. (in F.)	14	1	2	5	52%
Oboe	16	4	6	5	51%
Englishes Horner.	16	0	6	5	50%
Bass Trompeten. (in D.)	9	0	3	6	38%
Flute	4	2	2	3	24%
3 Floten.	6	0	2	4	19%
Timpani	3	0	1	4	15%
2 Pauken.	3	0	1	4	10%

Wagner - Tristan und Isolde Vorspiel to Akt 3. {Professional production full score.}

Jamie Holdham

0:01	Est. Play Time
97	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
I. Violinen. II.	28	0	8	6	47%
Violins	26	0	9	6	47%
View all 17 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
I. Violinen. II.	28	0	8	6	47%
Violins	26	0	9	6	47%
Violoncelli.	23	2	6	5	43%
Englishches Horn.	20	0	6	10	43%
Bratschen.	19	0	8	5	40%
Kontrabasse.	12	0	3	6	34%
Violoncellos	14	2	4	3	24%
Bassoon	6	0	1	3	23%
II. in F.	10	0	2	4	20%
Fag.	11	0	4	6	14%
Violas	13	0	6	5	9%
I. in F.	13	0	5	3	8%
Hob.I.	10	0	6	4	6%
B♭ Clarinet	8	0	4	6	5%
IV. in E.	6	0	2	3	5%
III. in E.	9	0	3	4	4%
Klar. in B.	6	0	2	3	2%

Bach - Wachet auf, ruft uns die Stimme. (Chorus I.) {Unfinished.}

Jamie Holdham

1:16	Est. Play Time
123	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violino I	21	0	4	6	100%
Harpsichord	19	0	3	4	97%
View all 15 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Violino I	21	4	6	100%
Harpsichord	19	3	4	97%
	19	3	4	97%
Bassoon	19	3	4	97%
Continuo.	19	3	4	97%
Oboe I.	14	2	6	97%
Organ	19	3	4	97%
Oboe II.	13	1	6	76%
Violino II	13	1	5	71%
Taille.	11	0	5	65%
Viola.	15	3	5	65%
Soprano.	7	0	1	47%
Alto.	10	1	4	32%
Tenore.	9	0	5	32%
Basso.	11	0	4	24%