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Jamie Holdham

Jamie Holdham

2:14	Est. Play Time
63	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola	11	3	1	4	100%
Violino II	10	4	0	4	100%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola	11	3	1	4	100%
Violino II	10	4	0	4	100%
Violoncello	11	0	2	5	100%
Violino I	14	0	1	5	89%
2 Fagotti	13	10	0	4	61%
2 Klarinetti in B	13	12	1	3	57%
I. II in B 4 Corni III. IV in Es	8	9	0	4	48%
Horn in E♭	5	0	0	5	47%
Contrabasso	1	0	0	1	5%
Timpani	2	0	1	2	5%

Jamie Holdham

1:07	Est. Play Time
89	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo.	13	0	1	3	100%
Violino I.	16	0	2	4	100%
View all 12 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo.	13	1	3	100%
Violino I.	16	2	4	100%
Violino II.	15	1	4	100%
Viola.	16	2	3	97%
Oboe I.	15	2	5	77%
Oboe II.	12	1	5	77%
Corno I.	10	0	4	63%
Corno II.	9	0	4	57%
Basso.	13	1	3	47%
Tenore.	13	2	3	43%
Alto.	11	1	2	27%
Soprano.	12	1	2	23%

Jamie Holdham

1:24	Est. Play Time
36	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
2. VIOLINEN.	20	15	6	4	100%
BRATSCHEN.	23	18	6	7	100%
View all 17 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
2. VIOLINEN.	20	15	6	4	100%
BRATSCHEN.	23	18	6	7	100%
Violoncelle.	25	2	8	7	100%
2 FAGOTTE.	29	15	10	6	98%
1. VIOLINEN.	22	12	4	5	96%
4 HORNER in F.	17	0	5	6	96%
Contrabasse.	19	0	6	6	96%
Horn in F	14	0	4	6	88%
3 POSAUNEN.	13	0	4	6	82%
2 HOBOEN.	17	0	5	4	82%
BASS-TUBA.	23	0	5	6	79%
2 CLARINETTEN. in B.	15	0	4	4	77%
1 und 2 (F). 3 TROMPETTEN. 3 (C).	12	2	1	6	77%
Bass Trombone	14	0	2	6	68%
PAUKEN (C u.G).	2	0	0	2	29%
2 GROSSE FLOTEN.	7	0	1	2	25%
C Trumpet	5	0	0	4	25%

Jamie Holdham

1:14	Est. Play Time
79	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello	13	0	2	4	100%
Viola	8	0	0	6	92%
View all 7 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello	13	2	4	100%
Viola	8	0	6	92%
Violine 1	13	1	5	92%
Violine 2	8	0	4	92%
Chor 5	2	0	3	13%
chor 1	2	0	1	8%
Chor 4	1	0	1	4%

Jamie Holdham

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
I II	19	23	5	5	58%
	12	9	5	6	67%
View all 23 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
I II	19	23	5	5	58%
	12	9	5	6	67%
III IV	17	15	5	5	61%
	10	3	3	4	40%
3 OBOES	19	15	6	5	53%
1st Violins	14	0	2	7	53%
3 CLARINETS in B♭	22	26	10	6	52%
2nd Violins	9	0	2	7	43%
Harp I	15	19	2	1	30%
	3	1	0	1	17%
English Horn	2	0	1	4	30%
Violoncellos	13	0	2	4	30%
DOUBLEBASSES	7	0	0	4	23%
Harp II	13	14	2	1	22%
	9	7	2	1	19%
3 BASSOONS	5	2	0	2	20%
Bass Clarinet in B♭	7	0	1	4	17%
V VI	2	1	0	1	9%
Celesta	4	0	0	1	4%
	4	3	1	1	4%
DOUBLE BASSOON	1	0	0	2	4%
Glockenspiel	4	0	0	2	4%
Violas	8	0	1	2	4%

Jamie Holdham

2:14	Est. Play Time
117	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Basso.	14	0	1	4	96%
Violoncello.	14	0	1	7	93%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Basso.	14	0	1	4	96%
Violoncello.	14	0	1	7	93%
Clarinetti in A.	14	11	5	5	80%
Viola.	12	4	3	2	76%
Violino I.	18	5	5	6	65%
Violino II.	16	4	4	6	65%
Oboi.	12	2	4	5	64%
Corni in D.	7	4	0	5	59%
Fagotti.	11	10	2	5	46%
Flauti.	9	1	0	5	34%
Trombone	3	0	0	3	11%
	4	2	1	3	9%
Timpani in H.Fis.	2	0	1	2	11%
Trombe in E.	4	3	0	2	11%

Jamie Holdham

2:15	Est. Play Time
27	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
12 VIOLONCELLE.	24	0	10	4	70%
1 CONTRABASS- TUBA. (C.)	6	0	1	3	67%
View all 27 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
12 VIOLONCELLE.	24	0	10	4	70%
1 CONTRABASS- TUBA. (C.)	6	0	1	3	67%
2.u.3. (B.)	18	21	7	5	66%
12 BRATSCHEN.	17	0	4	5	57%
1. 3 gr.FLOTEN.	9	1	3	5	56%
2 Tenor. (B) 4 TUBEN.	7	2	3	4	53%
2.u.3.	12	10	4	5	48%
	8	6	1	5	52%
	6	0	2	4	33%
1. (B.) 3 CLARINETTEN.	17	0	5	3	52%
1 BASS- CLARINETTE. (B)	13	0	5	4	52%
3.u.4.	15	14	8	5	52%
2 Bass. (F.)	5	4	1	4	50%
3.	15	1	4	5	50%
1.u.2. 4 HORNER.	15	12	8	5	48%
ENGLISCHES HORN.	5	0	2	5	48%
Violins	24	0	9	5	48%
1. 3 TENOR-BASS- POSAUNEN.	7	4	1	4	47%
16 erste 32 VIOLINEN. 16 zweite	22	0	10	4	44%
1.u.2. 3 FAGOTTE.	5	2	2	4	44%
1 BASS-TROMPETE. (Es.)	13	0	5	5	44%
1. 3 HOBOEN.	4	0	0	4	41%
1 CONTRABASS- POSAUNE. (C)	4	0	0	4	33%
8 CONTRABASSE.	5	0	0	4	26%
1. (Es.) 3 TROMPETTEN.	3	0	3	4	22%
2.u.3. (Es.)	4	2	3	3	15%
Pauken.	2	0	1	1	7%