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Jamie Holdham

Wagner - Huldigungsmarsch. {Professional production full score.} Unfinished.

Jamie Holdham

0:58	Est. Play Time
119	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
2 CLARINETTEN in B.	17	2	5	6	96%
2 OBOEN.	15	1	5	6	96%
View all 17 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
2 CLARINETTEN in B.	17	2	5	6	96%
2 OBOEN.	15	1	5	6	96%
2 VENTILHORNER in Es.	13	2	3	4	91%
2 VENTILHORNER in F.	16	2	5	6	91%
BRATSCHEN.	16	3	3	6	77%
Violoncelle.	20	0	2	6	68%
2 grosse Floten.	14	2	3	5	61%
2 FAGOTTE.	20	10	6	4	57%
BASSCLARINETTE in B.	14	0	3	4	55%
Contrabasse.	12	0	1	3	55%
Zweite Violinen.	14	3	3	8	55%
Erste Violinen.	19	2	4	7	45%
1te u: 2te VENTILTROMPETE in F.	4	2	0	2	27%
2 TENORPOSAUNEN.	4	2	0	2	27%
3te VENTILTROMPETE.	1	0	0	2	27%
BASSPOSAUNE.	1	0	0	2	27%
Tuba.	2	0	0	2	27%

Gustav Holst - Saturn. {Professional production full score.} Unfinished.

Jamie Holdham

2:40	Est. Play Time
109	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
3 BASSOONS	3	0	0	3	100%
3 Flutes	6	3	2	3	68%
View all 22 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
3 BASSOONS	3	0	0	3	100%
3 Flutes	6	3	2	3	68%
Bass Flute in G	3	0	0	3	68%
Harp I	0	0	0	0	0%
	4	2	1	2	65%
Harp II	0	0	0	0	0%
	2	0	0	2	65%
DOUBLEBASSES	12	4	3	6	54%
Violoncellos	9	0	3	5	48%
2 Tenor Trombones	12	1	5	6	39%
Bass Trombone and Tuba	2	0	0	5	15%
I II	6	0	4	5	15%
1st Violins	2	0	0	3	13%
2st Violins	2	0	0	3	13%
4 Trumpets in C	9	9	4	2	13%
Bass Oboe	4	0	0	4	13%
Violas	2	0	0	3	13%
Bass Clarinet in B♭	4	0	0	4	12%
3 CLARINETS in B♭	5	0	4	3	8%
III IV	2	1	1	2	8%
V VI	2	1	1	2	8%
3 OBOES	2	0	0	3	5%

Buxtehude - Var.XXIX: La Capricciosa. {Professional production full score.}

Jamie Holdham

0:28	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		13	1	0	5	90%
		12	0	0	5	85%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		13	1	0	5	90%
		12	0	0	5	85%

Buxtehude - Var.XXVIII: La Capricciosa. {Professional production full score.}

Jamie Holdham

0:32	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		14	0	0	3	100%
		13	1	1	2	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		14	0	0	3	100%
		13	1	1	2	100%

Buxtehude - Var.XX: La Capricciosa. {Professional production score.}

Jamie Holdham

0:38	Est. Play Time
8	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		12	1	1	4	100%
		12	0	1	4	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		12	1	1	4	100%
		12	0	1	4	100%

Schubert - Symphony No.8. {Professional production full score.} Unfinished.

Jamie Holdham

2:14	Est. Play Time
117	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Basso.	14	0	1	4	96%
Violoncello.	14	0	1	7	93%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Basso.	14	0	1	4	96%
Violoncello.	14	0	1	7	93%
Clarinetti in A.	14	11	5	5	80%
Viola.	12	4	3	2	76%
Violino I.	18	5	5	6	65%
Violino II.	16	4	4	6	65%
Oboi.	12	2	4	5	64%
Corni in D.	7	4	0	5	59%
Fagotti.	11	10	2	5	46%
Flauti.	9	1	0	5	34%
Trombone	3	0	0	3	11%
	4	2	1	3	9%
Timpani in H.Fis.	2	0	1	2	11%
Trombe in E.	4	3	0	2	11%

Buxtehude - Var.VIII: La Capricciosa. {Professional production score.}

Jamie Holdham

0:38	Est. Play Time
8	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		13	2	1	3	100%
		18	0	1	3	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		13	2	1	3	100%
		18	0	1	3	100%

Buxtehude - Var.XXIII: La Capricciosa. {Professional production score.}

Jamie Holdham

0:38	Est. Play Time
8	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		13	1	2	6	94%
		13	0	0	4	67%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		13	1	2	6	94%
		13	0	0	4	67%

Buxtehude - Var.XXII: La Capricciosa. {Professional production score.}

Jamie Holdham

0:38	Est. Play Time
8	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		15	1	1	2	100%
		14	0	0	3	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		15	1	1	2	100%
		14	0	0	3	100%

Buxtehude - Var.XIX: La Capricciosa. {Professional production score.}

Jamie Holdham

0:35	Est. Play Time
8	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		14	1	0	3	100%
		18	0	2	3	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		14	1	0	3	100%
		18	0	2	3	100%

Wagner - Gotterdammerung Vorspiel to Akt 1. {Professional production full score.}

Jamie Holdham

2:15	Est. Play Time
27	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
12 VIOLONCELLE.	24	0	10	4	70%
1 CONTRABASS- TUBA. (C.)	6	0	1	3	67%
View all 27 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
12 VIOLONCELLE.	24	0	10	4	70%
1 CONTRABASS- TUBA. (C.)	6	0	1	3	67%
2.u.3. (B.)	18	21	7	5	66%
12 BRATSCHEN.	17	0	4	5	57%
1. 3 gr.FLOTEN.	9	1	3	5	56%
2 Tenor. (B) 4 TUBEN.	7	2	3	4	53%
2.u.3.	12	10	4	5	48%
	8	6	1	5	52%
	6	0	2	4	33%
1. (B.) 3 CLARINETTEN.	17	0	5	3	52%
1 BASS- CLARINETTE. (B)	13	0	5	4	52%
3.u.4.	15	14	8	5	52%
2 Bass. (F.)	5	4	1	4	50%
3.	15	1	4	5	50%
1.u.2. 4 HORNER.	15	12	8	5	48%
ENGLISCHES HORN.	5	0	2	5	48%
Violins	24	0	9	5	48%
1. 3 TENOR-BASS- POSAUNEN.	7	4	1	4	47%
16 erste 32 VIOLINEN. 16 zweite	22	0	10	4	44%
1.u.2. 3 FAGOTTE.	5	2	2	4	44%
1 BASS-TROMPETE. (Es.)	13	0	5	5	44%
1. 3 HOBOEN.	4	0	0	4	41%
1 CONTRABASS- POSAUNE. (C)	4	0	0	4	33%
8 CONTRABASSE.	5	0	0	4	26%
1. (Es.) 3 TROMPETTEN.	3	0	3	4	22%
2.u.3. (Es.)	4	2	3	3	15%
Pauken.	2	0	1	1	7%

Wagner - Tristan und Isolde Vorspiel to Akt 3. {Professional production full score.}

Jamie Holdham

0:01	Est. Play Time
97	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
I. Violinen. II.	28	0	8	6	47%
Violins	26	0	9	6	47%
View all 17 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
I. Violinen. II.	28	0	8	6	47%
Violins	26	0	9	6	47%
Violoncelli.	23	2	6	5	43%
Englishches Horn.	20	0	6	10	43%
Bratschen.	19	0	8	5	40%
Kontrabasse.	12	0	3	6	34%
Violoncellos	14	2	4	3	24%
Bassoon	6	0	1	3	23%
II. in F.	10	0	2	4	20%
Fag.	11	0	4	6	14%
Violas	13	0	6	5	9%
I. in F.	13	0	5	3	8%
Hob.I.	10	0	6	4	6%
B♭ Clarinet	8	0	4	6	5%
IV. in E.	6	0	2	3	5%
III. in E.	9	0	3	4	4%
Klar. in B.	6	0	2	3	2%

Lohengrin Vorspiel to Akt 3. {Professional production full score.} Unfinished.

Jamie Holdham

0:12	Est. Play Time
32	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
1. Clarinetten in A. 2.u.3.	12	0	2	7	100%
1. Floten. 2.u.3.	13	0	3	10	100%
View all 18 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
1. Clarinetten in A. 2.u.3.	12	0	2	7	100%
1. Floten. 2.u.3.	13	0	3	10	100%
1. Hoboen. 2.u.3.	9	0	1	3	100%
1.u.2. Horner in G. 3.u.4.	12	9	4	5	100%
1.Violine.	13	0	3	10	100%
2.Violine.	14	0	3	9	100%
A Clarinet	14	11	3	6	100%
Bratsche.	14	0	4	9	100%
Flute	13	8	2	5	100%
Horn in G	12	9	4	5	100%
Oboe	14	12	3	6	100%
3 FAGOTTE.	18	12	4	2	91%
Contrabass.	12	0	1	2	86%
Violoncell.	13	1	1	2	86%
3 Trompeten.	11	6	2	4	67%
3 Posaunen.	7	3	1	2	50%
BASS-TUBA.	4	0	0	2	43%
Pauken in G u.D.	2	0	0	2	43%

Wagner - Parsifal Vorspiel to Akt 2 Klingsor's Zauberschloss. {Professional production full score.}

Jamie Holdham

2:33	Est. Play Time
68	Measures
	1,795Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
VIOLONCELLE..	29	0	15	7	89%
BRATSCHEN.	27	4	11	8	88%
View all 27 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
VIOLONCELLE..	29	0	15	7	89%
BRATSCHEN.	27	4	11	8	88%
CONTRABASSE.	28	0	13	6	84%
Bassoon	8	1	2	4	20%
	27	9	12	7	73%
E Horn	22	5	9	7	73%
Violoncellos	25	0	10	6	71%
3 POSAUNEN.	15	6	8	7	71%
4 HORNER.	20	5	9	6	68%
BASSCLARINETTE. (A)	24	0	8	7	65%
Violins	35	1	16	8	65%
2 CLARINETTEN. (A)	35	2	13	8	62%
1. VIOLINEN. 2.	34	1	15	8	59%
CONTRAFAGOTT.	16	0	9	6	59%
HOBOEN.	17	4	7	5	54%
3 FAGOTTE.	21	4	8	7	48%
ALTHOBOE.	19	0	7	6	47%
A Clarinet	14	3	5	5	47%
BASSTUBE.	16	0	8	6	44%
Trombone	11	0	5	6	44%
Oboe	12	0	6	5	38%
FLOTEN.	15	1	7	6	35%
TROMPETTEN. (F)	14	0	8	6	28%
F Trumpet	11	0	6	7	17%
Flute	8	0	3	5	17%
Contrabasses	20	0	8	4	12%
Pauken.	1	0	0	1	6%

Gotterdammerung Vorspiel to Akt 1. {Professional production full score.}

Jamie Holdham

2:20	Est. Play Time
27	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
12 VIOLONCELLE.	24	0	10	5	70%
1 CONTRABASS- TUBA. (C.)	6	0	1	3	67%
View all 27 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
12 VIOLONCELLE.	24	0	10	5	70%
1 CONTRABASS- TUBA. (C.)	6	0	1	3	67%
2.u.3. (B.)	18	21	7	5	66%
12 BRATSCHEN.	17	0	4	5	57%
1. 3 gr.FLOTEN.	9	1	3	5	56%
2 Tenor. (B) 4 TUBEN.	7	2	3	4	53%
2.u.3.	12	10	4	5	48%
	8	6	1	5	52%
	6	0	2	4	33%
1. (B.) 3 CLARINETTEN.	17	0	5	3	52%
1 BASS- CLARINETTE. (B)	13	0	5	4	52%
3.u.4.	15	14	8	5	52%
2 Bass. (F.)	5	4	1	4	50%
3.	15	1	4	5	50%
1.u.2. 4 HORNER.	15	12	8	5	48%
ENGLISCHES HORN.	5	0	2	5	48%
Violins	24	0	9	5	48%
1. 3 TENOR-BASS- POSAUNEN.	7	4	1	4	47%
16 erste 32 VIOLINEN. 16 zweite	22	0	10	4	44%
1.u.2. 3 FAGOTTE.	5	2	2	4	44%
1 BASS-TROMPETE. (Es.)	13	0	5	4	44%
1. 3 HOBOEN.	4	0	0	4	41%
1 CONTRABASS- POSAUNE. (C)	4	0	0	4	33%
8 CONTRABASSE.	5	0	0	4	26%
1. (Es.) 3 TROMPETTEN.	3	0	3	4	22%
2.u.3. (Es.)	4	2	3	3	15%
Pauken.	2	0	1	1	7%

Wagner - Tristan und Isolde Love Duet. {Professional production full score.} Unfinished.

Jamie Holdham

0:01	Est. Play Time
130	Measures
	3,429Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violas	19	13	12	9	81%
1. Halfte. Br. 2. Halfte.	21	14	12	7	73%
View all 38 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violas	19	13	12	9	81%
1. Halfte. Br. 2. Halfte.	21	14	12	7	73%
Viol.I. 2. Halfte.	20	12	9	6	71%
Viol.II. 2. Halfte.	16	11	9	6	71%
Fag.	18	23	11	5	70%
in E.	19	0	11	5	59%
Klar. in B.	19	4	11	9	57%
Horn in F	19	0	11	8	56%
in F.	15	0	8	8	53%
in F. Hr. in E.	19	0	8	7	52%
BaBkl. in B.	14	0	6	5	51%
B♭ Clarinet	16	0	9	7	47%
1 Vcl. (allein)	21	1	12	7	46%
Hob.	21	0	13	7	43%
2 I.VI.	21	3	6	9	31%
	19	1	8	9	36%
Violoncellos	9	2	4	6	36%
Bassoon	15	0	10	5	35%
Engl.H.	15	0	7	7	35%
Oboe	12	0	8	7	33%
1. Halfte. Vcl. 2. Halfte.	12	2	5	6	31%
Viol.I.	31	2	17	10	28%
3 Gr.Fl.	13	4	8	7	27%
I. II. K.B. III. IV.	8	0	4	4	19%
Pk.	4	0	1	2	16%
Contrabasses	6	0	2	4	15%
2 II.VI.	11	0	6	4	8%
	13	2	4	6	14%
Flute	1	0	0	3	5%
	8	0	4	5	13%
Hrfe.	26	1	15	4	13%
	18	1	15	3	11%
Trombone	15	8	8	5	12%
I. Pos. II.III.	8	0	5	4	11%
1 Br. (allein)	21	0	13	6	11%
Viol.II.	12	0	9	6	4%
Viola	20	0	10	3	4%
B.T.	3	0	1	2	4%

Wagner - Symphony in C Major. [Unfinished.]

Jamie Holdham

0:47	Est. Play Time
107	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
2 Floten	14	9	4	8	94%
2 Clarinetten in C	16	8	5	6	94%
View all 13 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
2 Floten	14	9	4	8	94%
2 Clarinetten in C	16	8	5	6	94%
1. Violine	21	11	4	4	93%
2. Violine	20	12	6	4	93%
2 Hoboen	11	7	3	5	88%
Bratsche	15	13	3	4	88%
Contrabass	13	0	1	4	86%
Violoncell	14	1	1	4	86%
2 Fagotte	17	5	3	5	82%
3.u.4.	8	4	0	3	71%
1.u.2. Horner in C	9	9	0	3	71%
2 Trompeten in C	7	2	0	3	50%
Pauken in C u.G	2	0	0	1	29%