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Jamie Holdham
Beethoven - Symphony No.6. Mvt 2. {Professional production full score.} Unfinished.
Jamie Holdham
1:18 Est. Play
Time
32 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
2
Corni
in
B		 Treble 4 3 0 4 100%
2-Solo
Violoncelli con
Sord.		 Bass 11 0 0 2 100%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
2
Corni
in
B		 Treble 4 3 0 4 100%
2-Solo
Violoncelli con
Sord.		 Bass 11 0 0 2 100%
Viola 9 0 0 2 100%
Violino
I		 Treble 15 0 2 6 100%
Violino
II		 Treble 8 0 0 2 100%
Violoncello e
Contrabasso		 Bass 6 0 0 2 100%
2
Clarinetti
in
B		 Treble 12 1 0 6 80%
2
Oboi		 Treble 9 5 0 3 71%
2
Fagotti		 Bass 10 1 0 5 68%
2
Flauti		 Treble 6 7 0 1 62%
 
Wagner - Kaisermarsch. {Professional production full score.} Unfinished.
Jamie Holdham
0:14 Est. Play
Time
32 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
2
grosse
Floten.		 Treble 6 0 0 6 100%
3
Clarinetten(in
B.)		 Treble 5 0 0 6 100%
View all 22 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
2
grosse
Floten.		 Treble 6 0 0 6 100%
3
Clarinetten(in
B.)		 Treble 5 0 0 6 100%
3
FAGOTTE.		 Bass 8 6 0 7 100%
3
Hoboen.		 Treble 6 0 0 6 100%
3
POSAUNEN.		 7 6 0 6 100%
4
Horner
(in
F.)		 Treble 9 10 0 6 100%
VIOLINEN. Treble 15 8 0 4 100%
1.
(in
F.) 3
Trompetten.		 Treble 6 0 0 6 100%
1
kleine
Flote.		 Treble 7 0 0 6 100%
2.
u.
3.
(in
tief
B.)		 Treble 7 3 0 6 100%
3
Pauken.
B.
F.
C.		 Bass 3 0 1 3 100%
B♭
Clarinet		 Treble 9 8 0 6 100%
Bassoon Bass 9 0 0 7 100%
Basstuba. Bass 9 0 0 7 100%
BRATSCHEN. 14 7 0 4 100%
Contrabässe. Bass 11 0 0 7 100%
Flute Treble 6 0 0 6 100%
Horn
in
F		 Treble 11 10 0 6 100%
Oboe Treble 7 9 0 6 100%
Trombone Bass 8 0 0 7 100%
Violins Treble 14 9 0 4 100%
Violoncelle. Bass 9 1 0 7 100%
 
Wagner - Huldigungsmarsch. {Professional production full score.} Unfinished.
Jamie Holdham
0:58 Est. Play
Time
119 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
2
CLARINETTEN in
B.		 Treble 17 2 5 6 96%
2
OBOEN.		 Treble 15 1 5 6 96%
View all 17 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
2
CLARINETTEN in
B.		 Treble 17 2 5 6 96%
2
OBOEN.		 Treble 15 1 5 6 96%
2
VENTILHORNER in
Es.		 Treble 13 2 3 4 91%
2
VENTILHORNER in
F.		 Treble 16 2 5 6 91%
BRATSCHEN. 16 3 3 6 77%
Violoncelle. Bass 20 0 2 6 68%
2
grosse
Floten.		 Treble 14 2 3 5 61%
2
FAGOTTE.		 Bass 20 10 6 4 57%
BASSCLARINETTE in
B.		 Bass 14 0 3 4 55%
Contrabasse. Bass 12 0 1 3 55%
Zweite
Violinen.		 Treble 14 3 3 8 55%
Erste
Violinen.		 Treble 19 2 4 7 45%
1te
u:
2te VENTILTROMPETE in
F.		 Treble 4 2 0 2 27%
2
TENORPOSAUNEN.		 4 2 0 2 27%
3te VENTILTROMPETE. Treble 1 0 0 2 27%
BASSPOSAUNE. Bass 1 0 0 2 27%
Tuba. Bass 2 0 0 2 27%
 
Buxtehude - Var.XI: La Capricciosa. {Professional production score.}
Jamie Holdham
0:38 Est. Play
Time
8 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 18 1 1 5 77%
Bass 19 1 2 6 88%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 18 1 1 5 77%
Bass 19 1 2 6 88%
 
Wagner - Die Miestersinger Von Nurenberg Overture to Akt 1. [Professional production full score.]
Jamie Holdham
1:24 Est. Play
Time
36 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
2.
VIOLINEN.		 Treble 20 15 6 4 100%
BRATSCHEN. 23 18 6 7 100%
View all 17 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
2.
VIOLINEN.		 Treble 20 15 6 4 100%
BRATSCHEN. 23 18 6 7 100%
Violoncelle. Bass 25 2 8 7 100%
2
FAGOTTE.		 29 15 10 6 98%
1.
VIOLINEN.		 Treble 22 12 4 5 96%
4
HORNER
in
F.		 Treble 17 0 5 6 96%
Contrabasse. Bass 19 0 6 6 96%
Horn
in
F		 Treble 14 0 4 6 88%
3
POSAUNEN.		 13 0 4 6 82%
2
HOBOEN.		 Treble 17 0 5 4 82%
BASS-TUBA. Bass 23 0 5 6 79%
2
CLARINETTEN. in
B.		 Treble 15 0 4 4 77%
1
und
2
(F). 3
TROMPETTEN. 3
(C).		 Treble 12 2 1 6 77%
Bass
Trombone		 Bass 14 0 2 6 68%
PAUKEN
(C
u.G).		 Bass 2 0 0 2 29%
2
GROSSE
FLOTEN.		 Treble 7 0 1 2 25%
C
Trumpet		 Treble 5 0 0 4 25%
 
J.J.Froberger - Lamento Ferdinand III. {Professional production score.} Unfinished.
Jamie Holdham
1:07 Est. Play
Time
32 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 16 4 5 6 83%
Bass 17 1 5 6 88%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 16 4 5 6 83%
Bass 17 1 5 6 88%
 
Buxtehude - Var.II: La Capricciosa. {Professional production score.}
Jamie Holdham
0:38 Est. Play
Time
8 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 16 1 2 6 93%
Bass 18 1 3 6 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 16 1 2 6 93%
Bass 18 1 3 6 100%
 
Buxtehude - Var.XXIII: La Capricciosa. {Professional production score.}
Jamie Holdham
0:38 Est. Play
Time
8 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 13 1 2 6 94%
Bass 13 0 0 4 67%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 13 1 2 6 94%
Bass 13 0 0 4 67%
 
Wagner - Tristan und Isolde Love Duet. {Professional production full score.} Unfinished.
Jamie Holdham
0:01 Est. Play
Time
130 Measures
3,429Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violas 19 13 12 9 81%
1.
Halfte. Br. 2.
Halfte.		 21 14 12 7 73%
View all 38 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violas 19 13 12 9 81%
1.
Halfte. Br. 2.
Halfte.		 21 14 12 7 73%
Viol.I. 2.
Halfte.		 Treble 20 12 9 6 71%
Viol.II. 2.
Halfte.		 Treble 16 11 9 6 71%
Fag. 18 23 11 5 70%
in
E.		 Treble 19 0 11 5 59%
Klar. in
B.		 Treble 19 4 11 9 57%
Horn
in
F		 Treble 19 0 11 8 56%
in
F.		 Treble 15 0 8 8 53%
in
F. Hr. in
E.		 Treble 19 0 8 7 52%
BaBkl. in
B.		 Bass 14 0 6 5 51%
B♭
Clarinet		 Treble 16 0 9 7 47%
1
Vcl. (allein)		 Bass 21 1 12 7 46%
Hob. Treble 21 0 13 7 43%
2
I.VI.		 Treble 21 3 6 9 31%
Treble 19 1 8 9 36%
Violoncellos Bass 9 2 4 6 36%
Bassoon Bass 15 0 10 5 35%
Engl.H. Treble 15 0 7 7 35%
Oboe Treble 12 0 8 7 33%
1.
Halfte. Vcl. 2.
Halfte.		 Bass 12 2 5 6 31%
Viol.I. Treble 31 2 17 10 28%
3
Gr.Fl. 		Treble 13 4 8 7 27%
I.
II. K.B. III.
IV.		 Bass 8 0 4 4 19%
Pk. Bass 4 0 1 2 16%
Contrabasses Bass 6 0 2 4 15%
2
II.VI.		 Treble 11 0 6 4 8%
Treble 13 2 4 6 14%
Flute Treble 1 0 0 3 5%
Treble 8 0 4 5 13%
Hrfe. Treble 26 1 15 4 13%
Bass 18 1 15 3 11%
Trombone Bass 15 8 8 5 12%
I. Pos. II.III. 8 0 5 4 11%
1
Br. (allein)		 21 0 13 6 11%
Viol.II. Treble 12 0 9 6 4%
Viola 20 0 10 3 4%
B.T. Bass 3 0 1 2 4%
 
Beethoven - Große Fuge. (Grosse Fuge). {Unfinished.}
Jamie Holdham
1:27 Est. Play
Time
119 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violino
I.		 Treble 24 0 10 5 94%
Viola. 17 1 7 6 74%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violino
I.		 Treble 24 0 10 5 94%
Viola. 17 1 7 6 74%
Violoncello. Bass 18 1 7 5 71%
Violino
II.		 Treble 18 3 4 6 68%