Play Along Piano

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Jamie Holdham

Das Lied der Deutschen. {Professional production FULL SCORE.} [Unfinished.]

Jamie Holdham

0:36	Est. Play Time
90	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
2 FAGOTTE.	15	7	1	4	100%
4 VENTILHORNER in E.	17	18	2	4	100%
View all 18 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
2 FAGOTTE.	15	7	1	4	100%
4 VENTILHORNER in E.	17	18	2	4	100%
BASS. Alle Männer.	9	0	1	4	100%
BRATSCHEN.	8	0	1	4	100%
Contrabasse.	8	0	1	4	100%
Erste Violinen.	9	1	1	4	100%
TENOR. Alle Männer.	9	0	0	4	100%
Tuba.	13	0	1	4	100%
Violoncelle.	9	0	1	4	100%
Zweite Violinen.	9	0	1	4	100%
3 GROSSE FLOTEN.	9	0	0	4	83%
3 CLARINETTEN in Bb.	14	15	2	4	67%
3 HOBOEN.	14	15	1	4	67%
KLEINE FLOTE.	7	0	0	4	58%
PAUKEN. Es. u. B	4	0	2	4	33%
2 TENORPOSAUNEN.	4	2	0	2	8%
3 VENTILTROMPETEN in E.	2	1	0	2	8%
BASSPOSAUNE.	2	0	0	2	8%

Beethoven - Symphony No.9. Mvt.3. {Performance + Full Score.} [Unfinished.]

Jamie Holdham

2:14	Est. Play Time
63	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola	11	3	1	4	100%
Violino II	10	4	0	4	100%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola	11	3	1	4	100%
Violino II	10	4	0	4	100%
Violoncello	11	0	2	5	100%
Violino I	14	0	1	5	89%
2 Fagotti	13	10	0	4	61%
2 Klarinetti in B	13	12	1	3	57%
I. II in B 4 Corni III. IV in Es	8	9	0	4	48%
Horn in E♭	5	0	0	5	47%
Contrabasso	1	0	0	1	5%
Timpani	2	0	1	2	5%

Preview Score Except.

Jamie Holdham

0:12	Est. Play Time
4	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
2 Fag.	13	9	0	4	100%
3 FLOTEN.	8	0	0	6	100%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
2 Fag.	13	9	0	4	100%
3 FLOTEN.	8	0	0	6	100%
3 HOBOEN.	8	0	0	6	100%
4 Hr. in F.	17	5	2	6	100%
B♭ Bass Clarinet (Bass Clef)	9	0	0	2	100%
B♭ Clarinet	11	4	2	6	100%
Englisch Horner.	10	0	2	5	100%
Kontrabasse.	8	0	0	1	88%
2 Pauken.	4	0	0	3	50%
Violoncello.	2	1	0	1	25%

Buxtehude - Var.XXVIII: La Capricciosa. {Professional production full score.}

Jamie Holdham

0:32	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		14	0	0	3	100%
		13	1	1	2	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		14	0	0	3	100%
		13	1	1	2	100%

Buxtehude - Ciaconna in B flat Major. {From Trio-Sonaten No.4.}

Jamie Holdham

4:05	Est. Play Time
113	Measures
	1,452Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	12	20	0	5	100%
	13	7	0	2	100%
View all 5 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	12	20	0	5	100%
	13	7	0	2	100%
Cembalo.	12	0	0	2	100%
Violino.	24	0	4	8	91%
Viola da gamba.	25	0	4	9	74%

Buxtehude - Var.XXV: La Capricciosa. {Professional production score.}

Jamie Holdham

1:40	Est. Play Time
20	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		12	4	1	6	82%
		13	1	1	6	74%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		12	4	1	6	82%
		13	1	1	6	74%

Schubert - Symphony No.8. {Professional production full score.} Unfinished.

Jamie Holdham

2:14	Est. Play Time
117	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Basso.	14	0	1	4	96%
Violoncello.	14	0	1	7	93%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Basso.	14	0	1	4	96%
Violoncello.	14	0	1	7	93%
Clarinetti in A.	14	11	5	5	80%
Viola.	12	4	3	2	76%
Violino I.	18	5	5	6	65%
Violino II.	16	4	4	6	65%
Oboi.	12	2	4	5	64%
Corni in D.	7	4	0	5	59%
Fagotti.	11	10	2	5	46%
Flauti.	9	1	0	5	34%
Trombone	3	0	0	3	11%
	4	2	1	3	9%
Timpani in H.Fis.	2	0	1	2	11%
Trombe in E.	4	3	0	2	11%

Elegy for Piano in Ab Major (By Richard Wilheim Wagner).

Jamie Holdham

2:00	Est. Play Time
13	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		18	6	6	6	100%
		14	8	2	4	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		18	6	6	6	100%
		14	8	2	4	100%

Richard Wagner - ENDE.zu.DIE MIESTERSINGER in Full score.

Jamie Holdham

0:21	Est. Play Time
32	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabasses	7	0	1	5	100%
Violas	8	1	1	5	100%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabasses	7	0	1	5	100%
Violas	8	1	1	5	100%
Violoncellos	14	7	2	5	100%
Violins	4	0	0	5	83%
	4	0	0	5	83%
Bass	8	0	1	5	83%
Trombone	3	0	0	1	33%
	5	3	0	4	67%
Bassoon	1	0	0	2	50%
Horn in F	2	1	0	2	33%
	2	1	0	2	33%
C Trumpet	2	0	0	1	17%

Wagner - Elegy for Piano in Ab Major.

Jamie Holdham

1:44	Est. Play Time
13	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		18	6	6	6	100%
		14	8	2	4	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		18	6	6	6	100%
		14	8	2	4	100%

Wagner - Gotterdammerung Vorspiel to Akt 1. {Professional production full score.}

Jamie Holdham

2:15	Est. Play Time
27	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
12 VIOLONCELLE.	24	0	10	4	70%
1 CONTRABASS- TUBA. (C.)	6	0	1	3	67%
View all 27 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
12 VIOLONCELLE.	24	0	10	4	70%
1 CONTRABASS- TUBA. (C.)	6	0	1	3	67%
2.u.3. (B.)	18	21	7	5	66%
12 BRATSCHEN.	17	0	4	5	57%
1. 3 gr.FLOTEN.	9	1	3	5	56%
2 Tenor. (B) 4 TUBEN.	7	2	3	4	53%
2.u.3.	12	10	4	5	48%
	8	6	1	5	52%
	6	0	2	4	33%
1. (B.) 3 CLARINETTEN.	17	0	5	3	52%
1 BASS- CLARINETTE. (B)	13	0	5	4	52%
3.u.4.	15	14	8	5	52%
2 Bass. (F.)	5	4	1	4	50%
3.	15	1	4	5	50%
1.u.2. 4 HORNER.	15	12	8	5	48%
ENGLISCHES HORN.	5	0	2	5	48%
Violins	24	0	9	5	48%
1. 3 TENOR-BASS- POSAUNEN.	7	4	1	4	47%
16 erste 32 VIOLINEN. 16 zweite	22	0	10	4	44%
1.u.2. 3 FAGOTTE.	5	2	2	4	44%
1 BASS-TROMPETE. (Es.)	13	0	5	5	44%
1. 3 HOBOEN.	4	0	0	4	41%
1 CONTRABASS- POSAUNE. (C)	4	0	0	4	33%
8 CONTRABASSE.	5	0	0	4	26%
1. (Es.) 3 TROMPETTEN.	3	0	3	4	22%
2.u.3. (Es.)	4	2	3	3	15%
Pauken.	2	0	1	1	7%

Wagner - Tristan und Isolde Vorspiel to Akt 3. {Professional production full score.}

Jamie Holdham

0:01	Est. Play Time
97	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
I. Violinen. II.	28	0	8	6	47%
Violins	26	0	9	6	47%
View all 17 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
I. Violinen. II.	28	0	8	6	47%
Violins	26	0	9	6	47%
Violoncelli.	23	2	6	5	43%
Englishches Horn.	20	0	6	10	43%
Bratschen.	19	0	8	5	40%
Kontrabasse.	12	0	3	6	34%
Violoncellos	14	2	4	3	24%
Bassoon	6	0	1	3	23%
II. in F.	10	0	2	4	20%
Fag.	11	0	4	6	14%
Violas	13	0	6	5	9%
I. in F.	13	0	5	3	8%
Hob.I.	10	0	6	4	6%
B♭ Clarinet	8	0	4	6	5%
IV. in E.	6	0	2	3	5%
III. in E.	9	0	3	4	4%
Klar. in B.	6	0	2	3	2%

Wagner - Die Miestersinger von Nurnberg Overture to Akt 3. [Professional production full score.]

Jamie Holdham

7:34	Est. Play Time
68	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello.	36	0	15	7	78%
Bratsche.	27	1	13	7	68%
View all 20 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello.	36	0	15	7	78%
Bratsche.	27	1	13	7	68%
1. Violinen. 2.	34	0	10	8	55%
Violins	26	0	9	8	54%
2 Fagotte.	18	0	4	8	47%
Bassoon	17	0	4	9	40%
Hr.3 in D.	15	0	2	6	32%
Hr.2 in D.	12	0	2	6	29%
Hr.1 in D.	12	0	1	5	29%
Hr.4 in D.	14	0	2	5	28%
Contrabass.	14	1	4	5	27%
2 Clarinetten. (in A.)	18	0	4	7	27%
3 POSAUNEN.	11	4	1	5	15%
Hoboen.	9	0	1	5	15%
Hr in E.	7	0	1	5	9%
Trombone	6	0	2	4	9%
2 Trompetten. (in D.)	6	1	0	4	9%
2 grosse Floten.	11	1	2	3	7%
A Clarinet	9	0	1	2	6%
BASS.TUBA.	7	0	2	3	6%

Wagner - Tristan und Isolde Overture to Akt 3. Professional production full score.

Jamie Holdham

10:07	Est. Play Time
98	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
I. Violinen. II.	28	0	8	6	47%
Violins	26	0	9	6	47%
View all 17 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
I. Violinen. II.	28	0	8	6	47%
Violins	26	0	9	6	47%
Violoncelli.	23	2	6	5	43%
Englishches Horn.	20	0	6	10	42%
Bratschen.	20	0	8	5	40%
Kontrabasse.	12	0	3	6	34%
Violoncellos	14	2	4	3	24%
Bassoon	6	0	1	3	23%
II. in F.	10	0	2	4	20%
Fag.	11	0	4	6	13%
Violas	13	0	6	5	9%
I. in F.	13	0	5	3	8%
Hob.I.	10	0	6	4	6%
B♭ Clarinet	8	0	4	6	5%
IV. in E.	6	0	2	3	5%
III. in E.	9	0	3	4	4%
Klar. in B.	6	0	2	3	2%

Wagner - Die Miestersinger von Nurenberg Overture to Akt 2. [Professional production full score.]

Jamie Holdham

1:03	Est. Play Time
29	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Hoboen.	18	13	5	8	100%
Klarinetten in B.	18	16	5	8	100%
View all 15 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Hoboen.	18	13	5	8	100%
Klarinetten in B.	18	16	5	8	100%
Floten.	18	4	5	8	97%
I. Violinen	28	2	5	11	97%
Bratsche.	22	2	4	10	97%
II.	22	15	5	11	95%
III IV in D.	17	12	3	7	95%
Violoncello.	17	1	1	9	93%
Flute	17	2	4	8	90%
Fagotte.	13	7	2	4	87%
I II in F. Hr.	16	15	5	7	75%
KontrabaB.	15	0	1	4	59%
Trompetten in D.	6	0	0	5	50%
Kleinen Floten.	10	0	2	4	31%
Oboe	9	0	2	5	14%

Lohengrin Vorspiel to Akt 3. {Professional production full score.} Unfinished.

Jamie Holdham

0:12	Est. Play Time
32	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
1. Clarinetten in A. 2.u.3.	12	0	2	7	100%
1. Floten. 2.u.3.	13	0	3	10	100%
View all 18 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
1. Clarinetten in A. 2.u.3.	12	0	2	7	100%
1. Floten. 2.u.3.	13	0	3	10	100%
1. Hoboen. 2.u.3.	9	0	1	3	100%
1.u.2. Horner in G. 3.u.4.	12	9	4	5	100%
1.Violine.	13	0	3	10	100%
2.Violine.	14	0	3	9	100%
A Clarinet	14	11	3	6	100%
Bratsche.	14	0	4	9	100%
Flute	13	8	2	5	100%
Horn in G	12	9	4	5	100%
Oboe	14	12	3	6	100%
3 FAGOTTE.	18	12	4	2	91%
Contrabass.	12	0	1	2	86%
Violoncell.	13	1	1	2	86%
3 Trompeten.	11	6	2	4	67%
3 Posaunen.	7	3	1	2	50%
BASS-TUBA.	4	0	0	2	43%
Pauken in G u.D.	2	0	0	2	43%

Die Miestersinger von Nurnberg Overture to Akt 3. {Professional production full score.}

Jamie Holdham

7:37	Est. Play Time
65	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello.	36	0	15	7	78%
Bratsche.	27	1	13	7	68%
View all 19 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello.	36	0	15	7	78%
Bratsche.	27	1	13	7	68%
1. Violinen. 2.	33	0	9	8	57%
Violins	26	0	9	8	55%
2 Fagotte.	17	0	3	6	43%
Bassoon	15	0	4	8	35%
Hr.3 in D.	15	0	2	6	33%
Hr.2 in D.	12	0	2	6	30%
Hr.1 in D.	12	0	1	5	30%
Hr.4 in D.	14	0	2	5	29%
Contrabass.	14	1	4	5	28%
2 Clarinetten. (in A.)	15	0	2	6	22%
3 POSAUNEN.	11	4	1	5	16%
Hoboen.	8	0	0	4	9%
Hr in E.	7	0	1	5	9%
Trombone	6	0	2	4	9%
2 Trompetten. (in D.)	6	1	0	4	9%
2 grosse Floten.	11	1	2	3	7%
BASS.TUBA.	7	0	2	3	6%

Gotterdammerung Vorspiel to Akt 1. {Professional production full score.}

Jamie Holdham

2:20	Est. Play Time
27	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
12 VIOLONCELLE.	24	0	10	5	70%
1 CONTRABASS- TUBA. (C.)	6	0	1	3	67%
View all 27 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
12 VIOLONCELLE.	24	0	10	5	70%
1 CONTRABASS- TUBA. (C.)	6	0	1	3	67%
2.u.3. (B.)	18	21	7	5	66%
12 BRATSCHEN.	17	0	4	5	57%
1. 3 gr.FLOTEN.	9	1	3	5	56%
2 Tenor. (B) 4 TUBEN.	7	2	3	4	53%
2.u.3.	12	10	4	5	48%
	8	6	1	5	52%
	6	0	2	4	33%
1. (B.) 3 CLARINETTEN.	17	0	5	3	52%
1 BASS- CLARINETTE. (B)	13	0	5	4	52%
3.u.4.	15	14	8	5	52%
2 Bass. (F.)	5	4	1	4	50%
3.	15	1	4	5	50%
1.u.2. 4 HORNER.	15	12	8	5	48%
ENGLISCHES HORN.	5	0	2	5	48%
Violins	24	0	9	5	48%
1. 3 TENOR-BASS- POSAUNEN.	7	4	1	4	47%
16 erste 32 VIOLINEN. 16 zweite	22	0	10	4	44%
1.u.2. 3 FAGOTTE.	5	2	2	4	44%
1 BASS-TROMPETE. (Es.)	13	0	5	4	44%
1. 3 HOBOEN.	4	0	0	4	41%
1 CONTRABASS- POSAUNE. (C)	4	0	0	4	33%
8 CONTRABASSE.	5	0	0	4	26%
1. (Es.) 3 TROMPETTEN.	3	0	3	4	22%
2.u.3. (Es.)	4	2	3	3	15%
Pauken.	2	0	1	1	7%

Die Miestersinger von Nurenberg Overture to Akt 2. {Professional production full score.}

Jamie Holdham

1:03	Est. Play Time
29	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Hoboen.	18	13	5	8	100%
Klarinetten in B.	18	16	5	8	100%
View all 15 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Hoboen.	18	13	5	8	100%
Klarinetten in B.	18	16	5	8	100%
Floten.	18	4	5	8	97%
I. Violinen	28	2	5	11	97%
Bratsche.	22	2	4	10	97%
II.	22	15	5	11	95%
III IV in D.	17	12	3	7	95%
Violoncello.	17	1	1	9	93%
Flute	17	2	4	8	90%
Fagotte.	13	7	2	4	87%
I II in F. Hr.	16	15	5	7	75%
KontrabaB.	15	0	1	4	59%
Trompetten in D.	6	0	0	5	50%
Kleinen Floten.	10	0	2	4	31%
Oboe	9	0	2	5	14%

Wagner - Tristan und Isolde Love Duet. {Professional production full score.} Unfinished.

Jamie Holdham

0:01	Est. Play Time
130	Measures
	3,429Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violas	19	13	12	9	81%
1. Halfte. Br. 2. Halfte.	21	14	12	7	73%
View all 38 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violas	19	13	12	9	81%
1. Halfte. Br. 2. Halfte.	21	14	12	7	73%
Viol.I. 2. Halfte.	20	12	9	6	71%
Viol.II. 2. Halfte.	16	11	9	6	71%
Fag.	18	23	11	5	70%
in E.	19	0	11	5	59%
Klar. in B.	19	4	11	9	57%
Horn in F	19	0	11	8	56%
in F.	15	0	8	8	53%
in F. Hr. in E.	19	0	8	7	52%
BaBkl. in B.	14	0	6	5	51%
B♭ Clarinet	16	0	9	7	47%
1 Vcl. (allein)	21	1	12	7	46%
Hob.	21	0	13	7	43%
2 I.VI.	21	3	6	9	31%
	19	1	8	9	36%
Violoncellos	9	2	4	6	36%
Bassoon	15	0	10	5	35%
Engl.H.	15	0	7	7	35%
Oboe	12	0	8	7	33%
1. Halfte. Vcl. 2. Halfte.	12	2	5	6	31%
Viol.I.	31	2	17	10	28%
3 Gr.Fl.	13	4	8	7	27%
I. II. K.B. III. IV.	8	0	4	4	19%
Pk.	4	0	1	2	16%
Contrabasses	6	0	2	4	15%
2 II.VI.	11	0	6	4	8%
	13	2	4	6	14%
Flute	1	0	0	3	5%
	8	0	4	5	13%
Hrfe.	26	1	15	4	13%
	18	1	15	3	11%
Trombone	15	8	8	5	12%
I. Pos. II.III.	8	0	5	4	11%
1 Br. (allein)	21	0	13	6	11%
Viol.II.	12	0	9	6	4%
Viola	20	0	10	3	4%
B.T.	3	0	1	2	4%