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Jamie Holdham

Beethoven - Symphony No.6. Mvt 2. {Professional production full score.} Unfinished.

Jamie Holdham

1:18	Est. Play Time
32	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
2 Corni in B	4	3	0	4	100%
2-Solo Violoncelli con Sord.	11	0	0	2	100%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
2 Corni in B	4	3	0	4	100%
2-Solo Violoncelli con Sord.	11	0	0	2	100%
Viola	9	0	0	2	100%
Violino I	15	0	2	6	100%
Violino II	8	0	0	2	100%
Violoncello e Contrabasso	6	0	0	2	100%
2 Clarinetti in B	12	1	0	6	80%
2 Oboi	9	5	0	3	71%
2 Fagotti	10	1	0	5	68%
2 Flauti	6	7	0	1	62%

Preview Score Except.

Jamie Holdham

0:12	Est. Play Time
4	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
2 Fag.	13	9	0	4	100%
3 FLOTEN.	8	0	0	6	100%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
2 Fag.	13	9	0	4	100%
3 FLOTEN.	8	0	0	6	100%
3 HOBOEN.	8	0	0	6	100%
4 Hr. in F.	17	5	2	6	100%
B♭ Bass Clarinet (Bass Clef)	9	0	0	2	100%
B♭ Clarinet	11	4	2	6	100%
Englisch Horner.	10	0	2	5	100%
Kontrabasse.	8	0	0	1	88%
2 Pauken.	4	0	0	3	50%
Violoncello.	2	1	0	1	25%

Gustav Holst - Venus. {Professional production full score.}

Jamie Holdham

2:45	Est. Play Time
145	Measures
	1,166Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
I II	19	23	5	5	58%
	12	9	5	6	67%
View all 23 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
I II	19	23	5	5	58%
	12	9	5	6	67%
III IV	17	15	5	5	61%
	10	3	3	4	40%
3 OBOES	19	15	6	5	53%
1st Violins	14	0	2	7	53%
3 CLARINETS in B♭	22	26	10	6	52%
2nd Violins	9	0	2	7	43%
Harp I	15	19	2	1	30%
	3	1	0	1	17%
English Horn	2	0	1	4	30%
Violoncellos	13	0	2	4	30%
DOUBLEBASSES	7	0	0	4	23%
Harp II	13	14	2	1	22%
	9	7	2	1	19%
3 BASSOONS	5	2	0	2	20%
Bass Clarinet in B♭	7	0	1	4	17%
V VI	2	1	0	1	9%
Celesta	4	0	0	1	4%
	4	3	1	1	4%
DOUBLE BASSOON	1	0	0	2	4%
Glockenspiel	4	0	0	2	4%
Violas	8	0	1	2	4%

Paganini - Sonata per la Grand Viola e Orchestra. {Professional production full score.} Unfinished.

Jamie Holdham

1:49	Est. Play Time
52	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Double Bass	10	0	3	4	76%
Viola	13	12	2	4	76%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Double Bass	10	0	3	4	76%
Viola	13	12	2	4	76%
Violin 1	21	7	5	4	76%
Violin 2	10	9	2	4	76%
Violoncello	11	0	3	4	76%
Timpani	2	0	0	2	64%
Bassoon	7	0	1	1	40%
Clarinetti in B♭	10	8	1	2	40%
Corni in C	4	2	0	2	36%
Vla.Solo	26	0	5	8	36%
Oboi	11	8	1	1	32%
Flauti	7	6	1	1	16%
Trumpet in C	2	1	0	1	12%
Trombones	6	3	1	1	8%

Wagner - Gotterdammerung Vorspiel to Akt 1. {Professional production full score.}

Jamie Holdham

2:15	Est. Play Time
27	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
12 VIOLONCELLE.	24	0	10	4	70%
1 CONTRABASS- TUBA. (C.)	6	0	1	3	67%
View all 27 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
12 VIOLONCELLE.	24	0	10	4	70%
1 CONTRABASS- TUBA. (C.)	6	0	1	3	67%
2.u.3. (B.)	18	21	7	5	66%
12 BRATSCHEN.	17	0	4	5	57%
1. 3 gr.FLOTEN.	9	1	3	5	56%
2 Tenor. (B) 4 TUBEN.	7	2	3	4	53%
2.u.3.	12	10	4	5	48%
	8	6	1	5	52%
	6	0	2	4	33%
1. (B.) 3 CLARINETTEN.	17	0	5	3	52%
1 BASS- CLARINETTE. (B)	13	0	5	4	52%
3.u.4.	15	14	8	5	52%
2 Bass. (F.)	5	4	1	4	50%
3.	15	1	4	5	50%
1.u.2. 4 HORNER.	15	12	8	5	48%
ENGLISCHES HORN.	5	0	2	5	48%
Violins	24	0	9	5	48%
1. 3 TENOR-BASS- POSAUNEN.	7	4	1	4	47%
16 erste 32 VIOLINEN. 16 zweite	22	0	10	4	44%
1.u.2. 3 FAGOTTE.	5	2	2	4	44%
1 BASS-TROMPETE. (Es.)	13	0	5	5	44%
1. 3 HOBOEN.	4	0	0	4	41%
1 CONTRABASS- POSAUNE. (C)	4	0	0	4	33%
8 CONTRABASSE.	5	0	0	4	26%
1. (Es.) 3 TROMPETTEN.	3	0	3	4	22%
2.u.3. (Es.)	4	2	3	3	15%
Pauken.	2	0	1	1	7%

Wagner - Tristan und Isolde Vorspiel to Akt 3. {Professional production full score.}

Jamie Holdham

0:01	Est. Play Time
97	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
I. Violinen. II.	28	0	8	6	47%
Violins	26	0	9	6	47%
View all 17 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
I. Violinen. II.	28	0	8	6	47%
Violins	26	0	9	6	47%
Violoncelli.	23	2	6	5	43%
Englishches Horn.	20	0	6	10	43%
Bratschen.	19	0	8	5	40%
Kontrabasse.	12	0	3	6	34%
Violoncellos	14	2	4	3	24%
Bassoon	6	0	1	3	23%
II. in F.	10	0	2	4	20%
Fag.	11	0	4	6	14%
Violas	13	0	6	5	9%
I. in F.	13	0	5	3	8%
Hob.I.	10	0	6	4	6%
B♭ Clarinet	8	0	4	6	5%
IV. in E.	6	0	2	3	5%
III. in E.	9	0	3	4	4%
Klar. in B.	6	0	2	3	2%

Die Miestersinger Prelude to Act III - Richard Wagner.

Jamie Holdham

0:01	Est. Play Time
30	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncelle.	15	0	3	6	84%
Bratsche.	11	0	3	5	58%
View all 13 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncelle.	15	0	3	6	84%
Bratsche.	11	0	3	5	58%
2.	8	0	2	4	32%
1 Violinen.	7	0	1	4	26%
Fg.1	8	0	2	5	26%
Fg.2	9	0	2	7	26%
Hr.1 in D.	8	0	1	5	26%
Hr.2 in D.	5	0	0	3	26%
Hr.3 in D.	4	0	1	3	26%
Hr.4 in D.	6	0	1	4	21%
3 Pos.	7	3	1	2	16%
2 Trp. in D.	3	1	1	3	11%
B.T.	2	0	0	2	11%

Wagner - Die Miestersinger von Nurnberg Overture to Akt 3. [Professional production full score.]

Jamie Holdham

7:34	Est. Play Time
68	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello.	36	0	15	7	78%
Bratsche.	27	1	13	7	68%
View all 20 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello.	36	0	15	7	78%
Bratsche.	27	1	13	7	68%
1. Violinen. 2.	34	0	10	8	55%
Violins	26	0	9	8	54%
2 Fagotte.	18	0	4	8	47%
Bassoon	17	0	4	9	40%
Hr.3 in D.	15	0	2	6	32%
Hr.2 in D.	12	0	2	6	29%
Hr.1 in D.	12	0	1	5	29%
Hr.4 in D.	14	0	2	5	28%
Contrabass.	14	1	4	5	27%
2 Clarinetten. (in A.)	18	0	4	7	27%
3 POSAUNEN.	11	4	1	5	15%
Hoboen.	9	0	1	5	15%
Hr in E.	7	0	1	5	9%
Trombone	6	0	2	4	9%
2 Trompetten. (in D.)	6	1	0	4	9%
2 grosse Floten.	11	1	2	3	7%
A Clarinet	9	0	1	2	6%
BASS.TUBA.	7	0	2	3	6%

Wagner - Tristan und Isolde Overture to Akt 3. Professional production full score.

Jamie Holdham

10:07	Est. Play Time
98	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
I. Violinen. II.	28	0	8	6	47%
Violins	26	0	9	6	47%
View all 17 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
I. Violinen. II.	28	0	8	6	47%
Violins	26	0	9	6	47%
Violoncelli.	23	2	6	5	43%
Englishches Horn.	20	0	6	10	42%
Bratschen.	20	0	8	5	40%
Kontrabasse.	12	0	3	6	34%
Violoncellos	14	2	4	3	24%
Bassoon	6	0	1	3	23%
II. in F.	10	0	2	4	20%
Fag.	11	0	4	6	13%
Violas	13	0	6	5	9%
I. in F.	13	0	5	3	8%
Hob.I.	10	0	6	4	6%
B♭ Clarinet	8	0	4	6	5%
IV. in E.	6	0	2	3	5%
III. in E.	9	0	3	4	4%
Klar. in B.	6	0	2	3	2%

Wagner - Siegfried Vorspiel to Akt 3. {Professional production full score.} Unfinished.

Jamie Holdham

0:57	Est. Play Time
46	Measures
	1,369Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
VIOLINEN.	26	0	10	8	100%
BRATSCHEN.	24	0	9	4	100%
View all 30 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
VIOLINEN.	26	0	10	8	100%
BRATSCHEN.	24	0	9	4	100%
Contrabasse.	25	0	11	8	100%
Violins	23	0	9	8	100%
Violoncelle.	27	0	12	8	100%
FAGOTTEN.	28	8	9	8	90%
1. BASS-TUBA. (in B.)	21	2	10	8	88%
CONTRABASS-TUBA.	18	0	5	7	82%
BASS-CLARINETTE. (in B.)	23	0	7	7	75%
2 TENOR-TUBEN. (in Es.)	11	5	2	7	69%
Bassoon	26	0	9	7	68%
3 POSAUNEN.	21	5	7	7	63%
HORNER.	18	0	8	9	53%
2. BASS-TUBA.	10	0	6	7	50%
PAUKEN. (1. PAAR.)	2	0	0	4	43%
TROMPETEN.	8	0	3	5	38%
HOBOEN.	17	0	7	3	35%
CONTRABASS- POSAUNE.	6	0	3	2	32%
BASS TROMPETEN.	8	0	2	6	29%
CLARINETTEN.	17	0	8	4	25%
B♭ Clarinet	16	0	7	3	21%
Englisch Horn.	13	0	6	4	21%
F Trumpet	6	0	3	6	21%
Oboe	14	0	6	3	21%
Horn in F	15	7	5	3	21%
GROSSE FLOTEN.	4	1	1	3	14%
Flute	5	3	1	3	14%
Trombone	10	0	3	6	14%
Kleinen Floten.	2	0	1	2	7%
PAUKEN. (2. PAAR.)	1	0	0	1	7%

Lohengrin Vorspiel to Akt 3. {Professional production full score.} Unfinished.

Jamie Holdham

0:12	Est. Play Time
32	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
1. Clarinetten in A. 2.u.3.	12	0	2	7	100%
1. Floten. 2.u.3.	13	0	3	10	100%
View all 18 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
1. Clarinetten in A. 2.u.3.	12	0	2	7	100%
1. Floten. 2.u.3.	13	0	3	10	100%
1. Hoboen. 2.u.3.	9	0	1	3	100%
1.u.2. Horner in G. 3.u.4.	12	9	4	5	100%
1.Violine.	13	0	3	10	100%
2.Violine.	14	0	3	9	100%
A Clarinet	14	11	3	6	100%
Bratsche.	14	0	4	9	100%
Flute	13	8	2	5	100%
Horn in G	12	9	4	5	100%
Oboe	14	12	3	6	100%
3 FAGOTTE.	18	12	4	2	91%
Contrabass.	12	0	1	2	86%
Violoncell.	13	1	1	2	86%
3 Trompeten.	11	6	2	4	67%
3 Posaunen.	7	3	1	2	50%
BASS-TUBA.	4	0	0	2	43%
Pauken in G u.D.	2	0	0	2	43%

Lohengrin Vorspiel to Akt 2. {Professional production full score.}

Jamie Holdham

1:25	Est. Play Time
32	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Timpani	2	1	1	100%
Violoncellos	14	4	7	86%
Bassoon	7	2	3	21%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Timpani	2	1	1	100%
Violoncellos	14	4	7	86%
Bassoon	7	2	3	21%

Wagner - Tristan und Isolde Einleitung zu Akt 2. {Professional production full score.}

Jamie Holdham

3:09	Est. Play Time
97	Measures
	2,076Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bratschen.	31	6	13	7	82%
Violoncelli.	29	7	12	8	79%
View all 30 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bratschen.	31	6	13	7	82%
Violoncelli.	29	7	12	8	79%
4 Horner in F.	23	13	8	8	67%
Horn in F	1	0	1	1	2%
	22	5	5	6	66%
Violinen II.	33	7	14	7	59%
3 FAGOTTE.	31	19	11	7	57%
BaBklarinette in B.	26	0	9	7	53%
Violinen I.	35	1	14	7	48%
2 Klarinetten in B.	28	3	11	7	45%
2 HOBOEN.	19	7	8	8	45%
Bassoon	18	0	5	6	8%
	18	3	8	7	43%
B♭ Clarinet	16	0	7	6	37%
Kontrabasse.	22	1	9	5	30%
II. III. Hr. in F. (a.d.Th.)	7	2	0	9	29%
Englisch Horn.	17	0	7	6	27%
Pauken.	2	0	0	1	23%
VI.	2	0	0	4	23%
Violas	11	0	3	3	22%
2 Floten.	22	1	9	6	22%
I.	7	0	0	9	21%
IV.	5	0	0	8	16%
V.	6	0	0	8	16%
Oboe	9	0	3	7	15%
Violoncellos	16	0	3	4	15%
Flute	10	1	5	4	9%
Violins	12	0	2	3	3%
	4	0	0	2	8%
Posaune.	6	0	2	3	6%

Wagner - A Faust Overture. [Professional production full score.] Unfinished.

Jamie Holdham

1:04	Est. Play Time
32	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabasses	10	0	3	8	77%
Violas	15	0	5	7	69%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabasses	10	0	3	8	77%
Violas	15	0	5	7	69%
Timpani	1	0	0	1	54%
Violoncellos	11	0	4	3	54%
Bassoon	9	4	4	2	53%
	5	0	1	2	46%
Violins	6	0	1	7	46%
	10	0	3	4	38%
B♭ Clarinet	2	0	0	5	33%
Flute	2	0	0	5	33%
Oboe	2	0	0	5	33%
Tuba	7	0	1	6	23%
Horn in D	2	1	0	2	15%
Horn in F	2	1	0	1	8%

Wagner - Gotterdamerung Vorspiel to Akt 3. {Professional production full score.}

Jamie Holdham

4:01	Est. Play Time
73	Measures
	1,436Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins	23	1	8	6	66%
BRATSCHEN.	23	2	5	6	66%
View all 29 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins	23	1	8	6	66%
BRATSCHEN.	23	2	5	6	66%
Violoncelle.	21	1	4	7	57%
VIOLINEN.	24	2	8	7	55%
Contrabasse.	12	0	2	5	54%
B♭ Clarinet	2	0	1	2	1%
	12	0	2	5	32%
	17	0	6	6	54%
Horn in F	14	0	1	6	48%
	12	0	0	6	16%
	8	0	0	4	12%
	16	0	0	6	15%
	7	0	0	4	11%
	12	0	0	9	38%
	14	0	1	6	25%
HORNER.(F.) 1.3.5.u.7.	12	0	0	4	33%
CLARINETTEN.	15	0	4	4	32%
FAGOTTE.	5	1	0	7	22%
1 HORN.(F.)	7	0	0	9	21%
Hoboen.	10	0	1	6	15%
Contrabasses	2	0	0	2	14%
3 POSAUNEN	6	0	2	1	12%
CONTRABASS- POSAUNE.	1	0	1	2	12%
CONTRABASS- TUBA.	1	0	1	2	12%
1 STEIERHORN.	1	0	0	3	5%
HORNER. (C.) (verstarkt.)	3	0	0	6	5%
BASS-TROMPETTE.	4	0	1	3	3%
Bassoon	2	1	0	1	3%
TROMPETTE.	4	0	0	3	3%

Die Miestersinger von Nurnberg Overture to Akt 3. {Professional production full score.}

Jamie Holdham

7:37	Est. Play Time
65	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello.	36	0	15	7	78%
Bratsche.	27	1	13	7	68%
View all 19 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello.	36	0	15	7	78%
Bratsche.	27	1	13	7	68%
1. Violinen. 2.	33	0	9	8	57%
Violins	26	0	9	8	55%
2 Fagotte.	17	0	3	6	43%
Bassoon	15	0	4	8	35%
Hr.3 in D.	15	0	2	6	33%
Hr.2 in D.	12	0	2	6	30%
Hr.1 in D.	12	0	1	5	30%
Hr.4 in D.	14	0	2	5	29%
Contrabass.	14	1	4	5	28%
2 Clarinetten. (in A.)	15	0	2	6	22%
3 POSAUNEN.	11	4	1	5	16%
Hoboen.	8	0	0	4	9%
Hr in E.	7	0	1	5	9%
Trombone	6	0	2	4	9%
2 Trompetten. (in D.)	6	1	0	4	9%
2 grosse Floten.	11	1	2	3	7%
BASS.TUBA.	7	0	2	3	6%

Gotterdammerung Vorspiel to Akt 1. {Professional production full score.}

Jamie Holdham

2:20	Est. Play Time
27	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
12 VIOLONCELLE.	24	0	10	5	70%
1 CONTRABASS- TUBA. (C.)	6	0	1	3	67%
View all 27 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
12 VIOLONCELLE.	24	0	10	5	70%
1 CONTRABASS- TUBA. (C.)	6	0	1	3	67%
2.u.3. (B.)	18	21	7	5	66%
12 BRATSCHEN.	17	0	4	5	57%
1. 3 gr.FLOTEN.	9	1	3	5	56%
2 Tenor. (B) 4 TUBEN.	7	2	3	4	53%
2.u.3.	12	10	4	5	48%
	8	6	1	5	52%
	6	0	2	4	33%
1. (B.) 3 CLARINETTEN.	17	0	5	3	52%
1 BASS- CLARINETTE. (B)	13	0	5	4	52%
3.u.4.	15	14	8	5	52%
2 Bass. (F.)	5	4	1	4	50%
3.	15	1	4	5	50%
1.u.2. 4 HORNER.	15	12	8	5	48%
ENGLISCHES HORN.	5	0	2	5	48%
Violins	24	0	9	5	48%
1. 3 TENOR-BASS- POSAUNEN.	7	4	1	4	47%
16 erste 32 VIOLINEN. 16 zweite	22	0	10	4	44%
1.u.2. 3 FAGOTTE.	5	2	2	4	44%
1 BASS-TROMPETE. (Es.)	13	0	5	4	44%
1. 3 HOBOEN.	4	0	0	4	41%
1 CONTRABASS- POSAUNE. (C)	4	0	0	4	33%
8 CONTRABASSE.	5	0	0	4	26%
1. (Es.) 3 TROMPETTEN.	3	0	3	4	22%
2.u.3. (Es.)	4	2	3	3	15%
Pauken.	2	0	1	1	7%

Wagner - Siegfried: Vorspiel to Akt 3. {Professional production full score.} Unfinished.

Jamie Holdham

0:15	Est. Play Time
32	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
FAGOTTEN.	8	0	0	3	100%
VIOLINEN.	7	0	1	3	100%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
FAGOTTEN.	8	0	0	3	100%
VIOLINEN.	7	0	1	3	100%
1. BASS-TUBA. (in B.)	10	0	3	3	100%
2 TENOR-TUBEN. (in Es.)	4	1	0	2	100%
2. BASS-TUBA.	3	0	1	2	100%
BASS-CLARINETTE. (in B.)	8	0	0	3	100%
Bassoon	6	0	0	3	100%
BRATSCHEN.	6	0	0	3	100%
CONTRABASS-TUBA.	1	0	0	2	100%
Contrabasse.	8	0	0	3	100%
PAUKEN. (1. PAAR.)	1	0	0	2	100%
Violins	6	0	0	3	100%
Violoncelle.	8	0	0	3	100%
3 POSAUNEN.	3	1	0	1	33%