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Jamie Holdham

Preview Score Except.

Jamie Holdham

0:12	Est. Play Time
4	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
2 Fag.	13	9	0	4	100%
3 FLOTEN.	8	0	0	6	100%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
2 Fag.	13	9	0	4	100%
3 FLOTEN.	8	0	0	6	100%
3 HOBOEN.	8	0	0	6	100%
4 Hr. in F.	17	5	2	6	100%
B♭ Bass Clarinet (Bass Clef)	9	0	0	2	100%
B♭ Clarinet	11	4	2	6	100%
Englisch Horner.	10	0	2	5	100%
Kontrabasse.	8	0	0	1	88%
2 Pauken.	4	0	0	3	50%
Violoncello.	2	1	0	1	25%

Wagner - Huldigungsmarsch. {Professional production full score.} Unfinished.

Jamie Holdham

0:58	Est. Play Time
119	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
2 CLARINETTEN in B.	17	2	5	6	96%
2 OBOEN.	15	1	5	6	96%
View all 17 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
2 CLARINETTEN in B.	17	2	5	6	96%
2 OBOEN.	15	1	5	6	96%
2 VENTILHORNER in Es.	13	2	3	4	91%
2 VENTILHORNER in F.	16	2	5	6	91%
BRATSCHEN.	16	3	3	6	77%
Violoncelle.	20	0	2	6	68%
2 grosse Floten.	14	2	3	5	61%
2 FAGOTTE.	20	10	6	4	57%
BASSCLARINETTE in B.	14	0	3	4	55%
Contrabasse.	12	0	1	3	55%
Zweite Violinen.	14	3	3	8	55%
Erste Violinen.	19	2	4	7	45%
1te u: 2te VENTILTROMPETE in F.	4	2	0	2	27%
2 TENORPOSAUNEN.	4	2	0	2	27%
3te VENTILTROMPETE.	1	0	0	2	27%
BASSPOSAUNE.	1	0	0	2	27%
Tuba.	2	0	0	2	27%

Beethoven - Symphony No.9. Mvt.1. {Performance + Full Score}. [Unfinished.]

Jamie Holdham

0:01	Est. Play Time
146	Measures
	1,181Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violino II	21	14	4	8	100%
Violoncello	15	4	2	9	100%
View all 13 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violino II	21	14	4	8	100%
Violoncello	15	4	2	9	100%
I. II in D 4 Corni III. IV in B Basso	10	10	0	8	95%
2 Clarinetti in B	22	20	4	8	93%
Violino I	20	7	4	8	88%
Viola	17	7	3	8	77%
2 Oboi	19	21	5	8	75%
Contrabasso	14	0	2	8	73%
2 Flauti	19	19	4	8	65%
2 Fagotti	25	17	8	8	61%
Horn in B♭ basso	9	4	1	8	46%
2 Trombe in D	5	2	0	8	42%
Timpani in D-A	2	0	0	5	41%

Bach - Jauchzet, frohlocket! {Professional production full score.} Unfinished.

Jamie Holdham

0:19	Est. Play Time
98	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Timpani.	2	0	0	4	77%
Fagotto, Organo e Continuo.	15	0	4	3	76%
View all 12 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Timpani.	2	0	4	77%
Fagotto, Organo e Continuo.	15	4	3	76%
Violino I.	20	5	3	69%
Violino II.	20	5	3	69%
Flauto traverso I.	8	2	5	62%
Flauto traverso II.	10	3	5	62%
Tromba I.	8	0	3	62%
Oboe I.	9	3	5	54%
Oboe II.	8	2	5	54%
Tromba II.	8	0	3	54%
Viola.	10	3	3	54%
Tromba III.	6	0	3	46%

Richard Wagner - ENDE.zu.DIE MIESTERSINGER in Full score.

Jamie Holdham

0:21	Est. Play Time
32	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabasses	7	0	1	5	100%
Violas	8	1	1	5	100%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabasses	7	0	1	5	100%
Violas	8	1	1	5	100%
Violoncellos	14	7	2	5	100%
Violins	4	0	0	5	83%
	4	0	0	5	83%
Bass	8	0	1	5	83%
Trombone	3	0	0	1	33%
	5	3	0	4	67%
Bassoon	1	0	0	2	50%
Horn in F	2	1	0	2	33%
	2	1	0	2	33%
C Trumpet	2	0	0	1	17%

Wagner - Siegfried Vorspiel to Akt 3. {Professional production full score.} Unfinished.

Jamie Holdham

0:57	Est. Play Time
46	Measures
	1,369Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
VIOLINEN.	26	0	10	8	100%
BRATSCHEN.	24	0	9	4	100%
View all 30 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
VIOLINEN.	26	0	10	8	100%
BRATSCHEN.	24	0	9	4	100%
Contrabasse.	25	0	11	8	100%
Violins	23	0	9	8	100%
Violoncelle.	27	0	12	8	100%
FAGOTTEN.	28	8	9	8	90%
1. BASS-TUBA. (in B.)	21	2	10	8	88%
CONTRABASS-TUBA.	18	0	5	7	82%
BASS-CLARINETTE. (in B.)	23	0	7	7	75%
2 TENOR-TUBEN. (in Es.)	11	5	2	7	69%
Bassoon	26	0	9	7	68%
3 POSAUNEN.	21	5	7	7	63%
HORNER.	18	0	8	9	53%
2. BASS-TUBA.	10	0	6	7	50%
PAUKEN. (1. PAAR.)	2	0	0	4	43%
TROMPETEN.	8	0	3	5	38%
HOBOEN.	17	0	7	3	35%
CONTRABASS- POSAUNE.	6	0	3	2	32%
BASS TROMPETEN.	8	0	2	6	29%
CLARINETTEN.	17	0	8	4	25%
B♭ Clarinet	16	0	7	3	21%
Englisch Horn.	13	0	6	4	21%
F Trumpet	6	0	3	6	21%
Oboe	14	0	6	3	21%
Horn in F	15	7	5	3	21%
GROSSE FLOTEN.	4	1	1	3	14%
Flute	5	3	1	3	14%
Trombone	10	0	3	6	14%
Kleinen Floten.	2	0	1	2	7%
PAUKEN. (2. PAAR.)	1	0	0	1	7%

Lohengrin Vorspiel to Akt 3. {Professional production full score.} Unfinished.

Jamie Holdham

0:12	Est. Play Time
32	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
1. Clarinetten in A. 2.u.3.	12	0	2	7	100%
1. Floten. 2.u.3.	13	0	3	10	100%
View all 18 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
1. Clarinetten in A. 2.u.3.	12	0	2	7	100%
1. Floten. 2.u.3.	13	0	3	10	100%
1. Hoboen. 2.u.3.	9	0	1	3	100%
1.u.2. Horner in G. 3.u.4.	12	9	4	5	100%
1.Violine.	13	0	3	10	100%
2.Violine.	14	0	3	9	100%
A Clarinet	14	11	3	6	100%
Bratsche.	14	0	4	9	100%
Flute	13	8	2	5	100%
Horn in G	12	9	4	5	100%
Oboe	14	12	3	6	100%
3 FAGOTTE.	18	12	4	2	91%
Contrabass.	12	0	1	2	86%
Violoncell.	13	1	1	2	86%
3 Trompeten.	11	6	2	4	67%
3 Posaunen.	7	3	1	2	50%
BASS-TUBA.	4	0	0	2	43%
Pauken in G u.D.	2	0	0	2	43%

Wagner - Tristan und Isolde Love Duet. {Professional production full score.} Unfinished.

Jamie Holdham

0:01	Est. Play Time
130	Measures
	3,429Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violas	19	13	12	9	81%
1. Halfte. Br. 2. Halfte.	21	14	12	7	73%
View all 38 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violas	19	13	12	9	81%
1. Halfte. Br. 2. Halfte.	21	14	12	7	73%
Viol.I. 2. Halfte.	20	12	9	6	71%
Viol.II. 2. Halfte.	16	11	9	6	71%
Fag.	18	23	11	5	70%
in E.	19	0	11	5	59%
Klar. in B.	19	4	11	9	57%
Horn in F	19	0	11	8	56%
in F.	15	0	8	8	53%
in F. Hr. in E.	19	0	8	7	52%
BaBkl. in B.	14	0	6	5	51%
B♭ Clarinet	16	0	9	7	47%
1 Vcl. (allein)	21	1	12	7	46%
Hob.	21	0	13	7	43%
2 I.VI.	21	3	6	9	31%
	19	1	8	9	36%
Violoncellos	9	2	4	6	36%
Bassoon	15	0	10	5	35%
Engl.H.	15	0	7	7	35%
Oboe	12	0	8	7	33%
1. Halfte. Vcl. 2. Halfte.	12	2	5	6	31%
Viol.I.	31	2	17	10	28%
3 Gr.Fl.	13	4	8	7	27%
I. II. K.B. III. IV.	8	0	4	4	19%
Pk.	4	0	1	2	16%
Contrabasses	6	0	2	4	15%
2 II.VI.	11	0	6	4	8%
	13	2	4	6	14%
Flute	1	0	0	3	5%
	8	0	4	5	13%
Hrfe.	26	1	15	4	13%
	18	1	15	3	11%
Trombone	15	8	8	5	12%
I. Pos. II.III.	8	0	5	4	11%
1 Br. (allein)	21	0	13	6	11%
Viol.II.	12	0	9	6	4%
Viola	20	0	10	3	4%
B.T.	3	0	1	2	4%

Richard Wagner - ENDE.zu.TANNHAUSER in Full score. {Unfinished.}

Jamie Holdham

0:10	Est. Play Time
75	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
II.	3	2	2	1	100%
	1	0	1	1	20%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
II.	3	2	2	1	100%
	1	0	1	1	20%
I. Viol.	1	0	0	1	100%
Br.	1	0	0	1	100%
W.	5	0	1	5	100%
Vcl.	1	0	0	2	60%
T.	2	0	1	2	40%
V.	2	0	1	2	40%
I. II. Fl.	1	0	0	1	20%
Vh. in F.	1	0	1	1	20%
Hob.	2	1	0	1	20%
K.B.	1	0	0	1	20%
kl.Fl.	1	0	0	1	20%
Klar. in B.	2	1	1	1	20%

Richard Strauss - Also Sprach Zarathustra. {Professional production full score.} Unfinished.

Jamie Holdham

0:55	Est. Play Time
118	Measures
	1,298Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabasse (8)	4	2	0	1	100%
CONTRAFAGOTT.	2	0	0	2	94%
View all 31 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabasse (8)	4	2	0	1	100%
CONTRAFAGOTT.	2	0	0	2	94%
Orgel.	0	0	0	0	0%
	2	0	0	2	94%
	0	0	0	0	0%
C Trumpet	7	0	0	6	87%
4 Trompeten (C)	8	0	1	3	79%
I. II.	9	0	1	5	63%
	11	0	1	5	59%
4 Horner (F.)	7	0	1	6	63%
Bratschen (12)	13	10	1	5	61%
Bassoon	8	0	0	5	59%
	9	0	1	5	59%
Oboe	6	0	1	5	59%
	5	0	0	5	59%
2 Clarinetten. (in B)	8	0	2	5	59%
3 FAGOTTE.	7	0	0	5	59%
3 Oboen.	7	0	0	5	59%
3 Posaunen.	8	0	0	5	59%
B♭ Clarinet	7	0	1	5	59%
Clarinette in Es.	10	0	1	5	59%
III.	7	0	0	5	59%
Violoncelle (12)	14	7	2	5	59%
Zweite. (16)	8	3	1	5	59%
Erste. (16) Violinen.	13	4	1	5	56%
2 Pauken.	3	0	0	2	53%
Flute	6	0	0	5	29%
	2	0	0	2	18%
3 FLOTEN.	4	0	0	5	29%
III. IV.	7	0	1	4	25%
2 Basstuba.	1	0	0	2	12%