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Bartók forever

Pavane. The Earle of Salisbury

Bartók forever

1:45	Est. Play Time
17	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Virginal		14	3	3	8	97%
		14	2	3	17	97%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Virginal		14	3	3	8	97%
		14	2	3	17	97%
		18	7	2	6	89%
		18	7	2	7	89%

ARIA: So oft ich meine Tobackspfeife BWV 515/515a

Bartók forever

1:53	Est. Play Time
35	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo		16	5	3	6	100%
		22	0	7	4	100%
Oboe		9	0	1	6	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo		16	5	3	6	100%
		22	0	7	4	100%
Oboe		9	0	1	6	50%

What power art thou? (Purcell, King Arthur Act III aka "Cold Scene")

Bartók forever

2:32	Est. Play Time
36	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo		29	98	10	2	100%
		15	0	5	2	100%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo		29	98	10	2	100%
		15	0	5	2	100%
Violine I/II		19	0	7	2	100%
		18	0	6	2	100%
Basso Continuo		15	0	5	2	100%
Bratsche		19	0	6	2	100%
Bass		16	0	6	4	69%

Passametzo

Bartók forever

3:06	Est. Play Time
31	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo		14	12	4	6	100%
		16	0	2	5	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo		14	12	4	6	100%
		16	0	2	5	100%

Gedenke doch, mein Geist, zurücke (Aria) BWV 509

Bartók forever

0:51	Est. Play Time
21	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo		16	8	3	4	100%
		18	0	4	2	100%
Sopran		16	0	5	4	71%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo		16	8	3	4	100%
		18	0	4	2	100%
Sopran		16	0	5	4	71%

Wandrers Nachtlied II D 768 (1822)

Bartók forever

1:52	Est. Play Time
14	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		7	5	0	5	63%
		20	18	5	5	100%
Voice		9	0	1	6	79%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		7	5	0	5	63%
		20	18	5	5	100%
Voice		9	0	1	6	79%

BWV 515/515a So oft ich meine Tobacks-Pfeife

Bartók forever

2:27	Est. Play Time
35	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo		16	5	3	6	100%
		22	0	7	4	100%
Oboe		9	0	1	6	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo		16	5	3	6	100%
		22	0	7	4	100%
Oboe		9	0	1	6	50%

Mir nach spricht Christus unser Heldt

Bartók forever

2:06	Est. Play Time
23	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Orgel		19	0	3	6	97%
		15	0	1	7	90%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Orgel		19	0	3	6	97%
		15	0	1	7	90%
		18	0	5	6	97%
Stimme		8	0	0	6	66%

Aria from BWV 988

Bartók forever

2:21	Est. Play Time
32	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		16	1	3	8	100%
		22	0	4	7	72%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		16	1	3	8	100%
		22	0	4	7	72%
Klavier		16	1	3	13	100%
		22	0	4	10	72%

Rondeau

Bartók forever

0:45	Est. Play Time
23	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo		18	7	4	7	100%
		18	10	3	6	92%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo		18	7	4	7	100%
		18	10	3	6	92%

O Maria sei gegrüßt

Bartók forever

0:49	Est. Play Time
20	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboe		14	0	2	3	100%
Orgel		14	0	2	4	57%
		17	0	4	4	57%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboe		14	0	2	3	100%
Orgel		14	0	2	4	57%
		17	0	4	4	57%

Befiehl du deine Wege BWV 272

Bartók forever

0:53	Est. Play Time
17	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alt		12	0	4	5	100%
Bass		16	0	5	5	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alt		12	0	4	5	100%
Bass		16	0	5	5	100%
Sopran		10	0	2	5	100%
Tenor		10	0	2	6	100%

Ballet

Bartók forever

1:41	Est. Play Time
19	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo		20	14	7	7	100%
		19	1	5	5	96%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo		20	14	7	7	100%
		19	1	5	5	96%

Two Giggs

Bartók forever

2:06	Est. Play Time
47	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Virginal		17	6	3	6	100%
		17	4	3	5	97%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Virginal		17	6	3	6	100%
		17	4	3	5	97%
		18	16	4	6	84%
		21	16	4	6	84%

Cantio Belgica (Wehe Windgen wehe) SSWV 108 (shortened)

Bartók forever

2:18	Est. Play Time
51	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboe		16	0	4	6	98%
Orgel		18	0	5	7	97%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboe		16	0	4	6	98%
Orgel		18	0	5	7	97%
		14	0	1	7	93%
Fagott		9	0	1	6	94%
Violoncello		11	0	1	6	76%
Klarinette in B		12	0	3	7	61%

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