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Bartók forever
Chromatic Invention (2)
Bartók forever
0:01 Est. Play
Time
33 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Posaune Bass 8 0 4 3 94%
Trompete
in
B		 Treble 8 0 3 2 91%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Posaune Bass 8 0 4 3 94%
Trompete
in
B		 Treble 8 0 3 2 91%
Piccoloflöte Treble 10 0 4 1 64%
Tuba Bass 10 0 4 1 55%
 
In Russian Style
Bartók forever
0:35 Est. Play
Time
26 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
(Bass-)Posaune Bass 12 0 5 4 65%
Horn
in
F		 Treble 9 0 3 4 65%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
(Bass-)Posaune Bass 12 0 5 4 65%
Horn
in
F		 Treble 9 0 3 4 65%
Klarinette
in
B		 Treble 9 0 3 5 65%
Flöte Treble 7 0 1 4 62%
Trompete
in
B		 Treble 10 0 1 3 50%
Tuba Bass 8 0 2 4 50%
Oboe Treble 9 0 3 3 46%
Piccoloflöte Treble 6 0 0 2 15%
 
Gedenke doch, mein Geist, zurücke (Aria) BWV 509
Bartók forever
0:51 Est. Play
Time
21 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 16 8 3 4 100%
Bass 18 0 4 2 100%
Sopran Treble 16 0 5 4 71%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 16 8 3 4 100%
Bass 18 0 4 2 100%
Sopran Treble 16 0 5 4 71%
 
In Four Parts (1)
Bartók forever
0:47 Est. Play
Time
21 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Klarinette
in
A		 Treble 4 0 3 4 100%
Treble 4 0 3 4 90%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Klarinette
in
A		 Treble 4 0 3 4 100%
Treble 4 0 3 4 90%
Treble 5 0 3 3 90%
Bassklarinette
in
A		 Treble 6 0 5 4 95%
 
Passametzo
Bartók forever
3:06 Est. Play
Time
31 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 14 12 4 6 100%
Bass 16 0 2 5 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 14 12 4 6 100%
Bass 16 0 2 5 100%
 
D. Scarlatti - Sonata A Major K. 323
Bartók forever
3:15 Est. Play
Time
64 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 15 9 3 3 100%
Bass 18 0 2 3 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 15 9 3 3 100%
Bass 18 0 2 3 100%
 
ARIA: So oft ich meine Tobackspfeife BWV 515/515a
Bartók forever
1:53 Est. Play
Time
35 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 16 5 3 6 100%
Bass 22 0 7 4 100%
Oboe Treble 9 0 1 6 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 16 5 3 6 100%
Bass 22 0 7 4 100%
Oboe Treble 9 0 1 6 50%
 
Etude in Eighths
Bartók forever
0:40 Est. Play
Time
20 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 11 0 3 2 100%
Bass 12 0 1 2 88%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 11 0 3 2 100%
Bass 12 0 1 2 88%
 
Aria from BWV 988
Bartók forever
2:21 Est. Play
Time
32 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 16 1 3 8 100%
Bass 22 0 4 7 72%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 16 1 3 8 100%
Bass 22 0 4 7 72%
Klavier Treble 16 1 3 13 100%
Bass 22 0 4 10 72%
 
BWV 515/515a So oft ich meine Tobacks-Pfeife
Bartók forever
2:27 Est. Play
Time
35 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 16 5 3 6 100%
Bass 22 0 7 4 100%
Oboe Treble 9 0 1 6 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 16 5 3 6 100%
Bass 22 0 7 4 100%
Oboe Treble 9 0 1 6 50%
 
Sarabande from HWV 437
Bartók forever
1:21 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 15 15 3 3 100%
Bass 12 1 0 3 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 15 15 3 3 100%
Bass 12 1 0 3 100%
 
Mir nach spricht Christus unser Heldt
Bartók forever
2:06 Est. Play
Time
23 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Orgel Treble 19 0 3 6 97%
Treble 15 0 1 7 90%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Orgel Treble 19 0 3 6 97%
Treble 15 0 1 7 90%
Bass 18 0 5 6 97%
Stimme Treble 8 0 0 6 66%
 
Rondeau
Bartók forever
0:45 Est. Play
Time
23 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 18 7 4 7 100%
Bass 18 10 3 6 92%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 18 7 4 7 100%
Bass 18 10 3 6 92%
 
O Maria sei gegrüßt
Bartók forever
0:49 Est. Play
Time
20 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Oboe Treble 14 0 2 3 100%
Orgel Treble 14 0 2 4 57%
Bass 17 0 4 4 57%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Oboe Treble 14 0 2 3 100%
Orgel Treble 14 0 2 4 57%
Bass 17 0 4 4 57%