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Bartók forever

Fuga 14 in f# from WTC II BWV 883 (organ sound)

Bartók forever

5:43	Est. Play Time
70	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ		20	0	6	7	96%
		27	0	11	6	90%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ		20	0	6	7	96%
		27	0	11	6	90%
		23	0	9	7	100%
Orgel		4	0	1	10	3%
		4	0	1	9	3%
		2	0	0	7	1%

Cantio Belgica SSWV 108 (shortened)

Bartók forever

2:18	Est. Play Time
51	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboe		16	0	4	6	98%
Orgel		18	0	5	7	97%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboe		16	0	4	6	98%
Orgel		18	0	5	7	97%
		14	0	1	7	93%
Fagott		9	0	1	6	94%
Violoncello		11	0	1	6	76%
Klarinette in B		12	0	3	7	61%

Rezitativ und Arie from BWV 82

Bartók forever

6:44	Est. Play Time
99	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo		19	32	5	6	16%
		25	43	9	6	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo		19	32	5	6	16%
		25	43	9	6	100%
		24	0	9	6	98%
Sopran		18	0	7	8	96%

Three Renaissance Versi

Bartók forever

1:37	Est. Play Time
29	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Orgel		22	0	9	7	87%
		3	0	1	2	4%
		22	0	7	5	76%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Orgel		22	0	9	7	87%
		3	0	1	2	4%
		22	0	7	5	76%

Praeludium

Bartók forever

0:53	Est. Play Time
9	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo		14	9	4	6	100%
		19	8	5	7	100%
Execution		19	19	2	6	67%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo		14	9	4	6	100%
		19	8	5	7	100%
Execution		19	19	2	6	67%

Pavane. The Earle of Salisbury

Bartók forever

1:45	Est. Play Time
17	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Virginal		14	3	3	8	97%
		14	2	3	17	97%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Virginal		14	3	3	8	97%
		14	2	3	17	97%
		18	7	2	6	89%
		18	7	2	7	89%

Der Gutzgauch auf dem Zaune saß

Bartók forever

0:30	Est. Play Time
15	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Sopran		2	0	0	3	80%
		2	0	0	3	73%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Sopran		2	0	0	3	80%
		2	0	0	3	73%
		6	0	0	4	100%
Alt		7	0	0	5	100%
Bass		6	0	0	3	100%
Tenor		6	0	0	6	100%

Modal Bartók

Bartók forever

3:01	Est. Play Time
105	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		9	0	0	6	92%
		11	1	1	6	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		9	0	0	6	92%
		11	1	1	6	100%

Wer nur den lieben Gott lässt walten (Choral) BWV 691

Bartók forever

1:00	Est. Play Time
10	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo		14	1	2	6	100%
		15	0	3	5	97%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo		14	1	2	6	100%
		15	0	3	5	97%

Passametzo

Bartók forever

3:06	Est. Play Time
31	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo		14	12	4	6	100%
		16	0	2	5	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo		14	12	4	6	100%
		16	0	2	5	100%

ARIA: So oft ich meine Tobackspfeife BWV 515/515a

Bartók forever

1:53	Est. Play Time
35	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo		16	5	3	6	100%
		22	0	7	4	100%
Oboe		9	0	1	6	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo		16	5	3	6	100%
		22	0	7	4	100%
Oboe		9	0	1	6	50%

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