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Bartók forever

O Maria sei gegrüßt

Bartók forever

0:49	Est. Play Time
20	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboe		14	0	2	3	100%
Orgel		14	0	2	4	57%
		17	0	4	4	57%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboe		14	0	2	3	100%
Orgel		14	0	2	4	57%
		17	0	4	4	57%

Wandrers Nachtlied II D 768 (1822)

Bartók forever

1:52	Est. Play Time
14	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		7	5	0	5	63%
		20	18	5	5	100%
Voice		9	0	1	6	79%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		7	5	0	5	63%
		20	18	5	5	100%
Voice		9	0	1	6	79%

Choral hypocrite

Bartók forever

0:53	Est. Play Time
10	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violine		12	13	0	4	100%
Klavier		23	25	5	4	94%
		10	9	1	3	71%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violine		12	13	0	4	100%
Klavier		23	25	5	4	94%
		10	9	1	3	71%

Aria from BWV 988

Bartók forever

2:21	Est. Play Time
32	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		16	1	3	8	100%
		22	0	4	7	72%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		16	1	3	8	100%
		22	0	4	7	72%
Klavier		16	1	3	13	100%
		22	0	4	10	72%

BWV 515/515a So oft ich meine Tobacks-Pfeife

Bartók forever

2:27	Est. Play Time
35	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo		16	5	3	6	100%
		22	0	7	4	100%
Oboe		9	0	1	6	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo		16	5	3	6	100%
		22	0	7	4	100%
Oboe		9	0	1	6	50%

"Im Walde" from "Liederkreis", op. 39, 1840

Bartók forever

1:28	Est. Play Time
50	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		25	34	7	4	100%
		17	12	3	4	100%
Voice		12	0	3	6	73%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		25	34	7	4	100%
		17	12	3	4	100%
Voice		12	0	3	6	73%

Cantio Belgica (Wehe Windgen wehe) SSWV 108 (shortened)

Bartók forever

2:18	Est. Play Time
51	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboe		16	0	4	6	98%
Orgel		18	0	5	7	97%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboe		16	0	4	6	98%
Orgel		18	0	5	7	97%
		14	0	1	7	93%
Fagott		9	0	1	6	94%
Violoncello		11	0	1	6	76%
Klarinette in B		12	0	3	7	61%

Merriment

Bartók forever

0:44	Est. Play Time
28	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Altsaxophon		6	0	2	6	85%
		5	0	2	6	81%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Altsaxophon		6	0	2	6	85%
		5	0	2	6	81%
		5	0	2	6	73%
		5	0	2	6	81%
		6	0	2	6	96%
		6	0	2	6	81%
		4	0	2	6	58%
		4	0	2	6	46%

Dolcissima mia vita

Bartók forever

1:58	Est. Play Time
45	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor		14	0	5	7	93%
Sopran		13	0	5	8	91%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor		14	0	5	7	93%
Sopran		13	0	5	8	91%
Alt		15	0	6	8	89%
Mezzosopran		15	0	6	7	89%
Bass		18	0	6	8	76%

Three Renaissance Versi

Bartók forever

1:31	Est. Play Time
29	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Orgel		22	0	9	7	87%
		22	0	7	5	76%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Orgel		22	0	9	7	87%
		22	0	7	5	76%

Verso de Magnificat del septimo tono

Bartók forever

2:14	Est. Play Time
32	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Orgel		18	0	5	5	67%
		15	1	2	5	78%
Stimme		6	0	0	1	34%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Orgel		18	0	5	5	67%
		15	1	2	5	78%
Stimme		6	0	0	1	34%

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