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Bartók forever

Mariä Wiegenlied Op. 76 No. 52

Bartók forever

1:38	Est. Play Time
43	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		30	47	11	6	100%
		23	5	4	4	100%
Voice		12	0	4	6	81%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		30	47	11	6	100%
		23	5	4	4	100%
Voice		12	0	4	6	81%

Pavane. The Earle of Salisbury

Bartók forever

1:45	Est. Play Time
17	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Virginal		14	3	3	8	97%
		14	2	3	17	97%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Virginal		14	3	3	8	97%
		14	2	3	17	97%
		18	7	2	6	89%
		18	7	2	7	89%

Praeludium

Bartók forever

0:53	Est. Play Time
9	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo		14	9	4	6	100%
		19	8	5	7	100%
Execution		19	19	2	6	67%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo		14	9	4	6	100%
		19	8	5	7	100%
Execution		19	19	2	6	67%

ARIA: So oft ich meine Tobackspfeife BWV 515/515a

Bartók forever

1:53	Est. Play Time
35	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo		16	5	3	6	100%
		22	0	7	4	100%
Oboe		9	0	1	6	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo		16	5	3	6	100%
		22	0	7	4	100%
Oboe		9	0	1	6	50%

Wandrers Nachtlied II D 768 (1822)

Bartók forever

1:52	Est. Play Time
14	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		7	5	0	5	63%
		20	18	5	5	100%
Voice		9	0	1	6	79%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		7	5	0	5	63%
		20	18	5	5	100%
Voice		9	0	1	6	79%

BWV 515/515a So oft ich meine Tobacks-Pfeife

Bartók forever

2:27	Est. Play Time
35	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo		16	5	3	6	100%
		22	0	7	4	100%
Oboe		9	0	1	6	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo		16	5	3	6	100%
		22	0	7	4	100%
Oboe		9	0	1	6	50%

Choral hypocrite

Bartók forever

0:53	Est. Play Time
10	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violine		12	13	0	4	100%
Klavier		23	25	5	4	94%
		10	9	1	3	71%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violine		12	13	0	4	100%
Klavier		23	25	5	4	94%
		10	9	1	3	71%

Two Giggs

Bartók forever

2:06	Est. Play Time
47	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Virginal		17	6	3	6	100%
		17	4	3	5	97%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Virginal		17	6	3	6	100%
		17	4	3	5	97%
		18	16	4	6	84%
		21	16	4	6	84%

Tombeau de Monsr. de Lenclos

Bartók forever

0:50	Est. Play Time
19	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Clavichord		15	4	5	6	97%
		16	5	2	4	92%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Clavichord		15	4	5	6	97%
		16	5	2	4	92%

Le forze d' hercole

Bartók forever

0:32	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo		13	4	3	6	100%
		16	6	1	4	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo		13	4	3	6	100%
		16	6	1	4	100%

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