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Play Time: > 3:20
Unique Durations: 6-7
Unique Accidentals: 3-4
Unique Notes: 16 - 20
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soprano
AÏDA de Verdi : Chœurs Partie 8/10 Acte 3 : Introduzione - SOPRANO Prêtresse
Papibois
3:28 Est. Play
Time
62 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 27 25 8 11 94%
Bass 25 14 4 4 69%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 27 25 8 11 94%
Bass 25 14 4 4 69%
Prêtres
Bas		 Bass 10 0 1 10 36%
Prêtres
Ten		 Treble 9 0 1 10 36%
Prêtresses
Sop		 Treble 6 0 1 6 33%
Ramfis Bass 16 0 4 7 23%
Amnéris Treble 7 0 1 7 10%
 
N°12. "Batti, batti, o bel Masetto". Don Giovanni
FranckM.
5:05 Est. Play
Time
101 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 28 35 7 7 98%
Bass 22 9 5 6 99%
Z. Treble 17 0 4 6 92%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 28 35 7 7 98%
Bass 22 9 5 6 99%
Z. Treble 17 0 4 6 92%
 
Filipino Mass - Pinupuri Ka namin
drowssap2
7:59 Est. Play
Time
264 Measures
1,842Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violins
I		 Treble 23 0 6 8 95%
Violins
II		 Treble 22 2 4 10 95%
View all 15 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violins
I		 Treble 23 0 6 8 95%
Violins
II		 Treble 22 2 4 10 95%
Violas 22 0 6 7 94%
Cellos Bass 21 0 5 7 89%
Organ Treble 0 0 0 0 0%
Bass 21 0 5 7 89%
Bass 0 0 0 0 0%
Double
Basses		 Bass 17 0 4 7 87%
Soprano
solo		 Treble 19 0 5 8 73%
Horn
I
II in
A		 Treble 9 2 0 7 60%
Oboe
I		 Treble 16 0 3 8 57%
Oboe
II		 Treble 13 0 3 9 54%
Bassoon
I		 Bass 17 0 3 8 53%
Flute
II		 Treble 14 0 2 7 51%
Bassoon
II		 Bass 18 0 2 8 49%
 
Overture
Kyle Downes
5:00 Est. Play
Time
189 Measures
1,779Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 34 43 6 7 100%
Bass 41 29 13 8 99%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 34 43 6 7 100%
Bass 41 29 13 8 99%
Elysia Treble 19 0 3 7 46%
Alan Treble 15 0 0 8 32%
 
HWV56N38 - "How beautiful are the feet" - 1741
edward.maurath
5:30 Est. Play
Time
42 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Bass 20 0 5 7 98%
Organo Treble 24 85 7 6 96%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Bass 20 0 5 7 98%
Organo Treble 24 85 7 6 96%
Bass 16 27 5 7 96%
Violini Treble 27 25 9 8 91%
Contrabasses Bass 16 0 3 7 82%
Violoncelli Bass 18 0 3 7 82%
Soprano 17 0 6 6 79%
Cemballo Treble 18 26 5 6 46%
Bass 16 14 4 6 46%
 
BWV 21 #08 Komm, mein Jesu, und erquicke
edward.maurath
4:35 Est. Play
Time
84 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabasso Continuo Bass 21 0 6 5 100%
Organo Continuo Treble 20 67 6 6 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabasso Continuo Bass 21 0 6 5 100%
Organo Continuo Treble 20 67 6 6 100%
Violoncello Continuo Bass 23 0 6 5 100%
Soprano Treble 20 0 8 7 90%
Basso Bass 16 0 4 6 89%
 
HWV56N36 - Thou art gone up on high - 1754
edward.maurath
3:38 Est. Play
Time
117 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 26 74 10 7 83%
Bass 26 42 8 6 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 26 74 10 7 83%
Bass 26 42 8 6 100%
Cello Continuo Bass 19 0 5 6 99%
Soprano Treble 18 0 7 7 74%
Violin Treble 24 0 9 6 62%
Violone Continuo Bass 17 0 3 6 59%