Play Along Piano

Tags

oratorio

edward.maurath

3:13	Est. Play Time
42	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	18	10	3	5	96%
	18	1	3	3	100%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	18	10	3	5	96%
	18	1	3	3	100%
Organ Continuo	21	10	3	5	96%
	18	2	3	3	100%
Cello Continuo	18	0	3	3	100%
Double Bass Continuo	17	0	3	3	100%
Viola	16	0	3	4	90%
Violin 1	15	0	1	3	90%
Violin 2	16	0	3	5	90%
Bass	13	0	2	6	79%

HWV58A2N7 - Juno, "Hence, hence, Iris, hence away!" in f minor

edward.maurath

4:29	Est. Play Time
64	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	20	45	7	6	92%
	20	10	4	5	95%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	20	45	7	6	92%
	20	10	4	5	95%
Cello	17	0	3	5	95%
Juno	15	0	4	9	84%
Vln 1	20	0	4	5	80%
Violas	19	0	4	5	74%
Vln 2	21	0	6	3	70%
Celli	17	0	3	3	66%
Kontrebaß	17	0	3	3	66%

HWV63A1N5 - "For Sion lamentations make" in f minor

edward.maurath

3:06	Est. Play Time
29	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	22	7	11	6	100%
	21	2	10	5	100%
View all 16 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	22	7	11	6	100%
	21	2	10	5	100%
Bassoon	19	0	6	8	100%
Bassoon Continuo	24	0	9	6	100%
Contrabassi Continuo	19	0	7	5	100%
Inferred Bassoon	23	0	7	6	100%
Viole	16	0	4	7	100%
Violini 1	20	0	8	6	100%
Violini 2	17	0	7	6	100%
Violoncelli Continuo	20	0	7	5	100%
Alti	10	0	4	7	83%
Soprani	14	0	5	7	83%
Bassi	16	0	5	7	79%
Tenori	12	0	4	7	76%
Oboe 1	12	0	3	7	72%
Oboe 2	15	0	6	7	72%

BWV248N6 "Und sie gebar ihren ersten Sohn”

edward.maurath

0:22	Est. Play Time
6	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	12	9	3	5	100%
	9	0	2	3	100%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	12	9	3	5	100%
	9	0	2	3	100%
Bassoon	9	0	2	3	100%
Evangelista	16	0	4	3	83%

HWV63A1N2 - "Mourn, ye afflicted children" in c minor

edward.maurath

5:08	Est. Play Time
47	Measures
	1,196Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	20	7	6	5	94%
	25	11	8	7	100%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	20	7	6	5	94%
	25	11	8	7	100%
Contrabasses	22	0	8	7	100%
Violas	21	0	7	6	100%
Violoncellos	25	0	8	7	100%
Vln 1	25	0	9	6	100%
Vln 2	27	0	10	6	100%
Alto	15	0	5	4	87%
Tenor	15	0	5	4	87%
Bass	22	0	11	4	85%
Soprano	19	0	9	5	85%
Oboe	19	0	7	6	74%
	19	0	7	6	74%
Bassoon	23	0	8	5	74%

HWV61A2N45 - Oh Sentence too severe!

edward.maurath

0:22	Est. Play Time
6	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
NITOCRIS	6	0	3	3	83%
ORG RH	14	6	5	2	83%
View all 5 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
NITOCRIS	6	0	3	3	83%
ORG RH	14	6	5	2	83%
Organ LH	15	8	5	2	83%
Vcl	7	0	1	2	83%
Violone	7	0	1	2	83%

Händel: "Samson," (oratorio), "Let the Bright Seraphim"

edward.maurath

3:59	Est. Play Time
76	Measures
	1,390Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo	22	0	5	5	82%
Vln 1	24	0	7	6	73%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo	22	0	5	5	82%
Vln 1	24	0	7	6	73%
Violas	17	0	5	6	72%
Vln 2	23	0	6	6	72%
Harpsi	17	15	3	7	71%
	20	16	3	4	61%
Israelite Woman	16	0	4	9	70%
Celli	20	0	4	5	59%
Kontrebaß	20	0	4	5	59%
Trumpet	10	0	1	8	51%
Organ with out pedals (Continuo)	16	12	5	5	22%
	15	8	3	3	22%

BWV245N11 - Wer hat dich so geschlagen - Chorale in A Major

edward.maurath

1:36	Est. Play Time
25	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	12	7	2	4	100%
	16	1	5	5	100%
View all 17 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	12	7	2	4	100%
	16	1	5	5	100%
Organo Continuo	10	2	1	5	100%
	16	0	5	5	100%
Alti	10	0	1	5	100%
Bassi	16	0	5	5	100%
Bassono Grosso Continuo	16	0	5	5	100%
Bassoon Continuo	16	0	5	5	100%
Contrabassi Continuo	16	0	5	5	100%
Flauto Traverso	7	0	0	5	100%
Oboe	7	0	0	5	100%
Soprani	7	0	0	5	100%
Tenori	9	0	2	4	100%
Viola	10	0	1	5	100%
Violin 1	7	0	0	5	100%
Violin 2	10	0	1	5	100%
Violoncelli Continuo	16	0	5	5	100%

Handel: HWV 57: Samson, "Total Eclipse"

edward.maurath

3:16	Est. Play Time
36	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	27	55	9	8	95%
	21	8	3	6	92%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	27	55	9	8	95%
	21	8	3	6	92%
Cello	17	0	3	6	87%
Violins 1	17	0	1	7	75%
Violins 2	16	0	1	8	75%
Samson	15	0	5	6	72%
CBass	16	0	2	6	69%
Violoncellos	16	0	2	6	69%

BWV 245 N 21 - Und die Kriegsknechte flochten

edward.maurath

8:18	Est. Play Time
113	Measures
	2,969Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenori	21	0	10	6	88%
Bassi	23	0	11	7	75%
View all 20 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenori	21	0	10	6	88%
Bassi	23	0	11	7	75%
Bassono Grosso	25	0	8	6	62%
Bassoon Continuo	25	0	8	6	62%
Contrabassi Continuo	25	0	8	6	61%
Flute 1	22	0	9	7	60%
Flute 2	22	0	8	7	60%
Violoncelli Continuo	25	0	8	6	60%
Violas	23	0	8	6	59%
Oboe 2	20	0	6	7	57%
Alti	17	0	5	6	56%
Violins 2	25	0	10	6	56%
Oboe 1	22	0	8	7	55%
Soprani	19	0	7	6	55%
Violins 1	24	0	11	6	55%
Organo Continuo	25	9	11	7	51%
	21	0	8	7	54%
Violoncello Continuo	18	0	9	5	38%
Cembalo Continuo	21	56	10	6	35%
	18	2	7	6	35%

Handel - HWV 61, Overture in e minor

edward.maurath

6:09	Est. Play Time
70	Measures
	2,097Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Vln 1	26	0	9	10	98%
Viola	18	1	5	9	96%
View all 13 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Vln 1	26	0	9	10	98%
Viola	18	1	5	9	96%
Vln 2	29	0	11	10	96%
VLN 3	20	2	6	9	91%
Harpsi	19	44	4	8	51%
	25	14	9	9	87%
Cello	23	0	8	9	87%
Kontrebaß	23	0	8	9	87%
OBO 1	22	1	8	10	83%
OBO 2	22	1	8	10	83%
Bassoon	23	0	8	9	79%
Organ	15	21	2	8	38%
	17	8	2	7	29%

HWV56N31 - He was cut off out of the land of the living

edward.maurath

0:18	Est. Play Time
5	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
BC LH	4	0	1	3	100%
BC RH	10	7	4	3	100%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
BC LH	4	0	1	3	100%
BC RH	10	7	4	3	100%
Cello Continuo	4	0	1	3	100%
Contrabass	4	0	1	3	100%
Tenor	8	0	4	3	100%
Viola	4	0	1	3	100%
Violoncellos	4	0	1	3	100%
Vln I	5	0	2	4	100%
Vln II	5	0	3	3	100%

HWV56N35 - Let all the angels of God worship him

edward.maurath

1:51	Est. Play Time
37	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ Continuo	13	7	1	6	62%
	16	1	2	7	95%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ Continuo	13	7	1	6	62%
	16	1	2	7	95%
Cello Continuo	16	0	2	7	95%
Violone	16	0	2	7	95%
Violin I	15	0	2	7	92%
Violin II	18	0	1	7	92%
Alti	10	0	1	8	84%
Soprani	13	0	2	7	84%
Viola	15	0	2	7	84%
Bassi	13	0	2	7	76%
Tenori	13	0	2	6	76%

HWV56N15 - And the angel said unto them

edward.maurath

0:35	Est. Play Time
11	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsi	15	14	3	6	100%
	14	7	2	4	100%
View all 5 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsi	15	14	3	6	100%
	14	7	2	4	100%
Cello	8	0	1	4	100%
Contrabass	8	0	1	4	100%
Soprano	9	0	2	5	82%

HWV56N08 Messiah: Behold, a virgin shall conceive

edward.maurath

0:14	Est. Play Time
7	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cello	4	0	0	2	100%
HPSI LH	9	8	1	2	100%
View all 5 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cello	4	0	0	2	100%
HPSI LH	9	8	1	2	100%
Hpsi RH	10	8	1	2	100%
Violone	4	0	0	2	100%
Alto	7	0	1	4	86%

HWV56N19Y1741 - Soprano - Then shall the eyes of the blind be opened

edward.maurath

0:26	Est. Play Time
8	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cello	7	0	2	4	100%
HPSI LH	13	10	4	4	100%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cello	7	0	2	4	100%
HPSI LH	13	10	4	4	100%
Hpsi RH	12	10	3	4	100%
Soprano	10	0	4	5	100%

HWV56N19Y1742 - Messiah - Alto - Then shall the eyes of the blind be opened (1742)

edward.maurath

0:26	Est. Play Time
8	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	10	0	4	5	100%
Cello	7	0	2	4	100%
View all 5 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	10	0	4	5	100%
Cello	7	0	2	4	100%
Contrabass	7	0	2	4	100%
HPSI LH	10	8	3	4	100%
Hpsi RH	11	9	4	4	100%

HWV56N47 - Behold! I tell you a mystery!

edward.maurath

0:29	Est. Play Time
8	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	10	12	1	5	100%
	12	10	2	5	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	10	12	1	5	100%
	12	10	2	5	100%
Cello Continuo	8	0	2	5	100%
Contrabass Continuo	8	0	2	5	100%
Viola	5	0	0	5	100%
Vln I	7	0	1	5	100%
Vln II	6	0	1	5	100%
Basso	10	0	1	3	88%