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Composition: Piano
Unique Durations: 4-5
Unique Durations: 8-9
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counterpoint
J. S. Bach: Fantasia in G minor, BWV 917, "Fantasia duobus subjectis"
intasei
2:43 Est. Play
Time
61 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 25 2 8 7 88%
Bass 27 2 9 8 94%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 25 2 8 7 88%
Bass 27 2 9 8 94%
 
Invention No. 1
StaccatoFreak
1:06 Est. Play
Time
34 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 22 8 5 5 100%
Bass 25 2 5 5 97%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 22 8 5 5 100%
Bass 25 2 5 5 97%
 
Baroque Again
Howard Bosler
3:31 Est. Play
Time
45 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 29 1 5 5 100%
Bass 22 3 3 5 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 29 1 5 5 100%
Bass 22 3 3 5 100%
 
Invention in G minor
kaled.dabboussi.3
3:06 Est. Play
Time
35 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Klavier Treble 23 1 7 4 100%
Bass 20 0 7 7 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Klavier Treble 23 1 7 4 100%
Bass 20 0 7 7 100%
 
First Fugue I Ever Finished
Oskar Björkman
1:16 Est. Play
Time
32 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 28 1 4 6 98%
Bass 20 2 4 5 71%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 28 1 4 6 98%
Bass 20 2 4 5 71%
 
Perlian Piano Piece #3
Stefanokud
5:03 Est. Play
Time
91 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 35 1 16 9 96%
Bass 29 1 15 9 98%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 35 1 16 9 96%
Bass 29 1 15 9 98%
 
Sarabande for Harpsichord (Opus 61)
schoutens
2:37 Est. Play
Time
42 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 30 2 10 8 100%
Bass 27 11 9 7 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 30 2 10 8 100%
Bass 27 11 9 7 100%
 
Piano Invention No. 2
stanknj7
0:26 Est. Play
Time
22 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 11 1 0 6 100%
Bass 17 2 0 5 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 11 1 0 6 100%
Bass 17 2 0 5 100%
 
Prelude and Fugue in E minor (Opus 58)
schoutens
4:14 Est. Play
Time
159 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 33 0 13 10 94%
Bass 38 2 13 9 98%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 33 0 13 10 94%
Bass 38 2 13 9 98%
 
Canon in G Major
Templetown
1:02 Est. Play
Time
26 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 17 1 3 5 100%
Bass 21 2 3 6 96%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 17 1 3 5 100%
Bass 21 2 3 6 96%
 
Background 1
clarinetjo
1:00 Est. Play
Time
21 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Synthétiseur
de
créneaux		 Treble 30 0 13 7 100%
Bass 18 2 4 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Synthétiseur
de
créneaux		 Treble 30 0 13 7 100%
Bass 18 2 4 4 100%