Play Along Piano

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counterpoint

J.S. Bach: Chorale: Es ist genug (BWV 60, #5) with analysis

BSG

1:21	Est. Play Time
20	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		12	0	3	6	100%
Bass		15	0	5	6	100%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		12	0	3	6	100%
Bass		15	0	5	6	100%
Contrabass		15	0	5	6	100%
Soprano		6	0	1	4	100%
Tenor		12	0	4	5	100%

Fugue

Marc Sabatella

1:19	Est. Play Time
29	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		27	0	8	5	93%
		25	0	7	6	80%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		27	0	8	5	93%
		25	0	7	6	80%

Counterpoint

Aisido

1:36	Est. Play Time
60	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		22	0	6	6	100%
		22	0	6	6	98%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		22	0	6	6	100%
		22	0	6	6	98%

Invention in G minor

kaled.dabboussi.3

3:06	Est. Play Time
35	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Klavier		23	1	7	4	100%
		20	0	7	7	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Klavier		23	1	7	4	100%
		20	0	7	7	100%

J. S. Bach: Contrapunctus XIV (extant torso, from BWV 1080)

BSG

8:40	Est. Play Time
239	Measures
	2,289Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		25	0	9	7	90%
		21	0	7	7	82%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		25	0	9	7	90%
		21	0	7	7	82%
		22	0	8	7	84%
		27	0	11	7	92%
Reed Contrabass		22	0	7	7	62%

Prelude and Fugue in D minor (Opus 6)

schoutens

7:29	Est. Play Time
230	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		34	9	16	8	95%
		32	31	15	7	94%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		34	9	16	8	95%
		32	31	15	7	94%

J. S. Bach: Dona nobis pacem (BWV 232 final mvt)

BSG

3:12	Est. Play Time
46	Measures
	2,802Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Strings 1		12	0	2	4	98%
		14	0	3	5	93%
View all 17 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Strings 1		12	0	2	4	98%
		14	0	3	5	93%
		22	1	6	5	100%
		15	0	3	5	100%
CtoR		17	45	4	7	100%
		18	0	5	6	100%
Tenor		15	0	3	5	100%
Alto		12	0	2	4	98%
Continuo		20	1	6	5	98%
Contrabass		20	1	6	5	98%
Bass		19	0	6	5	93%
Flute		14	0	3	5	93%
Soprano		14	0	3	5	93%
Oboe		18	34	5	6	82%
Trombe 1 amp;amp; 2		11	0	1	5	51%
Timpani		2	0	0	5	22%
Tromba 3		11	0	1	5	22%

J. S. Bach: Christus, der uns selig macht (Urfassung; BWV 620A)(on Grabowski/Hauptwerk Giubiasco)

BSG

1:51	Est. Play Time
25	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		21	0	8	6	94%
		17	0	6	6	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		21	0	8	6	94%
		17	0	6	6	100%
		12	0	3	5	100%
Bass Trombone		12	0	3	5	100%

Fantasia for organ (Opus 84)

schoutens

3:52	Est. Play Time
111	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ		32	10	17	9	97%
		29	24	12	7	98%
		20	0	9	7	94%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ		32	10	17	9	97%
		29	24	12	7	98%
		20	0	9	7	94%

Opus 78 (piano version)

schoutens

4:26	Est. Play Time
104	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ		27	0	11	7	98%
		29	30	13	7	89%
		27	0	10	7	83%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ		27	0	11	7	98%
		29	30	13	7	89%
		27	0	10	7	83%

J. S. Bach: Ich lasse dich nicht, du segnest mich denn (BWV 157, #1)

BSG

3:22	Est. Play Time
57	Measures
	1,948Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass		23	0	8	4	100%
Cto		23	0	8	4	100%
View all 9 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass		23	0	8	4	100%
Cto		23	0	8	4	100%
Oboe		21	0	7	7	96%
Violin		24	0	9	8	93%
Flute		21	0	8	8	91%
Bass		16	0	5	7	60%
Tenor		18	0	6	7	60%
FluteXEC		8	0	4	1	9%
OboXec		5	0	2	1	7%

J.S. Bach: Fuga Gm (BWV 542.2)(rec. on Zwolle (1720 Schnitger, Sonus Paradisi/Hauptwerk))

BSG

6:33	Est. Play Time
115	Measures
	1,296Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ		27	2	10	8	97%
		36	0	13	6	92%
		26	0	10	6	58%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ		27	2	10	8	97%
		36	0	13	6	92%
		26	0	10	6	58%

J.S. Bach: Kyrie II from B Minor Mass (BWV 232, #3)

BSG

4:32	Est. Play Time
59	Measures
	1,535Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Vcl/Cb/Cto		26	57	9	6	99%
		23	0	8	6	100%
View all 14 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Vcl/Cb/Cto		26	57	9	6	99%
		23	0	8	6	100%
Contrabass		23	0	8	6	100%
Vcl/Cb.		23	0	8	6	100%
Tenor		17	0	7	6	97%
Viola		17	0	7	6	97%
Alto		17	0	7	5	86%
Violin 2		17	0	7	5	86%
Ob. d'Am		23	0	9	5	85%
Flute		16	0	6	4	76%
Soprano		16	0	6	4	76%
Violin 1		16	0	6	4	76%
Bass		20	0	7	5	75%
Fagotto		20	0	7	5	75%

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