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Clef: TrebleTreble
Unique Accidentals: 2
Unique Notes: 11 - 15
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counterpoint
Op. 27 - Double Canon
Bradley de Lucia
2:47 Est. Play
Time
95 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 18 0 3 5 74%
Treble 15 0 2 5 95%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 18 0 3 5 74%
Treble 15 0 2 5 95%
Bass 15 0 2 5 97%
18 0 3 5 77%
 
T.L. de Victoria: Aestimatus sum
BSG
1:53 Est. Play
Time
33 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor
2		 Treble 11 0 2 6 97%
Bass
1		 Bass 12 0 2 6 91%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor
2		 Treble 11 0 2 6 97%
Bass
1		 Bass 12 0 2 6 91%
Bass
2		 Bass 10 0 2 6 76%
Tenor
1		 Treble 10 0 1 6 64%
 
J.S. Bach: Gute Nacht, o Wesen (BWV 227, #9)
BSG
7:34 Est. Play
Time
106 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor Treble 16 0 5 5 100%
Soprano Treble 18 0 6 6 99%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor Treble 16 0 5 5 100%
Soprano Treble 18 0 6 6 99%
Treble 16 0 5 5 98%
Alto Treble 12 0 2 3 36%
 
J. S. Bach: Dona nobis pacem (BWV 232 final mvt)
BSG
3:12 Est. Play
Time
46 Measures
2,802Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Strings
1		 Treble 12 0 2 4 98%
Treble 14 0 3 5 93%
View all 17 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Strings
1		 Treble 12 0 2 4 98%
Treble 14 0 3 5 93%
Bass 22 1 6 5 100%
15 0 3 5 100%
CtoR Treble 17 45 4 7 100%
Bass 18 0 5 6 100%
Tenor Treble 15 0 3 5 100%
Alto Treble 12 0 2 4 98%
Continuo Bass 20 1 6 5 98%
Contrabass Bass 20 1 6 5 98%
Bass Bass 19 0 6 5 93%
Flute Treble 14 0 3 5 93%
Soprano Treble 14 0 3 5 93%
Oboe Treble 18 34 5 6 82%
Trombe
1
amp;amp;
2		 Treble 11 0 1 5 51%
Timpani Bass 2 0 0 5 22%
Tromba
3		 Treble 11 0 1 5 22%
 
J. S. Bach: Ach Gott und Herr (“simple” chorale, BWV 48, #3)
BSG
0:40 Est. Play
Time
11 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 11 0 4 5 100%
Bass Bass 18 0 6 4 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 11 0 4 5 100%
Bass Bass 18 0 6 4 100%
Contrabass Bass 17 0 6 4 100%
Soprano Treble 6 0 0 5 100%
Tenor Treble 11 0 2 4 100%
 
F. Couperin: Troisième Leçon pour Mercredy Sainct à deux voix
BSG
2:51 Est. Play
Time
56 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pan
Flute		 Treble 17 26 4 5 100%
Violoncello Bass 20 0 4 5 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pan
Flute		 Treble 17 26 4 5 100%
Violoncello Bass 20 0 4 5 100%
Soprano Treble 13 0 2 10 95%
Treble 13 0 2 10 93%
 
T.L de Victoria: Eram quasi agnus
BSG
2:19 Est. Play
Time
54 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 13 0 2 6 98%
Soprano Treble 14 0 4 6 98%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 13 0 2 6 98%
Soprano Treble 14 0 4 6 98%
Tenor Treble 10 0 2 6 94%
Baritone Bass 12 0 3 6 59%
 
J.S. Bach: Unter deinen Schirmen (BWV 227, #3)
BSG
1:05 Est. Play
Time
19 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano Treble 12 0 2 5 100%
Treble 10 0 3 4 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano Treble 12 0 2 5 100%
Treble 10 0 3 4 100%
Alto Treble 10 0 1 5 100%
Bass Bass 14 0 3 4 100%
Tenor Treble 13 0 4 4 100%
 
J.S. Bach: Weg mit allen Schätzen (BWV 227, #7)
BSG
1:03 Est. Play
Time
19 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 13 0 4 5 100%
Bass Bass 16 0 5 4 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 13 0 4 5 100%
Bass Bass 16 0 5 4 100%
Soprano Treble 12 0 2 5 100%
Tenor Treble 13 0 3 5 100%
 
Prelude and Fugue on Tchaikovsky : Hermit of Frolovskoye (chahf) Orchestral Version
penne vodka
4:41 Est. Play
Time
94 Measures
2,285Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violins
II		 Treble 23 22 7 5 97%
Violas 24 23 7 6 96%
View all 13 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violins
II		 Treble 23 22 7 5 97%
Violas 24 23 7 6 96%
Violins
I		 Treble 29 8 8 5 81%
Bassoons Bass 29 17 9 4 75%
Violoncellos Bass 20 0 6 6 72%
Oboes Treble 21 18 6 6 68%
Clarinets
in
B♭		 Treble 24 23 7 6 63%
Contrabasses Bass 20 0 6 6 60%
Flutes Treble 28 25 9 6 58%
Horns
in
F		 Treble 17 16 4 7 33%
Treble 19 17 5 7 48%
Timpani Bass 3 0 0 5 24%
Trumpets
in
B♭		 Treble 15 13 2 3 21%
 
J. S. Bach: Ein' feste Burg ist unser Gott (BWV 80/I)
BSG
7:36 Est. Play
Time
228 Measures
3,159Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 18 54 7 4 33%
Bass 26 0 10 7 96%
View all 16 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 18 54 7 4 33%
Bass 26 0 10 7 96%
Vcl Bass 26 3 10 7 96%
Tenor Treble 18 0 7 5 86%
Viola 18 0 7 5 86%
Alto Treble 18 0 6 6 84%
Violin
2		 Treble 18 0 6 6 84%
Soprano Treble 18 0 7 5 79%
Violin
1		 Treble 18 0 7 6 79%
Bass Bass 17 0 5 6 71%
Tromba
1		 Treble 14 0 2 6 38%
Ped Bass 10 0 2 5 33%
Trombone Bass 10 0 2 5 33%
Tromba
2,3		 Treble 11 20 1 4 22%
Timpani Bass 2 0 0 3 21%
Oboe Treble 13 16 3 5 20%