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Clef: TrebleTreble
Measures: 60 - 150
Unique Accidentals: 2
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counterpoint
Op. 27 - Double Canon
Bradley de Lucia
2:47 Est. Play
Time
95 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 18 0 3 5 74%
Treble 15 0 2 5 95%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 18 0 3 5 74%
Treble 15 0 2 5 95%
Bass 15 0 2 5 97%
18 0 3 5 77%
 
J.S. Bach: Gute Nacht, o Wesen (BWV 227, #9)
BSG
7:34 Est. Play
Time
106 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor Treble 16 0 5 5 100%
Soprano Treble 18 0 6 6 99%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor Treble 16 0 5 5 100%
Soprano Treble 18 0 6 6 99%
Treble 16 0 5 5 98%
Alto Treble 12 0 2 3 36%
 
J.S. Bach, Well Tempered Clavier Book I, Fugue 8 in D-sharp Minor
sjforman
2:54 Est. Play
Time
87 Measures
2,284Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 31 0 4 8 99%
Bass 30 0 5 5 46%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 31 0 4 8 99%
Bass 30 0 5 5 46%
Soprano Treble 19 0 2 7 99%
Alto Treble 26 0 3 8 50%
Bass Bass 30 0 5 5 46%
 
J.S. Bach: Wohl mir, daß ich Jesum habe (“Jesu, Joy of Man's Desiring”, BWV 147 #6)
BSG
3:40 Est. Play
Time
71 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pipe
Organ		 Treble 12 0 3 5 69%
Bass 16 0 3 6 100%
View all 11 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pipe
Organ		 Treble 12 0 3 5 69%
Bass 16 0 3 6 100%
Bass 8 0 1 3 45%
Cello Bass 16 0 3 5 100%
Violin Treble 22 0 7 3 94%
Treble 16 0 3 4 94%
Viola 13 0 2 5 94%
Alto Treble 8 0 2 3 45%
Bass Bass 14 0 1 3 45%
Soprano Treble 7 0 1 5 45%
Tenor Treble 8 0 1 3 45%
 
J. S. Bach: Ich elender Mensch (BWV 48, #1)
BSG
6:54 Est. Play
Time
139 Measures
2,205Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabass Bass 26 0 9 3 100%
Vc/Cb Bass 26 0 9 3 100%
View all 11 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabass Bass 26 0 9 3 100%
Vc/Cb Bass 26 0 9 3 100%
Viola 21 0 8 4 92%
Violin
1		 Treble 27 0 9 4 92%
Violin
2		 Treble 19 0 6 4 92%
Soprano Treble 19 0 6 6 52%
Tenor Treble 20 0 7 5 51%
Alto Treble 19 0 6 6 48%
Bass Bass 18 0 6 6 47%
C
Trumpet		 Treble 9 0 1 5 31%
2
Oboi		 Treble 9 0 2 5 30%
 
Prelude and Fugue on Tchaikovsky : Hermit of Frolovskoye (chahf) Orchestral Version
penne vodka
4:41 Est. Play
Time
94 Measures
2,285Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violins
II		 Treble 23 22 7 5 97%
Violas 24 23 7 6 96%
View all 13 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violins
II		 Treble 23 22 7 5 97%
Violas 24 23 7 6 96%
Violins
I		 Treble 29 8 8 5 81%
Bassoons Bass 29 17 9 4 75%
Violoncellos Bass 20 0 6 6 72%
Oboes Treble 21 18 6 6 68%
Clarinets
in
B♭		 Treble 24 23 7 6 63%
Contrabasses Bass 20 0 6 6 60%
Flutes Treble 28 25 9 6 58%
Horns
in
F		 Treble 17 16 4 7 33%
Treble 19 17 5 7 48%
Timpani Bass 3 0 0 5 24%
Trumpets
in
B♭		 Treble 15 13 2 3 21%
 
Counter Point to Niji To Taiyou no Oka, "A Hill with a Rainbox and Sun".
Threespot@aol.com
4:10 Est. Play
Time
119 Measures
1,628Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
B♭
Clarinet,
Clarinet		 Treble 19 0 7 9 87%
Winds,
Bright
Flute		 Treble 33 0 7 13 85%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
B♭
Clarinet,
Clarinet		 Treble 19 0 7 9 87%
Winds,
Bright
Flute		 Treble 33 0 7 13 85%
Oboe Treble 17 0 4 9 85%
Viola 22 0 3 11 83%
Violoncello Bass 18 0 2 9 82%
Erhu,
Fiddle		 Treble 17 0 2 8 80%
Contrabass Bass 18 0 2 9 79%
Piccolo
Trumpet		 Treble 29 0 16 8 60%
Horn
in
F		 Treble 31 0 17 8 54%
B♭
Clarinet,
Clarinet
Bright		 Treble 18 0 3 9 30%
 
counterpoint
louisb123
1:20 Est. Play
Time
60 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 13 0 2 3 100%
Bass 13 0 2 5 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 13 0 2 3 100%
Bass 13 0 2 5 100%
 
Es ist das Heil (Eingangschor) (di BSG, 1994, 2001)
BSG
8:12 Est. Play
Time
83 Measures
4,627Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Treble 24 80 8 6 85%
Bass 21 0 6 6 100%
View all 13 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Treble 24 80 8 6 85%
Bass 21 0 6 6 100%
CB Bass 21 0 6 6 100%
Vcl Bass 21 0 6 6 100%
Viola 20 0 7 7 100%
Vn
1		 Treble 23 0 9 8 100%
Vn
2		 Treble 20 0 6 6 100%
Flute Treble 27 0 10 10 99%
Bass Bass 18 0 6 6 49%
Sop Treble 16 0 5 6 49%
Alto Treble 16 0 5 5 48%
Ten Treble 12 0 2 5 42%
Tenor
Trombone		 Treble 12 0 2 6 42%
 
The Emptiness In-Between
dmutters
5:24 Est. Play
Time
119 Measures
1,533Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 22 17 9 8 85%
Bass 15 0 3 3 90%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 22 17 9 8 85%
Bass 15 0 3 3 90%
Bass 21 33 6 5 88%
Bass
Guitar		 Bass 22 30 6 6 60%
Electric
Guitar		 Treble 26 36 8 9 59%
12-string
Guitar		 Treble 28 33 3 7 55%
Tenor/Bass Bass 12 0 2 6 41%
Soprano/Alto Treble 10 0 2 6 38%
Lead
Vocals		 Treble 10 0 2 6 32%