Play Along Piano

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chorus

N° 35, Hail Great Parent, The Fairy Queen, Henry Purcell

FranckM.

1:45	Est. Play Time
61	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		18	50	4	6	100%
		24	19	3	6	100%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		18	50	4	6	100%
		24	19	3	6	100%
Basse		13	0	2	5	84%
Soprano		8	0	1	6	79%
Ténor		9	0	1	7	79%
Alto		10	0	1	7	77%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 11/16 Acte 2 : Coro « Bravo Dulcamara » - BASSE

Papibois

1:06	Est. Play Time
44	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		20	23	5	6	88%
		22	21	4	6	88%
View all 10 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		20	23	5	6	88%
		22	21	4	6	88%
Basse		9	0	4	3	64%
Tenor 1		9	0	2	3	64%
Tenor 2		9	0	2	3	64%
Soprano 1		8	0	1	2	60%
Soprano 2		7	0	1	2	60%
Dulcamara		12	0	4	4	57%
Adina		7	0	1	3	43%
Belcore		6	0	1	3	14%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 11/16 Acte 2 : Coro « Bravo Dulcamara » -SOPRANO 1

Papibois

1:06	Est. Play Time
44	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		20	23	5	6	88%
		22	21	4	6	88%
View all 10 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		20	23	5	6	88%
		22	21	4	6	88%
Basse		9	0	4	3	64%
Tenor 1		9	0	2	3	64%
Tenor 2		9	0	2	3	64%
Soprano 1		8	0	1	2	60%
Soprano 2		7	0	1	2	60%
Dulcamara		12	0	4	4	57%
Adina		7	0	1	3	43%
Belcore		6	0	1	3	14%

Messiah| No.12: For Unto Us A Child Is Born

Pete Alan

3:18	Est. Play Time
99	Measures
	4,950Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Fagott		19	0	3	6	100%
Violoncellos		19	0	3	6	100%
View all 13 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Fagott		19	0	3	6	100%
Violoncellos		19	0	3	6	100%
Cembalo		26	113	4	6	92%
		25	68	3	6	96%
Violins		14	0	2	6	77%
		19	0	3	7	81%
		19	0	3	7	81%
Oboe		13	0	2	8	72%
		16	0	2	8	72%
Alto		12	0	2	7	66%
Soprano		13	0	2	7	66%
Tenor		12	0	2	7	61%
Bass		16	0	3	6	58%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 11/16 Acte 2 : Coro « Bravo Dulcamara » - SOPRANO 2

Papibois

1:06	Est. Play Time
44	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		20	23	5	6	88%
		22	21	4	6	88%
View all 10 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		20	23	5	6	88%
		22	21	4	6	88%
Basse		9	0	4	3	64%
Tenor 1		9	0	2	3	64%
Tenor 2		9	0	2	3	64%
Soprano 1		8	0	1	2	60%
Soprano 2		7	0	1	2	60%
Dulcamara		12	0	4	4	57%
Adina		7	0	1	3	43%
Belcore		6	0	1	3	14%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 11/16 Acte 2 : Coro « Bravo Dulcamara » - TENOR 1

Papibois

1:06	Est. Play Time
44	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		20	23	5	6	88%
		22	21	4	6	88%
View all 10 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		20	23	5	6	88%
		22	21	4	6	88%
Basse		9	0	4	3	64%
Tenor 1		9	0	2	3	64%
Tenor 2		9	0	2	3	64%
Soprano 1		8	0	1	2	60%
Soprano 2		7	0	1	2	60%
Dulcamara		12	0	4	4	57%
Adina		7	0	1	3	43%
Belcore		6	0	1	3	14%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 11/16 Acte 2 : Coro « Bravo Dulcamara » - TENOR 2

Papibois

1:06	Est. Play Time
44	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		20	23	5	6	88%
		22	21	4	6	88%
View all 10 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		20	23	5	6	88%
		22	21	4	6	88%
Basse		9	0	4	3	64%
Tenor 1		9	0	2	3	64%
Tenor 2		9	0	2	3	64%
Soprano 1		8	0	1	2	60%
Soprano 2		7	0	1	2	60%
Dulcamara		12	0	4	4	57%
Adina		7	0	1	3	43%
Belcore		6	0	1	3	14%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 11/16 Acte 2 : Coro « Bravo Dulcamara »

Papibois

1:06	Est. Play Time
44	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		20	23	5	6	88%
		22	21	4	6	88%
View all 10 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		20	23	5	6	88%
		22	21	4	6	88%
Basse		9	0	2	3	64%
Ténor 1		9	0	2	3	64%
Ténor 2		9	0	2	3	64%
Soprano 1		8	0	1	2	60%
Soprano 2		7	0	1	2	60%
Dulcamara		12	0	4	4	57%
Adina		7	0	1	3	43%
Belcore		6	0	1	3	14%

HWV56N22 - Behold the Lamb of God!

edward.maurath

3:15	Est. Play Time
32	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		18	60	6	9	100%
		16	25	3	7	97%
View all 11 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		18	60	6	9	100%
		16	25	3	7	97%
Violin I		17	0	3	8	100%
Violin II		20	0	4	11	100%
Cello		16	0	3	7	97%
Viola		16	0	3	11	97%
VNE		16	0	3	7	97%
Alto		13	0	3	7	81%
Soprano		13	0	3	9	81%
Basso		15	0	3	7	75%
Tenore		14	0	4	8	75%

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