Play Along Piano

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chorale

BWV 639 — string arrangement for beginners

3:05	Est. Play Time
19	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
VC	24	9	3	100%
Vn	9	0	7	100%
Vn/Va	19	6	2	100%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
VC	24	9	3	100%
Vn	9	0	7	100%
Vn/Va	19	6	2	100%

Daily Compositions 1-9 with Corrections

StephenM

4:19	Est. Play Time
83	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	24	0	12	8	78%
	30	0	8	6	78%
View all 8 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	24	12	8	78%
	30	8	6	78%
Harpsichord	22	4	7	36%
	21	6	5	36%
Violin	17	5	3	20%
Violoncello	20	4	4	20%
Men	14	1	3	18%
Women	15	1	3	18%

Daily Composition #5

StephenM

0:26	Est. Play Time
9	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		17	0	5	3	100%
T B		20	0	3	3	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		17	0	5	3	100%
T B		20	0	3	3	100%

J.S. Bach: Gute Nacht, o Wesen (BWV 227, #9)

BSG

7:34	Est. Play Time
106	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor	16	0	5	5	100%
Soprano	18	0	6	6	99%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor	16	5	5	100%
Soprano	18	6	6	99%
	16	5	5	98%
Alto	12	2	3	36%

J.S. Bach: Chorale: Betrübtes Herz, sei wohlgemut (BWV 428) with full analysis

BSG

1:00	Est. Play Time
16	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	11	0	3	5	100%
Bass	17	0	5	3	100%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	11	3	5	100%
Bass	17	5	3	100%
Contrabass	17	5	3	100%
Soprano	8	0	4	100%
Tenor	9	1	4	100%

Daily Composition #4

StephenM

0:27	Est. Play Time
9	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		18	0	6	3	100%
T B		19	0	4	3	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		18	0	6	3	100%
T B		19	0	4	3	100%

J.S. Bach: Wohl mir, daß ich Jesum habe (“Jesu, Joy of Man's Desiring”, BWV 147 #6)

BSG

3:40	Est. Play Time
71	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ	12	0	3	5	69%
	16	0	3	6	100%
View all 11 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ	12	3	5	69%
	16	3	6	100%
	8	1	3	45%
Cello	16	3	5	100%
Violin	22	7	3	94%
	16	3	4	94%
Viola	13	2	5	94%
Alto	8	2	3	45%
Bass	14	1	3	45%
Soprano	7	1	5	45%
Tenor	8	1	3	45%

In Dulci Jubilo

Martin B

0:24	Est. Play Time
32	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	7	1	5	100%
Soprano	6	0	5	100%
Tenor	9	2	3	100%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	7	1	5	100%
Soprano	6	0	5	100%
Tenor	9	2	3	100%

Doxology Chorale

Mdlou99

0:27	Est. Play Time
16	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
BaccidentalFlat Trumpet	12	0	3	3	100%
	14	8	2	2	100%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
BaccidentalFlat Trumpet	12	0	3	3	100%
	14	8	2	2	100%
Alto Saxophone	21	14	4	3	100%
BaccidentalFlat Clarinet	21	14	3	2	100%
BaccidentalFlat Tuba	18	12	5	4	100%
Baritone Horn	17	4	4	3	100%
Baritone Saxophone	10	2	3	3	100%
Bass Clarinet	17	4	4	3	100%
Contrabass Clarinet	16	9	4	3	100%
F Mellophone	13	0	3	3	100%
Flute	21	13	3	2	100%
Trombone	18	7	2	3	100%

Abide With Me

C-Crafted

0:43	Est. Play Time
17	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
B♭ Trumpet	8	0	1	3	100%
	7	0	2	3	100%
View all 6 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
B♭ Trumpet	8	1	3	100%
	7	2	3	100%
Euphonium	9	0	5	100%
	8	0	4	100%
Mellophone	8	0	4	100%
Tuba	9	0	5	100%

Chorale No. 7

Sakura

0:01	Est. Play Time
12	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto Saxophone	8	0	1	2	100%
B♭ Clarinet	9	0	2	2	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto Saxophone	8	1	2	100%
B♭ Clarinet	9	2	2	100%
Flute	7	1	1	100%
Trombone	7	0	2	100%

Georg Böhm (1661-1733): Vater unser im Himmelreich

BSG

4:00	Est. Play Time
40	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Recorder	24	0	8	3	100%
Pan Flute	26	16	7	6	95%
Oboe	20	0	6	8	89%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Recorder	24	0	8	3	100%
Pan Flute	26	16	7	6	95%
Oboe	20	0	6	8	89%

J.S. Bach: Gute Nacht, o Wesen (BWV 227, #9) (trsc. for organ)(Hauptwerk/Sonus Paradisi Doesburg)

BSG

7:34	Est. Play Time
106	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon	16	5	5	100%
Pan Flute	20	8	6	99%
C Trumpet	12	2	3	36%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon	16	5	5	100%
Pan Flute	20	8	6	99%
C Trumpet	12	2	3	36%

75. Ein' feste Burg ist unser Gott, J.S. Bach, Luther. B.A. 39. No 50. BWV 303.

SDG

0:55	Est. Play Time
13	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		13	0	2	3	100%
Tenor/Bass		17	0	3	2	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		13	0	2	3	100%
Tenor/Bass		17	0	3	2	100%

Greensleeves SATB Arrangement

Cornelius Dybdahl

1:17	Est. Play Time
17	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		16	0	3	5	100%
		13	0	2	3	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		16	0	3	5	100%
		13	0	2	3	100%

J. S. Bach: Sei nun wieder zufrieden, meine Seele (BWV 21, #9)

BSG

9:04	Est. Play Time
216	Measures
	5,056Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Org. Cto.	21	87	7	3	92%
	22	0	6	4	100%
View all 15 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Org. Cto.	21	87	7	3	92%
	22	0	6	4	100%
Contrabass	22	0	6	4	100%
Vcl	22	0	6	4	100%
Alto	18	0	6	6	91%
Basso	19	0	6	5	86%
Soprano	14	0	4	6	78%
Tenor	14	0	4	5	75%
Trombone	17	1	6	6	53%
	21	8	6	5	57%
Viola	14	0	4	5	46%
Violin 2	17	0	6	6	44%
Bassoon	18	0	5	4	41%
Oboe	10	0	3	3	29%
Violin 1	9	0	2	1	27%