Play Along Piano

Tags

chorale

27. Auf meinen lieben Gott. BWV 136.6. Johann Sebastian Bach

SDG

0:43	Est. Play Time
13	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin		13	0	2	4	100%
		11	0	2	4	50%
View all 10 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin		13	0	2	4	100%
		11	0	2	4	50%
Horn in F		6	0	0	4	100%
Oboe		6	0	0	4	100%
Soprano/Alto		14	0	2	4	100%
Tenor/Bass		22	0	4	5	100%
Viola		10	0	2	5	100%
Contrabass		18	0	3	3	45%
Violoncello		18	0	3	3	45%
Tenor		2	0	0	1	8%

Chorale in G Major

Frinment

0:42	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bass		8	0	1	4	100%
Soprano		9	0	3	5	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bass		8	0	1	4	100%
Soprano		9	0	3	5	100%
Tenor		10	0	3	5	100%
Alto		9	0	2	5	75%

264. Nun komm, der Heiden Heiland. BWV 36/8.

SDG

0:28	Est. Play Time
8	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		13	0	3	4	100%
Tenor/Bass		18	0	4	5	100%
Contrabass		11	0	2	3	53%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		13	0	3	4	100%
Tenor/Bass		18	0	4	5	100%
Contrabass		11	0	2	3	53%

234. Lobt Gott, ihr Christen allzugleich. BWV 376.

SDG

0:01	Est. Play Time
11	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		13	0	1	4	100%
Tenor/Bass		15	0	2	4	100%
Contrabass		12	0	2	3	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		13	0	1	4	100%
Tenor/Bass		15	0	2	4	100%
Contrabass		12	0	2	3	50%

230. Lobe den Herren, den mächtigen König der Ehren. BWV 137/5, BWV 120a.

SDG

0:50	Est. Play Time
13	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin		9	0	2	5	50%
		8	0	0	7	100%
View all 10 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin		9	0	2	5	50%
		8	0	0	7	100%
C Trumpet		12	0	2	6	100%
Soprano		8	0	0	7	100%
Soprano/Alto		14	0	2	7	100%
Tenor/Bass		16	0	1	5	100%
Viola		9	0	1	4	100%
Timpani		2	0	0	6	89%
Contrabass		12	0	0	5	51%
Violoncello		12	0	0	5	51%

238. Mach's mit mir, Gott, nach deiner Güt' (Wohl dem, der sich auf seinen Gott). BWV 139/6.

SDG

0:46	Est. Play Time
10	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		11	0	0	4	100%
Tenor/Bass		15	0	2	3	100%
Contrabass		13	0	2	2	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		11	0	0	4	100%
Tenor/Bass		15	0	2	3	100%
Contrabass		13	0	2	2	50%

233. Lobt Gott, ihr Christen allzugleich. BWV 375

SDG

0:32	Est. Play Time
11	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		11	0	2	4	100%
Tenor/Bass		17	0	3	5	100%
Contrabass		13	0	2	4	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		11	0	2	4	100%
Tenor/Bass		17	0	3	5	100%
Contrabass		13	0	2	4	50%

86. Es ist das Heil uns kommen her. BWV 86 #6.

SDG

0:50	Est. Play Time
12	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	3	3	100%
Tenor/Bass		18	0	4	4	100%
Contrabass		13	0	2	3	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	3	3	100%
Tenor/Bass		18	0	4	4	100%
Contrabass		13	0	2	3	50%

138. Herr, ich habe missgehandelt. BWV 331.

SDG

0:50	Est. Play Time
10	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		13	0	2	5	100%
Tenor/Bass		15	0	3	6	100%
Contrabass		12	0	2	4	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		13	0	2	5	100%
Tenor/Bass		15	0	3	6	100%
Contrabass		12	0	2	4	50%

247. Meinen Jesum lass' ich nicht (Jesum lass' ich nicht von mir). BWV 244b/29.

SDG

0:42	Est. Play Time
13	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		15	0	3	5	100%
Tenor/Bass		21	0	3	4	100%
Contrabass		17	0	2	3	55%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		15	0	3	5	100%
Tenor/Bass		21	0	3	4	100%
Contrabass		17	0	2	3	55%

255. Nun bitten wir den heiligen Geist (Du süsse Lieb', schenk' uns deine Gunst). Trauungscantate. BWV 197/5.

SDG

0:50	Est. Play Time
15	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		16	0	3	5	100%
Tenor/Bass		17	0	4	6	100%
Contrabass		13	0	2	5	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		16	0	3	5	100%
Tenor/Bass		17	0	4	6	100%
Contrabass		13	0	2	5	50%

244. Meinen Jesum lass' ich nicht. BWV 154/8.

SDG

0:42	Est. Play Time
13	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		13	0	1	4	100%
Tenor/Bass		17	0	2	3	100%
Contrabass		13	0	2	3	54%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		13	0	1	4	100%
Tenor/Bass		17	0	2	3	100%
Contrabass		13	0	2	3	54%

111. Gib dich zufrieden und sei stille. BWV 315.

SDG

0:58	Est. Play Time
14	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		16	0	4	5	100%
Tenor/Bass		16	0	3	4	100%
Contrabass		13	0	2	4	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		16	0	4	5	100%
Tenor/Bass		16	0	3	4	100%
Contrabass		13	0	2	4	50%

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