Play Along Piano

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The Ring

Jamie Holdham

0:07	Est. Play Time
32	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
I. Violinen. II.	10	0	0	2	80%
BRATSCHEN.	5	0	0	2	80%
View all 16 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
I. Violinen. II.	10	0	2	80%
BRATSCHEN.	5	0	2	80%
Violins	10	0	2	80%
Oboe	2	0	2	60%
	2	0	1	40%
3 Klarinetten in A.	2	0	2	60%
Englisch Horn.	2	0	2	60%
A Clarinet	2	0	2	40%
	2	0	1	40%
3 HOBOEN.	2	0	1	40%
BaBklarinette in A.	2	2	2	40%
Violoncelle.	5	0	2	40%
2 groBe Floten.	2	0	1	20%
2 kleine Floten.	2	0	1	20%
Flute	2	0	1	20%
Piccolo	2	0	1	20%

Jamie Holdham

2:15	Est. Play Time
27	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
12 VIOLONCELLE.	24	0	10	4	70%
1 CONTRABASS- TUBA. (C.)	6	0	1	3	67%
View all 27 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
12 VIOLONCELLE.	24	0	10	4	70%
1 CONTRABASS- TUBA. (C.)	6	0	1	3	67%
2.u.3. (B.)	18	21	7	5	66%
12 BRATSCHEN.	17	0	4	5	57%
1. 3 gr.FLOTEN.	9	1	3	5	56%
2 Tenor. (B) 4 TUBEN.	7	2	3	4	53%
2.u.3.	12	10	4	5	48%
	8	6	1	5	52%
	6	0	2	4	33%
1. (B.) 3 CLARINETTEN.	17	0	5	3	52%
1 BASS- CLARINETTE. (B)	13	0	5	4	52%
3.u.4.	15	14	8	5	52%
2 Bass. (F.)	5	4	1	4	50%
3.	15	1	4	5	50%
1.u.2. 4 HORNER.	15	12	8	5	48%
ENGLISCHES HORN.	5	0	2	5	48%
Violins	24	0	9	5	48%
1. 3 TENOR-BASS- POSAUNEN.	7	4	1	4	47%
16 erste 32 VIOLINEN. 16 zweite	22	0	10	4	44%
1.u.2. 3 FAGOTTE.	5	2	2	4	44%
1 BASS-TROMPETE. (Es.)	13	0	5	5	44%
1. 3 HOBOEN.	4	0	0	4	41%
1 CONTRABASS- POSAUNE. (C)	4	0	0	4	33%
8 CONTRABASSE.	5	0	0	4	26%
1. (Es.) 3 TROMPETTEN.	3	0	3	4	22%
2.u.3. (Es.)	4	2	3	3	15%
Pauken.	2	0	1	1	7%

Jamie Holdham

1:57	Est. Play Time
64	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon	2	0	0	1	98%
	1	0	0	1	27%
View all 7 Parts

	Unique Notes	Rhythmic Complexity	Percent Played
Bassoon	2	1	98%
	1	1	27%
Contrabasses	1	1	27%
	2	1	84%
	1	1	27%
Horn in E♭	7	4	35%
	7	4	38%

Jamie Holdham

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violas	10	0	0	5	6%
	35	14	15	11	74%
View all 32 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violas	10	0	0	5	6%
	35	14	15	11	74%
Violoncellos	10	0	0	5	10%
	16	0	2	6	15%
	34	1	13	10	74%
Violins	26	1	8	10	40%
	35	11	15	8	73%
	27	0	8	10	44%
4 HORNER.	26	22	16	9	65%
Horn in D	26	26	15	9	61%
1.	39	5	18	12	59%
2 CLARINETTEN.	29	1	11	11	52%
VIOLONCELLE.	33	1	8	9	52%
BRATSCHEN.	29	0	12	8	51%
2 FAGOTTE.	28	19	13	10	44%
2 HOBOEN.	20	1	6	12	43%
Contrabasses	14	0	6	6	37%
CONTRABASSE.	25	0	9	6	36%
2. grosse FLOTE.	19	0	4	11	35%
Oboe	21	0	8	11	22%
A Clarinet	21	0	8	11	20%
VIOLINEN.	25	0	6	6	12%
2 TROMPETTEN.	6	0	0	7	11%
Glockenspiel.	8	0	0	6	9%
2. kleine FLOTE.	13	0	2	8	8%
E Trumpet	7	0	0	7	8%
Flute	12	0	3	7	7%
Pauken.	2	0	0	3	5%
2.	11	0	1	5	5%
3 POSAUNEN u. TUBA.	3	0	0	3	2%
Trombone	4	2	0	3	2%
Tuba	1	0	0	1	0%

Jamie Holdham

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
3 FAGOTTE.	24	0	11	7	96%
BRATSCHEN.	18	16	8	7	93%
View all 28 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
3 FAGOTTE.	24	0	11	7	96%
BRATSCHEN.	18	16	8	7	93%
Violins	18	14	7	8	91%
VIOLINEN.	27	8	10	6	89%
Violoncelle.	24	0	11	10	88%
1 CONTRABASS- TUBA.	15	0	8	6	52%
BASS-CLARINETTEN.	21	0	10	6	50%
Contrabasse.	19	2	8	7	50%
Oboe	5	0	3	6	21%
	17	9	7	6	46%
Flute	15	2	1	7	45%
	10	0	2	7	19%
B♭ Clarinet	11	0	3	7	19%
	23	6	8	7	43%
1 BASS-TUBA.	11	0	3	5	41%
1 TENOR-TUBA.	7	0	3	4	29%
3 FLOTEN.	10	0	2	7	24%
3 TROMPETTEN.	14	0	5	5	21%
Trombone	2	0	1	2	19%
	2	0	0	2	19%
1 CONTRABASS- POSAUNE.	3	0	0	2	19%
3 HOBOEN.	4	0	1	6	19%
3 Posaunen.	2	0	0	2	19%
Contrabasses	20	0	7	9	19%
3 CLARINETTEN.	9	0	2	7	17%
4 HORNER.	3	0	1	2	11%
Horn in F	2	0	0	2	9%
Bassoon	1	0	0	2	5%

Jamie Holdham

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins	23	1	8	6	66%
BRATSCHEN.	23	2	5	6	66%
View all 29 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins	23	1	8	6	66%
BRATSCHEN.	23	2	5	6	66%
Violoncelle.	21	1	4	7	57%
VIOLINEN.	24	2	8	7	55%
Contrabasse.	12	0	2	5	54%
B♭ Clarinet	2	0	1	2	1%
	12	0	2	5	32%
	17	0	6	6	54%
Horn in F	14	0	1	6	48%
	12	0	0	6	16%
	8	0	0	4	12%
	16	0	0	6	15%
	7	0	0	4	11%
	12	0	0	9	38%
	14	0	1	6	25%
HORNER.(F.) 1.3.5.u.7.	12	0	0	4	33%
CLARINETTEN.	15	0	4	4	32%
FAGOTTE.	5	1	0	7	22%
1 HORN.(F.)	7	0	0	9	21%
Hoboen.	10	0	1	6	15%
Contrabasses	2	0	0	2	14%
3 POSAUNEN	6	0	2	1	12%
CONTRABASS- POSAUNE.	1	0	1	2	12%
CONTRABASS- TUBA.	1	0	1	2	12%
1 STEIERHORN.	1	0	0	3	5%
HORNER. (C.) (verstarkt.)	3	0	0	6	5%
BASS-TROMPETTE.	4	0	1	3	3%
Bassoon	2	1	0	1	3%
TROMPETTE.	4	0	0	3	3%

Jamie Holdham

2:20	Est. Play Time
27	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
12 VIOLONCELLE.	24	0	10	5	70%
1 CONTRABASS- TUBA. (C.)	6	0	1	3	67%
View all 27 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
12 VIOLONCELLE.	24	0	10	5	70%
1 CONTRABASS- TUBA. (C.)	6	0	1	3	67%
2.u.3. (B.)	18	21	7	5	66%
12 BRATSCHEN.	17	0	4	5	57%
1. 3 gr.FLOTEN.	9	1	3	5	56%
2 Tenor. (B) 4 TUBEN.	7	2	3	4	53%
2.u.3.	12	10	4	5	48%
	8	6	1	5	52%
	6	0	2	4	33%
1. (B.) 3 CLARINETTEN.	17	0	5	3	52%
1 BASS- CLARINETTE. (B)	13	0	5	4	52%
3.u.4.	15	14	8	5	52%
2 Bass. (F.)	5	4	1	4	50%
3.	15	1	4	5	50%
1.u.2. 4 HORNER.	15	12	8	5	48%
ENGLISCHES HORN.	5	0	2	5	48%
Violins	24	0	9	5	48%
1. 3 TENOR-BASS- POSAUNEN.	7	4	1	4	47%
16 erste 32 VIOLINEN. 16 zweite	22	0	10	4	44%
1.u.2. 3 FAGOTTE.	5	2	2	4	44%
1 BASS-TROMPETE. (Es.)	13	0	5	4	44%
1. 3 HOBOEN.	4	0	0	4	41%
1 CONTRABASS- POSAUNE. (C)	4	0	0	4	33%
8 CONTRABASSE.	5	0	0	4	26%
1. (Es.) 3 TROMPETTEN.	3	0	3	4	22%
2.u.3. (Es.)	4	2	3	3	15%
Pauken.	2	0	1	1	7%