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Owlman142

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
BaccidentalFlat Clarinet	11	0	1	4	98%
	12	0	1	4	95%
View all 16 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
BaccidentalFlat Clarinet	11	0	1	4	98%
	12	0	1	4	95%
Flute	13	0	1	4	86%
Piccolo	11	0	1	4	86%
Baritone Saxophone	11	0	1	7	74%
Bass Clarinet	11	0	1	7	74%
Vibraphone	15	0	1	5	72%
BaccidentalFlat Tuba	14	0	2	7	71%
Timpani	5	0	0	7	66%
Alto Saxophone	15	0	2	7	63%
Xylophone	12	0	2	5	59%
Horn	14	1	3	5	58%
Trombone	17	0	2	6	50%
	16	0	3	6	43%
BaccidentalFlat Trumpet	18	11	4	6	50%
Tenor Saxophone	16	0	3	6	41%

Jamie Holdham

0:58	Est. Play Time
119	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
2 CLARINETTEN in B.	17	2	5	6	96%
2 OBOEN.	15	1	5	6	96%
View all 17 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
2 CLARINETTEN in B.	17	2	5	6	96%
2 OBOEN.	15	1	5	6	96%
2 VENTILHORNER in Es.	13	2	3	4	91%
2 VENTILHORNER in F.	16	2	5	6	91%
BRATSCHEN.	16	3	3	6	77%
Violoncelle.	20	0	2	6	68%
2 grosse Floten.	14	2	3	5	61%
2 FAGOTTE.	20	10	6	4	57%
BASSCLARINETTE in B.	14	0	3	4	55%
Contrabasse.	12	0	1	3	55%
Zweite Violinen.	14	3	3	8	55%
Erste Violinen.	19	2	4	7	45%
1te u: 2te VENTILTROMPETE in F.	4	2	0	2	27%
2 TENORPOSAUNEN.	4	2	0	2	27%
3te VENTILTROMPETE.	1	0	0	2	27%
BASSPOSAUNE.	1	0	0	2	27%
Tuba.	2	0	0	2	27%

Jamie Holdham

2:15	Est. Play Time
27	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
12 VIOLONCELLE.	24	0	10	4	70%
1 CONTRABASS- TUBA. (C.)	6	0	1	3	67%
View all 27 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
12 VIOLONCELLE.	24	0	10	4	70%
1 CONTRABASS- TUBA. (C.)	6	0	1	3	67%
2.u.3. (B.)	18	21	7	5	66%
12 BRATSCHEN.	17	0	4	5	57%
1. 3 gr.FLOTEN.	9	1	3	5	56%
2 Tenor. (B) 4 TUBEN.	7	2	3	4	53%
2.u.3.	12	10	4	5	48%
	8	6	1	5	52%
	6	0	2	4	33%
1. (B.) 3 CLARINETTEN.	17	0	5	3	52%
1 BASS- CLARINETTE. (B)	13	0	5	4	52%
3.u.4.	15	14	8	5	52%
2 Bass. (F.)	5	4	1	4	50%
3.	15	1	4	5	50%
1.u.2. 4 HORNER.	15	12	8	5	48%
ENGLISCHES HORN.	5	0	2	5	48%
Violins	24	0	9	5	48%
1. 3 TENOR-BASS- POSAUNEN.	7	4	1	4	47%
16 erste 32 VIOLINEN. 16 zweite	22	0	10	4	44%
1.u.2. 3 FAGOTTE.	5	2	2	4	44%
1 BASS-TROMPETE. (Es.)	13	0	5	5	44%
1. 3 HOBOEN.	4	0	0	4	41%
1 CONTRABASS- POSAUNE. (C)	4	0	0	4	33%
8 CONTRABASSE.	5	0	0	4	26%
1. (Es.) 3 TROMPETTEN.	3	0	3	4	22%
2.u.3. (Es.)	4	2	3	3	15%
Pauken.	2	0	1	1	7%

Jamie Holdham

1:03	Est. Play Time
29	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Hoboen.	18	13	5	8	100%
Klarinetten in B.	18	16	5	8	100%
View all 15 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Hoboen.	18	13	5	8	100%
Klarinetten in B.	18	16	5	8	100%
Floten.	18	4	5	8	97%
I. Violinen	28	2	5	11	97%
Bratsche.	22	2	4	10	97%
II.	22	15	5	11	95%
III IV in D.	17	12	3	7	95%
Violoncello.	17	1	1	9	93%
Flute	17	2	4	8	90%
Fagotte.	13	7	2	4	87%
I II in F. Hr.	16	15	5	7	75%
KontrabaB.	15	0	1	4	59%
Trompetten in D.	6	0	0	5	50%
Kleinen Floten.	10	0	2	4	31%
Oboe	9	0	2	5	14%

Jamie Holdham

2:20	Est. Play Time
27	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
12 VIOLONCELLE.	24	0	10	5	70%
1 CONTRABASS- TUBA. (C.)	6	0	1	3	67%
View all 27 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
12 VIOLONCELLE.	24	0	10	5	70%
1 CONTRABASS- TUBA. (C.)	6	0	1	3	67%
2.u.3. (B.)	18	21	7	5	66%
12 BRATSCHEN.	17	0	4	5	57%
1. 3 gr.FLOTEN.	9	1	3	5	56%
2 Tenor. (B) 4 TUBEN.	7	2	3	4	53%
2.u.3.	12	10	4	5	48%
	8	6	1	5	52%
	6	0	2	4	33%
1. (B.) 3 CLARINETTEN.	17	0	5	3	52%
1 BASS- CLARINETTE. (B)	13	0	5	4	52%
3.u.4.	15	14	8	5	52%
2 Bass. (F.)	5	4	1	4	50%
3.	15	1	4	5	50%
1.u.2. 4 HORNER.	15	12	8	5	48%
ENGLISCHES HORN.	5	0	2	5	48%
Violins	24	0	9	5	48%
1. 3 TENOR-BASS- POSAUNEN.	7	4	1	4	47%
16 erste 32 VIOLINEN. 16 zweite	22	0	10	4	44%
1.u.2. 3 FAGOTTE.	5	2	2	4	44%
1 BASS-TROMPETE. (Es.)	13	0	5	4	44%
1. 3 HOBOEN.	4	0	0	4	41%
1 CONTRABASS- POSAUNE. (C)	4	0	0	4	33%
8 CONTRABASSE.	5	0	0	4	26%
1. (Es.) 3 TROMPETTEN.	3	0	3	4	22%
2.u.3. (Es.)	4	2	3	3	15%
Pauken.	2	0	1	1	7%

Jamie Holdham

1:03	Est. Play Time
29	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Hoboen.	18	13	5	8	100%
Klarinetten in B.	18	16	5	8	100%
View all 15 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Hoboen.	18	13	5	8	100%
Klarinetten in B.	18	16	5	8	100%
Floten.	18	4	5	8	97%
I. Violinen	28	2	5	11	97%
Bratsche.	22	2	4	10	97%
II.	22	15	5	11	95%
III IV in D.	17	12	3	7	95%
Violoncello.	17	1	1	9	93%
Flute	17	2	4	8	90%
Fagotte.	13	7	2	4	87%
I II in F. Hr.	16	15	5	7	75%
KontrabaB.	15	0	1	4	59%
Trompetten in D.	6	0	0	5	50%
Kleinen Floten.	10	0	2	4	31%
Oboe	9	0	2	5	14%

Jamie Holdham

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violas	19	13	12	9	81%
1. Halfte. Br. 2. Halfte.	21	14	12	7	73%
View all 38 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violas	19	13	12	9	81%
1. Halfte. Br. 2. Halfte.	21	14	12	7	73%
Viol.I. 2. Halfte.	20	12	9	6	71%
Viol.II. 2. Halfte.	16	11	9	6	71%
Fag.	18	23	11	5	70%
in E.	19	0	11	5	59%
Klar. in B.	19	4	11	9	57%
Horn in F	19	0	11	8	56%
in F.	15	0	8	8	53%
in F. Hr. in E.	19	0	8	7	52%
BaBkl. in B.	14	0	6	5	51%
B♭ Clarinet	16	0	9	7	47%
1 Vcl. (allein)	21	1	12	7	46%
Hob.	21	0	13	7	43%
2 I.VI.	21	3	6	9	31%
	19	1	8	9	36%
Violoncellos	9	2	4	6	36%
Bassoon	15	0	10	5	35%
Engl.H.	15	0	7	7	35%
Oboe	12	0	8	7	33%
1. Halfte. Vcl. 2. Halfte.	12	2	5	6	31%
Viol.I.	31	2	17	10	28%
3 Gr.Fl.	13	4	8	7	27%
I. II. K.B. III. IV.	8	0	4	4	19%
Pk.	4	0	1	2	16%
Contrabasses	6	0	2	4	15%
2 II.VI.	11	0	6	4	8%
	13	2	4	6	14%
Flute	1	0	0	3	5%
	8	0	4	5	13%
Hrfe.	26	1	15	4	13%
	18	1	15	3	11%
Trombone	15	8	8	5	12%
I. Pos. II.III.	8	0	5	4	11%
1 Br. (allein)	21	0	13	6	11%
Viol.II.	12	0	9	6	4%
Viola	20	0	10	3	4%
B.T.	3	0	1	2	4%