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Unique Accidentals: 1

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Renaissance
Claude Sermisy - Tant Que Vivray, for voice and guitar
Daniel Rubin
1:36 Est. Play
Time
22 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Classical
Guitar		 Treble 17 36 1 6 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Classical
Guitar		 Treble 17 36 1 6 100%
 
In Veritas
Jesse David Sykes
1:12 Est. Play
Time
36 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Baritone Bass 12 0 1 6 97%
Tenor Treble 11 0 2 6 94%
Alto Treble 10 0 1 6 89%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Baritone Bass 12 0 1 6 97%
Tenor Treble 11 0 2 6 94%
Alto Treble 10 0 1 6 89%
 
O beata Maria (P. Guerrero)
rinirini
1:38 Est. Play
Time
49 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano Treble 9 0 0 6 100%
Alto Treble 12 0 1 6 98%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano Treble 9 0 0 6 100%
Alto Treble 12 0 1 6 98%
Tenor Treble 9 0 0 6 92%
Bass Bass 9 0 0 6 90%
 
Anthony Holborne - The Fairy round - for recorder and guitar
Daniel Rubin
1:12 Est. Play
Time
24 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Classical
Guitar		 Treble 21 30 2 7 100%
Recorder Treble 12 0 1 6 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Classical
Guitar		 Treble 21 30 2 7 100%
Recorder Treble 12 0 1 6 100%
 
POPULE MEUS - Tomás Luis de Victoria (1548-1611)
collantes
1:30 Est. Play
Time
35 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 8 0 1 6 100%
Bass Bass 9 0 0 6 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 8 0 1 6 100%
Bass Bass 9 0 0 6 100%
Soprano Treble 10 0 1 6 100%
Tenor Treble 9 0 1 6 100%
 
Morley - April is in my Mistress' Face
CNeitsch
1:16 Est. Play
Time
38 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano Treble 9 0 2 4 100%
Alto Treble 8 0 2 5 97%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano Treble 9 0 2 4 100%
Alto Treble 8 0 2 5 97%
Tenor Treble 8 0 1 4 92%
Bass Bass 11 0 2 5 89%
 
Now is the month of maying
eNTe 1
0:50 Est. Play
Time
19 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
1. 9 0 1 5 100%
2. Bass 7 0 2 5 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
1. 9 0 1 5 100%
2. Bass 7 0 2 5 100%
3. Bass 10 0 1 5 100%
4. Bass 10 0 1 5 100%
5. Bass 10 0 1 5 100%
 
Thomas Morley - La Sampogna, for alto recorders
Daniel Rubin
2:07 Est. Play
Time
43 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto
Recorder		 Treble 10 0 1 7 98%
Treble 16 0 4 6 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto
Recorder		 Treble 10 0 1 7 98%
Treble 16 0 4 6 100%
 
Tourdion
CONEJO
0:48 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 8 0 0 3 100%
Bass Bass 7 0 0 2 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 8 0 0 3 100%
Bass Bass 7 0 0 2 100%
Soprano Treble 9 0 1 4 100%
Tenor Treble 8 0 1 3 100%
 
LA Gamba
Debberg
0:54 Est. Play
Time
18 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Blokfluit Treble 11 0 1 7 100%
Treble 5 0 0 3 100%
Bass 16 0 4 6 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Blokfluit Treble 11 0 1 7 100%
Treble 5 0 0 3 100%
Bass 16 0 4 6 100%