| 5:20 | Est. Play Time |
| 51 | Measures |
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Harpsichord |  |
19 | 40 | 3 | 8 | 70% |
 |
23 | 24 | 4 | 5 | 100% | |
| View all 9 Parts | ||||||
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Harpsichord | |
19 | 40 | 3 | 8 | 70% |
|
23 | 24 | 4 | 5 | 100% | |
| Violoncello | |
20 | 0 | 3 | 5 | 100% |
| Mirtillo | 17 | 0 | 6 | 6 | 76% | |
| Contrabasses | |
8 | 0 | 0 | 5 | 10% |
| Viola | 9 | 0 | 0 | 4 | 10% | |
| Violins 1 |
|
9 | 0 | 0 | 5 | 10% |
| Violins 2 |
|
10 | 0 | 0 | 4 | 10% |
| Violoncellos | |
8 | 0 | 0 | 5 | 10% |
| 2:58 | Est. Play Time |
| 77 | Measures |
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Harpsichord | |
19 | 24 | 6 | 8 | 97% |
|
22 | 28 | 5 | 6 | 100% | |
| View all 9 Parts | ||||||
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Harpsichord | |
19 | 24 | 6 | 8 | 97% |
|
22 | 28 | 5 | 6 | 100% | |
| Violoncello (Continuo) | |
19 | 0 | 3 | 6 | 100% |
| Alto as Dorinda |
15 | 0 | 4 | 8 | 78% | |
| Contrabasses | |
8 | 0 | 0 | 3 | 8% |
| Viola | 10 | 0 | 0 | 3 | 8% | |
| Violins
I |
|
11 | 0 | 0 | 5 | 8% |
| Violins
II |
|
10 | 0 | 0 | 3 | 8% |
| Violoncellos | |
8 | 0 | 0 | 3 | 8% |
| 0:52 | Est. Play Time |
| 16 | Measures |
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Rodrigo | |
11 | 0 | 2 | 3 | 94% |
| Lute (Continuo) | |
9 | 10 | 2 | 1 | 88% |
| View all 6 Parts | ||||||
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Rodrigo | |
11 | 0 | 2 | 3 | 94% |
| Lute (Continuo) | |
9 | 10 | 2 | 1 | 88% |
|
18 | 17 | 4 | 3 | 88% | |
| Violoncello (Continuo) | |
9 | 0 | 2 | 3 | 88% |
| Cembalo (Continuo) | |
3 | 0 | 0 | 1 | 31% |
|
15 | 9 | 2 | 3 | 44% |
| 0:40 | Est. Play Time |
| 12 | Measures |
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Harp | |
12 | 13 | 3 | 5 | 100% |
|
12 | 10 | 2 | 5 | 92% | |
| View all 14 Parts | ||||||
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Harp | |
12 | 13 | 3 | 5 | 100% |
|
12 | 10 | 2 | 5 | 92% | |
| Organ | |
12 | 13 | 3 | 5 | 100% |
|
12 | 10 | 2 | 5 | 92% | |
| Soprano | 8 | 1 | 1 | 5 | 77% | |
| Bassoon | |
9 | 0 | 0 | 5 | 75% |
|
9 | 0 | 0 | 5 | 75% | |
| Celli | |
7 | 0 | 0 | 5 | 75% |
| Kontrebaß | |
7 | 0 | 0 | 5 | 75% |
| Tenor | 8 | 0 | 3 | 5 | 70% | |
| Bass | |
9 | 0 | 0 | 5 | 67% |
| Viole | 3 | 0 | 0 | 5 | 67% | |
| Violini | |
12 | 0 | 2 | 5 | 67% |
| Oboe | |
9 | 0 | 2 | 5 | 55% |
| 1:14 | Est. Play Time |
| 46 | Measures |
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Piano | |
25 | 43 | 7 | 5 | 100% |
|
24 | 28 | 4 | 4 | 98% | |
| View all 9 Parts | ||||||
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Piano | |
25 | 43 | 7 | 5 | 100% |
|
24 | 28 | 4 | 4 | 98% | |
| Tenor 1 |
|
13 | 0 | 2 | 4 | 93% |
| Tenor 2 |
|
13 | 0 | 3 | 4 | 93% |
| Soprano 1 |
|
15 | 0 | 5 | 4 | 89% |
| Soprano 2 |
|
16 | 0 | 4 | 4 | 89% |
| Basse | |
10 | 1 | 2 | 4 | 87% |
| Gianetta | |
11 | 0 | 0 | 4 | 76% |
| Nemorino | |
11 | 0 | 2 | 4 | 70% |
| 2:13 | Est. Play Time |
| 75 | Measures |
| 1,163Kb |
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Piano | |
29 | 64 | 8 | 5 | 100% |
|
21 | 21 | 1 | 3 | 100% | |
| View all 8 Parts | ||||||
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Piano | |
29 | 64 | 8 | 5 | 100% |
|
21 | 21 | 1 | 3 | 100% | |
| Tenor 1 |
|
13 | 0 | 2 | 4 | 92% |
| Tenor 2 |
|
15 | 0 | 4 | 4 | 92% |
Soprano 1 |
|
16 | 0 | 6 | 4 | 87% |
| Basso | |
10 | 1 | 0 | 4 | 87% |
| Soprano 2 |
|
13 | 0 | 4 | 4 | 87% |
| Gianetta | |
9 | 0 | 0 | 4 | 55% |
| 1:25 | Est. Play Time |
| 32 | Measures |
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Viola. | 16 | 9 | 0 | 5 | 100% | |
| Violoncelli. | |
16 | 1 | 0 | 4 | 100% |
| View all 17 Parts | ||||||
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Viola. | 16 | 9 | 0 | 5 | 100% | |
| Violoncelli. | |
16 | 1 | 0 | 4 | 100% |
| Violini I. |
|
15 | 7 | 1 | 5 | 94% |
| Violini II. |
|
16 | 10 | 0 | 5 | 94% |
| Contrabassi. | |
7 | 0 | 0 | 2 | 84% |
| Arpa. | |
16 | 4 | 0 | 2 | 48% |
|
20 | 7 | 1 | 2 | 79% | |
| LAURETTA. | |
10 | 0 | 0 | 4 | 78% |
| Clarinetti 1. e 2. in Si ♭ |
|
13 | 5 | 0 | 5 | 62% |
| Oboi 1. e 2. |
|
10 | 10 | 1 | 5 | 59% |
| Flauti 1. e 2. |
|
16 | 4 | 0 | 4 | 58% |
| Corni 1. e 2. in FA amp;quot; 3. e 4. amp;quot; |
|
2 | 1 | 0 | 3 | 6% |
|
9 | 1 | 1 | 4 | 51% | |
| Fagotti 1. e 2. |
|
7 | 3 | 1 | 5 | 38% |
| Corno Inglese. |
|
7 | 0 | 0 | 5 | 28% |
| Trombe 1. 2. e 3. in FA |
|
8 | 3 | 1 | 2 | 25% |
| Clarone in Si ♭ |
|
4 | 0 | 0 | 2 | 13% |
| 1:14 | Est. Play Time |
| 46 | Measures |
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Piano | |
25 | 43 | 7 | 5 | 100% |
|
24 | 28 | 4 | 4 | 98% | |
| View all 9 Parts | ||||||
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Piano | |
25 | 43 | 7 | 5 | 100% |
|
24 | 28 | 4 | 4 | 98% | |
| Ténor 1 |
|
13 | 0 | 2 | 4 | 93% |
| Ténor 2 |
|
13 | 0 | 3 | 4 | 93% |
| Soprano 1 |
|
15 | 0 | 4 | 4 | 89% |
| Soprano 2 |
|
16 | 0 | 4 | 4 | 89% |
| Basse | |
10 | 1 | 0 | 4 | 87% |
| Gianetta | |
11 | 0 | 0 | 4 | 76% |
| Nemorino | |
11 | 0 | 2 | 4 | 72% |
