Play Along Piano

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Opera

The Naval Battle

CelticRose

0:14	Est. Play Time
32	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Horn		7	0	2	2	75%
		7	0	2	2	75%
View all 16 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Horn		7	0	2	2	75%
		7	0	2	2	75%
		7	0	2	2	75%
		7	0	2	2	75%
B Trumpet		6	0	2	2	50%
		6	0	2	2	50%
Double Basses		3	0	1	1	50%
Flute		17	0	4	2	50%
Piccolo		17	0	4	2	50%
Timpani		1	0	0	2	50%
Violas		3	0	1	1	50%
Violins 1		17	0	4	2	50%
Violins 2		17	0	4	2	50%
Violoncellos		3	0	1	1	50%
F Tuba		4	0	2	2	25%
Oboe		3	0	1	1	25%

Let The Monster Rise! - Repo! The Genetic Opera

eilidhan

2:11	Est. Play Time
82	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Electric Guitar		4	0	1	1	100%
Violin		11	0	5	6	43%
		16	0	5	6	61%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Electric Guitar		4	0	1	1	100%
Violin		11	0	5	6	43%
		16	0	5	6	61%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 8/16 Acte 1 : Coro Scena 10

Papibois

1:12	Est. Play Time
56	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		22	7	6	7	100%
		28	28	8	7	98%
View all 9 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		22	7	6	7	100%
		28	28	8	7	98%
Belcore		16	0	3	6	63%
Basse		7	0	1	5	38%
Ténor 1		8	0	1	5	36%
Ténor 2		8	0	1	5	32%
Soprano 1		7	0	1	4	16%
Soprano 2		6	0	2	4	16%
Nemorino		5	0	1	4	4%

HWV1A3N11 - Gönne nach den Thränengüssen mir

edward.maurath

1:31	Est. Play Time
24	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo		17	35	6	5	100%
		15	2	3	5	100%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo		17	35	6	5	100%
		15	2	3	5	100%
Bassoon Continuo		14	0	3	5	100%
Bass as Raymondo		17	0	5	8	75%
Oboe		8	0	2	3	71%

Dido and Æneas, No.38: Chorus - With drooping wings

Voorburgs Operakoor

5:24	Est. Play Time
85	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		25	71	11	8	97%
		28	39	10	6	99%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		25	71	11	8	97%
		28	39	10	6	99%
S		14	0	5	7	50%
T		13	0	3	5	50%
A		14	0	4	7	48%
B		14	0	3	5	48%
Dido		16	0	6	9	35%

AÏDA de Verdi : Chœurs Partie 8/10 Acte 3 : Introduzione - SOPRANO Prêtresse

Papibois

3:28	Est. Play Time
62	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		27	25	8	11	94%
		25	14	4	4	69%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		27	25	8	11	94%
		25	14	4	4	69%
Prêtres Bas		10	0	1	10	36%
Prêtres Ten		9	0	1	10	36%
Prêtresses Sop		6	0	1	6	33%
Ramfis		16	0	4	7	23%
Amnéris		7	0	1	7	10%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 1/17 Acte 1 : Coro d’introduzione

Papibois

2:13	Est. Play Time
75	Measures
	1,156Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		29	64	8	5	100%
		21	21	1	3	100%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		29	64	8	5	100%
		21	21	1	3	100%
Tenore 1		13	0	2	4	92%
Ténore 2		15	0	4	4	92%
Soprano 1		16	0	6	4	87%
Basso		10	1	0	4	87%
Soprano 2		13	0	5	4	87%
Gianetta		9	0	0	4	55%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 1/17 Acte 1 : Coro d’introduzione - BASSE

Papibois

2:13	Est. Play Time
75	Measures
	1,171Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		29	64	8	5	100%
		21	21	1	3	100%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		29	64	8	5	100%
		21	21	1	3	100%
Tenor 1		13	0	2	4	92%
Tenor 2		15	0	4	4	92%
Soprano 1		16	0	6	4	87%
Basse		10	1	2	4	87%
Soprano 2		13	0	4	4	87%
Gianetta		9	0	0	4	55%

HWV1A2N28 - Ob dein Mund wie Plutons Rachen

edward.maurath

5:23	Est. Play Time
49	Measures
	1,182Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon Continuo		18	0	4	3	96%
Oboe 1		16	0	3	6	95%
View all 11 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon Continuo		18	0	4	3	96%
Oboe 1		16	0	3	6	95%
Cembalo Continuo		15	20	4	6	77%
		20	2	4	3	89%
Oboe 2		15	0	3	5	89%
Viola		15	0	0	3	80%
Violin 1		19	0	1	6	80%
Violoncello Continuo		15	0	1	3	80%
Violone Continuo		15	0	1	3	80%
Violin 2		18	0	2	5	77%
Tenor as Fernando		15	0	4	8	55%

Che farò senza Euridice? — C. W. Gluck, “Orfeo ed Euridice”

Alexander Evstyugov-Babaev

3:17	Est. Play Time
67	Measures
	1,227Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
4 Violini I		20	1	5	5	100%
2 Viole		15	0	4	4	99%
View all 9 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
4 Violini I		20	1	5	5	100%
2 Viole		15	0	4	4	99%
4 Violini II		14	2	2	4	99%
Cembalo		18	45	5	3	98%
		17	0	3	3	97%
2 Celli e Contrabasso		17	0	3	3	97%
Contrabasso		17	0	3	3	97%
Orfeo		15	0	4	6	82%
Effetti MIDI		7	1	1	2	4%

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