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TRAVIATA de Verdi : Chœurs Partie 10/10 Baccanale

Papibois

0:48	Est. Play Time
74	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	20	11	5	6	89%
	18	8	2	4	86%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	20	11	5	6	89%
	18	8	2	4	86%
Bass	11	1	2	5	100%
Soprano 1	14	0	2	5	100%
Soprano 2	13	0	3	5	100%
Tenor 1	14	0	2	5	100%
Tenor 2	13	0	3	5	100%

HWV8A0N2 - Melodiosa Germana (Apollo) recitativo secco

edward.maurath

0:42	Est. Play Time
9	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
HSC	14	14	2	4	100%
	8	2	1	2	100%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
HSC	14	14	2	4	100%
	8	2	1	2	100%
Vcl	7	0	1	2	100%
Apollo	10	0	3	3	89%

HWV5A1N2 "petto col fulmine del cielo"

edward.maurath

0:06	Est. Play Time
6	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	10	10	2	2	88%
	9	5	1	4	100%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	10	10	2	2	88%
	9	5	1	4	100%
Violoncello (Continuo)	7	0	1	2	100%
Florinda	7	0	1	5	67%

HWV8A1N1 - "Ah! nò, sia pur pietosa" recitativo secco

edward.maurath

0:57	Est. Play Time
15	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	18	18	4	3	100%
	11	1	2	3	100%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	18	18	4	3	100%
	11	1	2	3	100%
Mirtillo	11	0	3	3	100%
Violoncello	10	0	2	3	100%

HWV1N17vEJM - "Nein, Osman muß, was er versprochen"

edward.maurath

0:17	Est. Play Time
6	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	11	7	3	2	83%
	12	6	3	2	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	11	7	3	2	83%
	12	6	3	2	100%
Harpsichord	11	7	3	2	83%
	12	6	3	2	100%
Organo	11	7	3	2	83%
	12	6	3	2	100%
Consalvo	12	0	2	4	100%
Continuo	6	0	2	2	100%

HWV8A0N11 - Pingi i trasporti (Apollo) recitativo secco

edward.maurath

0:16	Est. Play Time
3	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	11	7	1	4	100%
	4	0	0	2	100%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	11	7	1	4	100%
	4	0	0	2	100%
Apollo	6	0	1	3	100%
Violoncello	4	0	0	2	100%

Prząśniczka

Mateusz Orlinski (Kraftwerk Elctronic)

0:15	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		10	0	1	5	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		10	0	1	5	100%

HWV8A1N1 -"Ah! nò, sia pur pietosa" (Mertillo)

edward.maurath

0:57	Est. Play Time
15	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	18	18	4	3	100%
	11	1	2	3	100%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	18	18	4	3	100%
	11	1	2	3	100%
Mirtillo	11	0	3	3	100%
Violoncello	10	0	2	3	100%

HWV8A0N15 - La gelosia, cieco il furor (Apollo) recitativo secco

edward.maurath

0:20	Est. Play Time
4	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	12	8	3	2	100%
	6	0	1	2	100%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	12	8	3	2	100%
	6	0	1	2	100%
Apollo	6	0	2	4	100%
Violoncello	6	0	1	2	100%

Richard Wagner - Ride of the Valkryies. Professional production full score. {Unfinished.}

Jamie Holdham

0:07	Est. Play Time
32	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
I. Violinen. II.	10	0	0	2	80%
BRATSCHEN.	5	0	0	2	80%
View all 16 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
I. Violinen. II.	10	0	2	80%
BRATSCHEN.	5	0	2	80%
Violins	10	0	2	80%
Oboe	2	0	2	60%
	2	0	1	40%
3 Klarinetten in A.	2	0	2	60%
Englisch Horn.	2	0	2	60%
A Clarinet	2	0	2	40%
	2	0	1	40%
3 HOBOEN.	2	0	1	40%
BaBklarinette in A.	2	2	2	40%
Violoncelle.	5	0	2	40%
2 groBe Floten.	2	0	1	20%
2 kleine Floten.	2	0	1	20%
Flute	2	0	1	20%
Piccolo	2	0	1	20%

Wagner - Der Fleigende Hollander Overture to Akt 1. [Professional production full score.] [Unfinished.].

Jamie Holdham

0:10	Est. Play Time
32	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violini.	2	1	0	1	100%
Clarinetti I.II in B (A♭).	2	1	0	1	100%
View all 13 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violini.	2	1	0	1	100%
Clarinetti I.II in B (A♭).	2	1	0	1	100%
Flauti I.II.	2	1	0	1	100%
Viola.	2	1	0	1	100%
Violins	2	1	0	1	100%
Corni I.II in F (Fa).	3	0	0	3	85%
Corni III.IV in D (Re).	3	0	0	3	85%
Fagotti I.II.	4	0	0	4	85%
Oboi I.II.	2	1	0	2	71%
Trombe I.II in F (Fa).	2	1	0	2	43%
Contrabasso.	12	0	5	1	29%
Timpani in D u.A (Re La).	1	0	0	1	29%
Violoncello.	12	0	5	1	29%

Richard Wagner - ENDE.zu.DIE MIESTERSINGER in Full score.

Jamie Holdham

0:21	Est. Play Time
32	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabasses	7	0	1	5	100%
Violas	8	1	1	5	100%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabasses	7	0	1	5	100%
Violas	8	1	1	5	100%
Violoncellos	14	7	2	5	100%
Violins	4	0	0	5	83%
	4	0	0	5	83%
Bass	8	0	1	5	83%
Trombone	3	0	0	1	33%
	5	3	0	4	67%
Bassoon	1	0	0	2	50%
Horn in F	2	1	0	2	33%
	2	1	0	2	33%
C Trumpet	2	0	0	1	17%

Mystic Opera

Kenichi Kitsune The Composer

0:42	Est. Play Time
35	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Double Bass	7	2	3	100%
Viola	18	5	2	100%
Violin	19	5	2	97%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Double Bass	7	2	3	100%
Viola	18	5	2	100%
Violin	19	5	2	97%

Wagner - Tristan und Isolde Vorspiel to Akt 3. {Professional production full score.}

Jamie Holdham

0:01	Est. Play Time
97	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
I. Violinen. II.	28	0	8	6	47%
Violins	26	0	9	6	47%
View all 17 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
I. Violinen. II.	28	0	8	6	47%
Violins	26	0	9	6	47%
Violoncelli.	23	2	6	5	43%
Englishches Horn.	20	0	6	10	43%
Bratschen.	19	0	8	5	40%
Kontrabasse.	12	0	3	6	34%
Violoncellos	14	2	4	3	24%
Bassoon	6	0	1	3	23%
II. in F.	10	0	2	4	20%
Fag.	11	0	4	6	14%
Violas	13	0	6	5	9%
I. in F.	13	0	5	3	8%
Hob.I.	10	0	6	4	6%
B♭ Clarinet	8	0	4	6	5%
IV. in E.	6	0	2	3	5%
III. in E.	9	0	3	4	4%
Klar. in B.	6	0	2	3	2%

Die Miestersinger Prelude to Act III - Richard Wagner.

Jamie Holdham

0:01	Est. Play Time
30	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncelle.	15	0	3	6	84%
Bratsche.	11	0	3	5	58%
View all 13 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncelle.	15	0	3	6	84%
Bratsche.	11	0	3	5	58%
2.	8	0	2	4	32%
1 Violinen.	7	0	1	4	26%
Fg.1	8	0	2	5	26%
Fg.2	9	0	2	7	26%
Hr.1 in D.	8	0	1	5	26%
Hr.2 in D.	5	0	0	3	26%
Hr.3 in D.	4	0	1	3	26%
Hr.4 in D.	6	0	1	4	21%
3 Pos.	7	3	1	2	16%
2 Trp. in D.	3	1	1	3	11%
B.T.	2	0	0	2	11%

Wagner - Siegfried Vorspiel to Akt 3. {Professional production full score.} Unfinished.

Jamie Holdham

0:57	Est. Play Time
46	Measures
	1,369Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
VIOLINEN.	26	0	10	8	100%
BRATSCHEN.	24	0	9	4	100%
View all 30 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
VIOLINEN.	26	0	10	8	100%
BRATSCHEN.	24	0	9	4	100%
Contrabasse.	25	0	11	8	100%
Violins	23	0	9	8	100%
Violoncelle.	27	0	12	8	100%
FAGOTTEN.	28	8	9	8	90%
1. BASS-TUBA. (in B.)	21	2	10	8	88%
CONTRABASS-TUBA.	18	0	5	7	82%
BASS-CLARINETTE. (in B.)	23	0	7	7	75%
2 TENOR-TUBEN. (in Es.)	11	5	2	7	69%
Bassoon	26	0	9	7	68%
3 POSAUNEN.	21	5	7	7	63%
HORNER.	18	0	8	9	53%
2. BASS-TUBA.	10	0	6	7	50%
PAUKEN. (1. PAAR.)	2	0	0	4	43%
TROMPETEN.	8	0	3	5	38%
HOBOEN.	17	0	7	3	35%
CONTRABASS- POSAUNE.	6	0	3	2	32%
BASS TROMPETEN.	8	0	2	6	29%
CLARINETTEN.	17	0	8	4	25%
B♭ Clarinet	16	0	7	3	21%
Englisch Horn.	13	0	6	4	21%
F Trumpet	6	0	3	6	21%
Oboe	14	0	6	3	21%
Horn in F	15	7	5	3	21%
GROSSE FLOTEN.	4	1	1	3	14%
Flute	5	3	1	3	14%
Trombone	10	0	3	6	14%
Kleinen Floten.	2	0	1	2	7%
PAUKEN. (2. PAAR.)	1	0	0	1	7%

Lohengrin Vorspiel to Akt 3. {Professional production full score.} Unfinished.

Jamie Holdham

0:12	Est. Play Time
32	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
1. Clarinetten in A. 2.u.3.	12	0	2	7	100%
1. Floten. 2.u.3.	13	0	3	10	100%
View all 18 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
1. Clarinetten in A. 2.u.3.	12	0	2	7	100%
1. Floten. 2.u.3.	13	0	3	10	100%
1. Hoboen. 2.u.3.	9	0	1	3	100%
1.u.2. Horner in G. 3.u.4.	12	9	4	5	100%
1.Violine.	13	0	3	10	100%
2.Violine.	14	0	3	9	100%
A Clarinet	14	11	3	6	100%
Bratsche.	14	0	4	9	100%
Flute	13	8	2	5	100%
Horn in G	12	9	4	5	100%
Oboe	14	12	3	6	100%
3 FAGOTTE.	18	12	4	2	91%
Contrabass.	12	0	1	2	86%
Violoncell.	13	1	1	2	86%
3 Trompeten.	11	6	2	4	67%
3 Posaunen.	7	3	1	2	50%
BASS-TUBA.	4	0	0	2	43%
Pauken in G u.D.	2	0	0	2	43%

Pro Rady minor

Ivo Románek

0:54	Est. Play Time
36	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Klavír	10	3	3	6	100%
	13	8	5	3	100%
Bas	11	0	4	6	74%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Klavír	10	3	3	6	100%
	13	8	5	3	100%
Bas	11	0	4	6	74%

"Non disperar, chi sa?" from HWV 17

edward.maurath

0:01	Est. Play Time
59	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	24	12	6	6	98%
	23	4	6	5	98%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	24	12	6	6	98%
	23	4	6	5	98%
Harpsichord	24	10	7	6	98%
	23	5	7	5	98%
Continuo	23	0	6	5	98%
Cleopatra	16	0	5	5	72%
Violini	16	0	2	6	62%
Celli	17	0	1	3	56%
Violas	11	0	0	4	33%
Kontrebaß	13	0	0	2	21%

HWV17A3N02Y1724 Sinfonia in D Major, "La battaglia"

edward.maurath

0:52	Est. Play Time
19	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon	13	0	1	3	100%
	11	0	1	3	100%
View all 11 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon	13	1	3	100%
	11	1	3	100%
Harpsichord	13	1	3	100%
	13	1	3	100%
Oboe	13	2	4	100%
	18	2	2	100%
Celli	13	1	3	100%
Continuo	13	1	3	100%
Kontrebaß	13	1	3	100%
Violas	11	1	3	100%
Violini	18	2	2	100%