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Opera

Twenty-First Century Cure - Repo! The Genetic Opera

eilidhan

3:26	Est. Play Time
95	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Electric Bass	16	7	1	2	99%
Electric Guitar	17	14	2	3	99%
Viola	12	1	1	7	73%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Electric Bass	16	7	1	2	99%
Electric Guitar	17	14	2	3	99%
Viola	12	1	1	7	73%

O Mio Babbino Caro- Puccini (Gianni Schicchi)

Owlman142

1:25	Est. Play Time
32	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola.	16	9	0	5	100%
Violoncelli.	16	1	0	4	100%
View all 17 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola.	16	9	0	5	100%
Violoncelli.	16	1	0	4	100%
Violini I.	15	7	1	5	94%
Violini II.	16	10	0	5	94%
Contrabassi.	7	0	0	2	84%
Arpa.	16	4	0	2	48%
	20	7	1	2	79%
LAURETTA.	10	0	0	4	78%
Clarinetti 1. e 2. in Si ♭	13	5	0	5	62%
Oboi 1. e 2.	10	10	1	5	59%
Flauti 1. e 2.	16	4	0	4	58%
Corni 1. e 2. in FA amp;quot; 3. e 4. amp;quot;	2	1	0	3	6%
	9	1	1	4	51%
Fagotti 1. e 2.	7	3	1	5	38%
Corno Inglese.	7	0	0	5	28%
Trombe 1. 2. e 3. in FA	8	3	1	2	25%
Clarone in Si ♭	4	0	0	2	13%

Wagner - Die Miestersinger Von Nurenberg Overture to Akt 1. [Professional production full score.]

Jamie Holdham

1:24	Est. Play Time
36	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
2. VIOLINEN.	20	15	6	4	100%
BRATSCHEN.	23	18	6	7	100%
View all 17 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
2. VIOLINEN.	20	15	6	4	100%
BRATSCHEN.	23	18	6	7	100%
Violoncelle.	25	2	8	7	100%
2 FAGOTTE.	29	15	10	6	98%
1. VIOLINEN.	22	12	4	5	96%
4 HORNER in F.	17	0	5	6	96%
Contrabasse.	19	0	6	6	96%
Horn in F	14	0	4	6	88%
3 POSAUNEN.	13	0	4	6	82%
2 HOBOEN.	17	0	5	4	82%
BASS-TUBA.	23	0	5	6	79%
2 CLARINETTEN. in B.	15	0	4	4	77%
1 und 2 (F). 3 TROMPETTEN. 3 (C).	12	2	1	6	77%
Bass Trombone	14	0	2	6	68%
PAUKEN (C u.G).	2	0	0	2	29%
2 GROSSE FLOTEN.	7	0	1	2	25%
C Trumpet	5	0	0	4	25%

HWV5A3N21 - "Signore, poich'è lo sdegno"

edward.maurath

1:15	Est. Play Time
27	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello (Continuo)	13	0	3	3	100%
Organo (Continuo)	16	19	4	2	52%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello (Continuo)	13	0	3	3	100%
Organo (Continuo)	16	19	4	2	52%
	16	11	6	4	52%
Florinda	11	0	0	4	52%
Cembalo (Continuo)	9	10	0	3	48%
	12	10	1	4	50%
Evaneo	9	0	2	4	48%

HWV8A0N11 - Pingi i trasporti (Apollo) recitativo secco

edward.maurath

0:16	Est. Play Time
3	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	11	7	1	4	100%
	4	0	0	2	100%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	11	7	1	4	100%
	4	0	0	2	100%
Apollo	6	0	1	3	100%
Violoncello	4	0	0	2	100%

Handel: La March - D Major

edward.maurath

1:54	Est. Play Time
57	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Lute	13	15	2	3	93%
	17	32	3	5	100%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Lute	13	15	2	3	93%
	17	32	3	5	100%
Bassoon	12	3	2	5	100%
BSN	15	2	1	5	100%
Kontrebaß	15	0	1	5	100%
Oboe 1	12	0	1	5	100%
Oboe 2	13	2	3	5	100%
Vcl	15	0	1	5	100%
Vla	12	3	2	5	100%
Vln	15	39	3	5	100%
Trumpet at concert pitch	12	1	1	5	75%

Lohengrin Vorspiel to Akt 3. {Professional production full score.} Unfinished.

Jamie Holdham

0:12	Est. Play Time
32	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
1. Clarinetten in A. 2.u.3.	12	0	2	7	100%
1. Floten. 2.u.3.	13	0	3	10	100%
View all 18 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
1. Clarinetten in A. 2.u.3.	12	0	2	7	100%
1. Floten. 2.u.3.	13	0	3	10	100%
1. Hoboen. 2.u.3.	9	0	1	3	100%
1.u.2. Horner in G. 3.u.4.	12	9	4	5	100%
1.Violine.	13	0	3	10	100%
2.Violine.	14	0	3	9	100%
A Clarinet	14	11	3	6	100%
Bratsche.	14	0	4	9	100%
Flute	13	8	2	5	100%
Horn in G	12	9	4	5	100%
Oboe	14	12	3	6	100%
3 FAGOTTE.	18	12	4	2	91%
Contrabass.	12	0	1	2	86%
Violoncell.	13	1	1	2	86%
3 Trompeten.	11	6	2	4	67%
3 Posaunen.	7	3	1	2	50%
BASS-TUBA.	4	0	0	2	43%
Pauken in G u.D.	2	0	0	2	43%

Wagner - Gotterdammerung Vorspiel to Akt 2. {Professional production full score.}

Jamie Holdham

4:12	Est. Play Time
43	Measures
	1,563Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
3 FAGOTTE.	24	0	11	7	96%
BRATSCHEN.	18	16	8	7	93%
View all 28 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
3 FAGOTTE.	24	0	11	7	96%
BRATSCHEN.	18	16	8	7	93%
Violins	18	14	7	8	91%
VIOLINEN.	27	8	10	6	89%
Violoncelle.	24	0	11	10	88%
1 CONTRABASS- TUBA.	15	0	8	6	52%
BASS-CLARINETTEN.	21	0	10	6	50%
Contrabasse.	19	2	8	7	50%
Oboe	5	0	3	6	21%
	17	9	7	6	46%
Flute	15	2	1	7	45%
	10	0	2	7	19%
B♭ Clarinet	11	0	3	7	19%
	23	6	8	7	43%
1 BASS-TUBA.	11	0	3	5	41%
1 TENOR-TUBA.	7	0	3	4	29%
3 FLOTEN.	10	0	2	7	24%
3 TROMPETTEN.	14	0	5	5	21%
Trombone	2	0	1	2	19%
	2	0	0	2	19%
1 CONTRABASS- POSAUNE.	3	0	0	2	19%
3 HOBOEN.	4	0	1	6	19%
3 Posaunen.	2	0	0	2	19%
Contrabasses	20	0	7	9	19%
3 CLARINETTEN.	9	0	2	7	17%
4 HORNER.	3	0	1	2	11%
Horn in F	2	0	0	2	9%
Bassoon	1	0	0	2	5%

HWV 8-B Terpsicore GIGUE

edward.maurath

2:01	Est. Play Time
27	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	20	25	3	8	100%
	11	1	1	6	96%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	20	25	3	8	100%
	11	1	1	6	96%
Violas	11	0	1	6	100%
Violins 1	17	0	1	7	100%
Violins 2	14	0	3	7	100%
Continuo	11	0	1	6	96%
Contrabass	11	0	1	6	96%

LA BELLE HÉLÈNE d’Offenbach : Chœurs - Partie 10/11 N°21 Chœur et couplets de Pâris. BASSE 1

Papibois

3:37	Est. Play Time
153	Measures
	1,768Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
MusicXML Part	31	28	10	9	100%
	24	57	11	9	99%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
MusicXML Part	31	28	10	9	100%
	24	57	11	9	99%
Soli ténor	16	13	6	9	47%
Basse 1	14	0	2	8	46%
Basse 2	13	0	1	8	46%
Soprano 1	13	0	2	8	46%
Soprano 2	11	0	2	8	46%
Ténor 1	12	1	1	8	46%
Ténor 2	12	1	2	8	46%
Soli basse	6	2	1	6	23%
Soli soprano	12	7	2	7	23%

K 492: Number 24, "Il caproro e la caprella,"

edward.maurath

3:13	Est. Play Time
80	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins 1	27	3	7	8	100%
Violins 2	24	4	7	8	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins 1	27	3	7	8	100%
Violins 2	24	4	7	8	100%
Violas	17	0	3	9	99%
Celli	19	0	6	5	98%
Contrabasses	16	0	4	4	90%
Marcellina	14	0	3	11	79%
Harpsichord	11	9	0	4	28%
	13	7	1	4	29%

Chorus, "Viva il nostro Alcide" from "Giulio Cesare" HWV 17 (1724)

edward.maurath

2:17	Est. Play Time
64	Measures
	1,288Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord Continuo	15	3	1	3	100%
	15	5	1	3	100%
View all 17 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord Continuo	15	3	1	3	100%
	15	5	1	3	100%
Bassoon (Violas)	12	0	1	5	100%
Bassoon Continuo	15	0	1	2	100%
Contrabasses Continuo	15	0	1	2	100%
Oboe 1	15	7	3	6	100%
Oboe 2	15	0	3	5	100%
Violas	12	0	1	5	100%
Violins 1	15	7	3	6	100%
Violins 2	15	0	3	5	100%
Violoncellos Continuo	15	0	1	2	100%
Horn A	9	18	0	5	69%
Horn D	9	18	2	5	69%
Basses	12	1	1	4	41%
CONTRALTOS	11	0	2	3	41%
Sopranos	9	2	2	6	41%
Tenors	9	5	1	3	41%